Darkswoon – Antivenom (Viasonde)

Label Description:

Antivenom is the fourth album from Portland melancholic dark alternative trio Darkswoon, further refining the band’s emotionally charged intersection of darkwave, post-punk, and shoegaze. Built atop a hardware-driven electronic foundation, the record balances cold mechanical textures with an intimate human core, cradling Jana Cushman’s ethereally soaring vocals. Lyrically, Cushman confronts loss, anxiety, fear, and inequality with unflinching honesty, wielding words as both confession and scalpel.

Norah Lynn’s melodic yet gritty basslines snake through Rachel Ellis’ propulsive, kinetic rhythms, while Cushman’s guitar work provides a dense sonic web that at times pushes Darkswoon into more expansive shoegaze territory. The songs on Antivenom function as an immersive, atmospheric whole, yet retain a sense of urgency through cautionary missives, unresolved emotions, and the weight of things left unsaid. With each release, Darkswoon has continued to evolve, and on Antivenom, the trio sounds fully assured, channeling introspection into focused, resonant songwriting that highlights their distinct voice.

Music written and performed by Darkswoon

Lyrics written by Jana Cushman
Additional lyrics on x3 by Rachel Ellis
Guitar, Vocals by Jana Cushman
Synth, keys, drum machines by Rachel Ellis
Bass by Norah Lynn

Additional drum programming by Jeremy Wilkins
Additional guitar on Antivenom, Thread, and Blood Let by Jeremy Wilkins
Recorded and Produced by Jana Cushman and Jeremy Wilkins
Mixed by Jeremy Wilkins at underwater research and design
Design by M.Cadoo and Jana Cushman
Mastered @ 37n,122w

With deep love and gratitude, we’d like to
thank our friends, family, and fans for
the support, connection, and inspiration.


©DARKSWOON ℗VIASONDE 2026 • PUBLISHED BY n5MUSIC [BMI]

helllhound – Here In The Valley (Constellation Tatsu)

Label Description:

Here In The Valley is the debut full-length release from helllhound, the intimate sonic collaboration of life partners Cadmar Fitzhugh and Nailah Hunter. Born out of a seismic shift from urban Los Angeles to a remote mountain town in the Sierra National Forest, the record reflects a period of profound transition—into the wilderness, into parenthood, and into a deeper communion with self.

Woven together through acoustic guitar, harp, voice, and gentle electronics, Here In The Valley evokes the textures of the natural world and the unseen dimensions of ancestral memory. It moves like mist through tall pines and echoes like a fireside tale overheard from across a moonlit meadow. Tracing the arc from conception to early motherhood, the album celebrates the beauty and impermanence of life on Earth, the mysticism of matrescence, and the long journey home to oneself.

With tracks written before, during, and after pregnancy, the album unfolds like a handmade map of a spirit-led pilgrimage—through waterways, starfields, and golden hills. Each song is a milestone, a myth. From the harmonic murmurs of “downstream” to the ancestral chant of “by sea,” the stargazing restfulness of “the pleiades (sleep),” and the gentle nighttime balm of “lullaby,” Here In The Valley is a love letter to new life, old stories, and the sacred quiet in between.

The pair’s shared creative language finds expression in ethereal ambient and folk sounds. Nurtured in the stillness of California’s high country, their music conjures pastoral dreamscapes that hum with the mystery of birth, the longing of memory, and the wild devotion of partnership. Named after their spirited Husky-Aussie dog Sigge, helllhound channels both the chaos and comfort of life lived close to the bone—deep in the valley, with stars above and earth below.


