Gjöll – On The Forgetting Of Language (Ant-Zen)

Label Description:

ON THE FORGETTING OF LANGUAGE: to contemplate the forgetting of language is to witness the word’s erosion until only the tongues of smoke and ashes remain. we inhabit an era where the soul’s syntax dissolves into the profound gravity of the stillness, a quietude where we encounter the unconscious dream of redefining god as darkness. in this state of un-naming, the biological yields to the ontological; you realize that within you all blood is black, a river of ink awaiting a script that no longer exists. moving beyond the transactional nature of speech, as we brace the mountain, we offer the self – a final surrender of the ego to the unyielding earth. lured by the pull of the shadows, we move toward a soundless, formless, serene darkness that defies modern categorization. to forget language is not to lose intelligence, but to transcend it; it is to finally become one with the emptiness, where silence speaks with a clarity no tongue could ever achieve.
credits
released April 16, 2026

the icelandic duo GJÖLL engineers an electronic praxis that is as psychologically immersive as it is sonically confrontational. eschewing traditional composition for dense, evolving sound narratives, their work traces the architecture of tension, alienation, and transformation. rooted in the stark intersections of dark ambient and industrial noise, GJÖLL’s aesthetic is defined by a striking duality: vast, glacial expanses punctuated by violent eruptions of rhythmic intensity. beyond its surface abrasiveness, their music possesses an austere depth, evoking desolate northern landscapes and the cold introspection of the human condition. conceptually, GJÖLL explores the fractured psyche – navigating the dialectic between societal oppression and existential awakening. by translating emotional poles – from despair to a fragile, sonic release – they remain firmly situated within the most intellectually rigorous fringes of experimental electronics.

all tracks written by jóhann eiríksson and sigurður harðarson. produced and mixed by jóhann eiríksson
artwork by stefan alt.

this is ant-zen act497

{AN} EeL – Doggerel (Pan Pan Pan Avian Distress Call)

Label Description:

Moggy Log Slog
Midnight Mint Shag Splinter
Catered Dinner
Fox Trot Lyons Woods
Untidy You’ll do better on
Then down the road
Tow the line, done as told

Emulsify & Cajoled
Jollies in a sugar prism
Laughter in a long and winding
hallway system
Exist signs every
where

A Listless Shadow Lipstick
Rouge on the Moon in powder
Stardust & Serenades
Broken chi
Circus Mariachi Organ

Envelop total distrust

Elicit Gasps the Collective
Aunties of the world

clutch their pearls

And finger the accused in tandem ~


Sounds & Noises – {AN} EeL
Text & Image – {AN} EeL

Holodec – Tru Folk (Phantom Limb)

Label Description:

PHTNM059

Holodec – TRU FOLK LP

footsteps, car horns, a drawer sliding shut.
wind chimes, family voices, street corners.
bus stops, parks, a dog barking, a fight on TV.
Los Angeles, San Francisco, Taipei, Oakland, Keelung, San Gabriel Valley, South City.

░H░o░l░o░d░e░c░’░s░ ░T░R░U░ ░F░O░L░K░ ░L░P░ ░i░s░ ░b░o░t░h░ ░a░ ░f░o░l░k░ ░r░e░c░o░r░d░ ░a░n░d░ ░a░n░ ░a░u░d░i░o░ ░d░o░c░u░m░e░n░t░.░

It draws from a 15-year archive of field recordings that capture the ordinary music of lived life. Rather than aspiring to aesthetic refinement or spiritual escape, TRU FOLK exists at street-level. It approaches sound as a vernacular practice that values what is common and humanmade. The album functions as a record of presence, tracing how people live, move, and endure through shared environments. In doing so, it extends the idea of folk music into the realm of daily listening, creating a document of survival and place.