Guitar and Synth by Cadmar Fitzhugh
Piano, Vocals, Harp and Guitar by Nailah Hunter

Mixed by Joseph Smith
Mastered by Salz Mastering

 

Gjöll – On The Forgetting Of Language (Ant-Zen)

Label Description:

ON THE FORGETTING OF LANGUAGE: to contemplate the forgetting of language is to witness the word’s erosion until only the tongues of smoke and ashes remain. we inhabit an era where the soul’s syntax dissolves into the profound gravity of the stillness, a quietude where we encounter the unconscious dream of redefining god as darkness. in this state of un-naming, the biological yields to the ontological; you realize that within you all blood is black, a river of ink awaiting a script that no longer exists. moving beyond the transactional nature of speech, as we brace the mountain, we offer the self – a final surrender of the ego to the unyielding earth. lured by the pull of the shadows, we move toward a soundless, formless, serene darkness that defies modern categorization. to forget language is not to lose intelligence, but to transcend it; it is to finally become one with the emptiness, where silence speaks with a clarity no tongue could ever achieve.
credits
released April 16, 2026

the icelandic duo GJÖLL engineers an electronic praxis that is as psychologically immersive as it is sonically confrontational. eschewing traditional composition for dense, evolving sound narratives, their work traces the architecture of tension, alienation, and transformation. rooted in the stark intersections of dark ambient and industrial noise, GJÖLL’s aesthetic is defined by a striking duality: vast, glacial expanses punctuated by violent eruptions of rhythmic intensity. beyond its surface abrasiveness, their music possesses an austere depth, evoking desolate northern landscapes and the cold introspection of the human condition. conceptually, GJÖLL explores the fractured psyche – navigating the dialectic between societal oppression and existential awakening. by translating emotional poles – from despair to a fragile, sonic release – they remain firmly situated within the most intellectually rigorous fringes of experimental electronics.

all tracks written by jóhann eiríksson and sigurður harðarson. produced and mixed by jóhann eiríksson
artwork by stefan alt.

this is ant-zen act497

{AN} EeL – Doggerel (Pan Pan Pan Avian Distress Call)

Label Description:

Moggy Log Slog
Midnight Mint Shag Splinter
Catered Dinner
Fox Trot Lyons Woods
Untidy You’ll do better on
Then down the road
Tow the line, done as told

Emulsify & Cajoled
Jollies in a sugar prism
Laughter in a long and winding
hallway system
Exist signs every
where

A Listless Shadow Lipstick
Rouge on the Moon in powder
Stardust & Serenades
Broken chi
Circus Mariachi Organ

Envelop total distrust

Elicit Gasps the Collective
Aunties of the world

clutch their pearls

And finger the accused in tandem ~


Sounds & Noises – {AN} EeL
Text & Image – {AN} EeL

Holodec – Tru Folk (Phantom Limb)

Label Description:

PHTNM059

Holodec – TRU FOLK LP

footsteps, car horns, a drawer sliding shut.
wind chimes, family voices, street corners.
bus stops, parks, a dog barking, a fight on TV.
Los Angeles, San Francisco, Taipei, Oakland, Keelung, San Gabriel Valley, South City.

░H░o░l░o░d░e░c░’░s░ ░T░R░U░ ░F░O░L░K░ ░L░P░ ░i░s░ ░b░o░t░h░ ░a░ ░f░o░l░k░ ░r░e░c░o░r░d░ ░a░n░d░ ░a░n░ ░a░u░d░i░o░ ░d░o░c░u░m░e░n░t░.░

It draws from a 15-year archive of field recordings that capture the ordinary music of lived life. Rather than aspiring to aesthetic refinement or spiritual escape, TRU FOLK exists at street-level. It approaches sound as a vernacular practice that values what is common and humanmade. The album functions as a record of presence, tracing how people live, move, and endure through shared environments. In doing so, it extends the idea of folk music into the realm of daily listening, creating a document of survival and place.

 