 

p̷̨̛̺̩̣̻̟͇̹̖͛̊͊͒̒͂̿̽͘ͅa̶̧̦̞͕̮̠̐͗́̍š̵̲̙̲̗̳̯̼͐̇̿̆̓́̾͝ť̶̰̿̉̒̽͘ ̸̘̲̀̀͋̈l̸̩̽́̀̆̈͘͠ͅi̷͓̬̳̰͊v̶̫̩̦̱̳͎̟̲̤̽ͅẹ̸̛̾̽̑̋̔͝͠s̷̙̃̚ͅ ̸̛̛͚̭̻̒͐̔̏́͠b̶͚̱͍̟̗̜̤͍͐͛́̊̓̕ḝ̷̡̺̤͙̹̗̥̤̿͝c̶̲̮͇̱̰͒̄̀ͅỏ̷̰́̈̍̓̃͆͝͝m̸̨̤̯̯̯͙͓̱̘̻͑͋̄̿͊̃̍̊é̶̛̞̣̥̝͐̍̆̅̏͆͘͠ ̴̡̮͈̥̼͈̹̱̘̃͐̑̈͐̒̾̓͜͝ṱ̷̻̲̩̼̭̲͉̝̽̌̀̀͋h̶̡͚̹̓͐̋̂̋i̸̧̬̫͇͕̩͗͋͐͋̂͘ͅs̵̢̡͈͖͔̘͔͇̾̊͒̀̌͋̕͠ ̶̨̲͓͉͔̍l̴̤̻̱̜̬̒͆́̎́̐̄͠͝i̴̧̪͓̖̻̻͉͇̹̓f̴̛͍̥̤̣̙̅̓͊̀͆̉̈͝ę̴̰̫̖̖̀̚.̴̫̱̀̆̋̊͘͠ ̴̨̼̰͙̃̈́ẗ̶̗̼̲̗͈̤̹̭̲́̐̈̾͂̅̽͐͘͜͝h̵̛͍̤̜͇̉̔ī̸̞̙̲͇̻̕ş̶̩͕̩̲̈́͠ ̵̩͚́͆̓̐l̷̳͔̥͍̞̑̆ͅí̵̛̩͍́͑͗̈͝f̵͙̠̂̍ē̶̪ ̶̙͔̮̩̱̤̪́̑͘b̴̪̭̹̾ę̶̧̢̱͖̰̑̾c̶̨͚̺̗̬̳̎̀ǫ̵̢͓͖̠̝͎̺̌̔̿̍͘͘͜ͅm̴̼̬̩͒̑͆̋̕̚̚͝e̷̡̛̳͚̰̞̱͊͒͝s̶̢̨̅̀̿̈́̒͑ ̵̡̙̭̤̟͕̘̖͑́̋̄̾̚͜͜͝ṭ̶̢͔̪͎̘̋̾̚ͅh̸̥̪̦̮̆̑͠ȩ̷̝̳͚͕̦̃̆́̆͝͠ͅ ̸̡̰̪̲̣͈̤̆̿̃̈̏́n̶͖̓ê̴̢̧̹̥̙̭̞̂̃̓́̒͊̅̿͋x̵̥͙͉̝̙͍͖̱̭͇̆̾̀́̇̋̓̽̚͝t̸̨̧͙̘̻̞̰̍̆̇̈́̀̎̈́̀̚ ̴̧̖̠̪̙̊̿̍̏͊̏l̵̜̖̺̐̓̿i̴̞̘̲̪͚̪͛̆̓̃͊̓̅̓͒̈́f̷̟̜̻͗͗͒̌̐̎͗̍͜é̸͚̼̬͖̫̯̌̀̍ͅ.̵̧̦̮̼̙͚͍͗͊͗̅͒̚͜
credits

Mastered by Nick Foglia
Artist & Repertoire Direction by Jonathan Jayasinghe
Design by Allek Bien
Photography by Donovan Novotny

Reeking Aura – On The Promise Of The Moon (Profound Lore Records)

Label Description:

REEKING AURA, a 5 piece death metal group made of seasoned veterans from the NY/NJ underground scene, returns in 2026 with their second album On the Promise of the Moon to be released on April 17th via Profound Lore Records. Tracked at OK Studios in Kinderhook, NY then mixed and mastered by the legendary Dan Swano, On the Promise of the Moon builds on the “Fires in Deep Frost” EP released in 2025 with a dark, melodic atmosphere that does not compromise their brutal, guttural NY roots.

Returning from the first album are guitarists Terrell Grannum (Thaetas), and Rick Habeeb (Grey Skies Fallen) as well as vocalist William Smith (Afterbirth). Drummer Hudson Barth and bassist TJ Coon (both also in Trog) round out the lineup and bring fresh blood to the band, with all members having contributed to the writing process.

The album also features contributions from guest vocalists Eston Browne (Vulnificus) and Jon Berg (The Path) as well as string arrangements by Ben Karas (Slaughtersun).