p̷̨̛̺̩̣̻̟͇̹̖͛̊͊͒̒͂̿̽͘ͅa̶̧̦̞͕̮̠̐͗́̍š̵̲̙̲̗̳̯̼͐̇̿̆̓́̾͝ť̶̰̿̉̒̽͘ ̸̘̲̀̀͋̈l̸̩̽́̀̆̈͘͠ͅi̷͓̬̳̰͊v̶̫̩̦̱̳͎̟̲̤̽ͅẹ̸̛̾̽̑̋̔͝͠s̷̙̃̚ͅ ̸̛̛͚̭̻̒͐̔̏́͠b̶͚̱͍̟̗̜̤͍͐͛́̊̓̕ḝ̷̡̺̤͙̹̗̥̤̿͝c̶̲̮͇̱̰͒̄̀ͅỏ̷̰́̈̍̓̃͆͝͝m̸̨̤̯̯̯͙͓̱̘̻͑͋̄̿͊̃̍̊é̶̛̞̣̥̝͐̍̆̅̏͆͘͠ ̴̡̮͈̥̼͈̹̱̘̃͐̑̈͐̒̾̓͜͝ṱ̷̻̲̩̼̭̲͉̝̽̌̀̀͋h̶̡͚̹̓͐̋̂̋i̸̧̬̫͇͕̩͗͋͐͋̂͘ͅs̵̢̡͈͖͔̘͔͇̾̊͒̀̌͋̕͠ ̶̨̲͓͉͔̍l̴̤̻̱̜̬̒͆́̎́̐̄͠͝i̴̧̪͓̖̻̻͉͇̹̓f̴̛͍̥̤̣̙̅̓͊̀͆̉̈͝ę̴̰̫̖̖̀̚.̴̫̱̀̆̋̊͘͠ ̴̨̼̰͙̃̈́ẗ̶̗̼̲̗͈̤̹̭̲́̐̈̾͂̅̽͐͘͜͝h̵̛͍̤̜͇̉̔ī̸̞̙̲͇̻̕ş̶̩͕̩̲̈́͠ ̵̩͚́͆̓̐l̷̳͔̥͍̞̑̆ͅí̵̛̩͍́͑͗̈͝f̵͙̠̂̍ē̶̪ ̶̙͔̮̩̱̤̪́̑͘b̴̪̭̹̾ę̶̧̢̱͖̰̑̾c̶̨͚̺̗̬̳̎̀ǫ̵̢͓͖̠̝͎̺̌̔̿̍͘͘͜ͅm̴̼̬̩͒̑͆̋̕̚̚͝e̷̡̛̳͚̰̞̱͊͒͝s̶̢̨̅̀̿̈́̒͑ ̵̡̙̭̤̟͕̘̖͑́̋̄̾̚͜͜͝ṭ̶̢͔̪͎̘̋̾̚ͅh̸̥̪̦̮̆̑͠ȩ̷̝̳͚͕̦̃̆́̆͝͠ͅ ̸̡̰̪̲̣͈̤̆̿̃̈̏́n̶͖̓ê̴̢̧̹̥̙̭̞̂̃̓́̒͊̅̿͋x̵̥͙͉̝̙͍͖̱̭͇̆̾̀́̇̋̓̽̚͝t̸̨̧͙̘̻̞̰̍̆̇̈́̀̎̈́̀̚ ̴̧̖̠̪̙̊̿̍̏͊̏l̵̜̖̺̐̓̿i̴̞̘̲̪͚̪͛̆̓̃͊̓̅̓͒̈́f̷̟̜̻͗͗͒̌̐̎͗̍͜é̸͚̼̬͖̫̯̌̀̍ͅ.̵̧̦̮̼̙͚͍͗͊͗̅͒̚͜
credits

Mastered by Nick Foglia
Artist & Repertoire Direction by Jonathan Jayasinghe
Design by Allek Bien
Photography by Donovan Novotny

Reeking Aura – On The Promise Of The Moon (Profound Lore Records)

Label Description:

REEKING AURA, a 5 piece death metal group made of seasoned veterans from the NY/NJ underground scene, returns in 2026 with their second album On the Promise of the Moon to be released on April 17th via Profound Lore Records. Tracked at OK Studios in Kinderhook, NY then mixed and mastered by the legendary Dan Swano, On the Promise of the Moon builds on the “Fires in Deep Frost” EP released in 2025 with a dark, melodic atmosphere that does not compromise their brutal, guttural NY roots.

Returning from the first album are guitarists Terrell Grannum (Thaetas), and Rick Habeeb (Grey Skies Fallen) as well as vocalist William Smith (Afterbirth). Drummer Hudson Barth and bassist TJ Coon (both also in Trog) round out the lineup and bring fresh blood to the band, with all members having contributed to the writing process.

The album also features contributions from guest vocalists Eston Browne (Vulnificus) and Jon Berg (The Path) as well as string arrangements by Ben Karas (Slaughtersun).