Bang Of Hearts – Through The Water (Self-Released)

Label Description:

All Winter we’ve been hiding in the Barn, experimenting, improvising and nourishing our souls from a dying world.

These recordings are a testimony of the dark times we are living in, to uplift, to manifest and to divert our ways.

Recorded between December 2025 and February 2026 at the Barn, Betekom, Belgium.

Bang of Hearts is a musical entity consisting of Dominique Van Cappellen-Waldock (Baby Fire, Veda, Fleur de Feu,…) on vocals and spoken word, Timo Jacobs / Forestaal (Schim, the Moondig, Myaelin, Pilod,…); vocals, electronics, drums and percussion and Peter Verwimp / Ashtoreth ( Maya, Emptiness, Building Transmissions,…) on vocals, bass and guitar.

Together they conjure up an eclectic form of vast, improvised drone pieces with a ritualistic character.
Every now and then they gather at the Barn in Betekom, Belgium and pour their hearts out. They play what they feel and this may result in a patchwork of styles and influences: dark ambient, sludge, kraut rock, ritual drones, gothic doom, electronic soundscapes…one never knows what to expect as it is always delivered in a free form; a hypnotic sonic adventure for both the players as well as the audience.

Spoken Word and voices: Dominique Van Cappellen-Waldock
Drums, Electronics & voices: Forestaal / Timo Jacobs
Guitars, Bass & Voices: Ashtoreth / Peter Verwimp
Live mix: Timo jacobs
studio mix: Peter Verwimp
Mastering: Ronald Mariën
Artwork: Peter Verwimp

precenphix – teichopsia (Not Yet Remembered Records)

Label Description:

— NOTE —
This is a joint release between Not Yet Remembered Records and the Move Quiet Records imprint out of Long Island, NY (movequiet.bandcamp.com). Should physical copies sell out here, head to movequiet.bandcamp.com for a chance at additional copies. And check out the rest of their discography while you’re at it, as it is excellent.


Teichopsia finds Precenphix returning to NYR as well as debuting on Long Island, NY imprint, Move Quiet Records, with the fruit of a nearly two-year labor through poor health. Drawing inspiration from artists such as Seefeel, Richard D James, Trent Reznor & Atticus Ross, Jack Dangers, Björk, Coil, Scorn, Monolake and Autechre, it is an amalgam of influence steeped in electronic music’s resurgence and prominence into the sonic landscape of the 1990s through the 2000s and beyond.

The recording is a concept album, in abstract. In terms of its composition, the layout is melodic but also has deep roots in both electronic and acoustic sound design. It’s sound ranges from IDM / braindance, glitch, ambient, dub, breakbeat, downtempo, industrial, modern classical, musique concrète and even score work.

In terms of the what the album means to me, I would prefer to remain more abstract rather than project my own narrative or even fully reveal the theme, allowing the listener the capability to insert their own interpretation of this record – which is meant to be taken in as a whole rather than by isolating things song by song.

There are little to no ‘singles’ on the album. Rather, it is meant to be experienced in a single sitting, which is a big ask anymore considering everyone’s attention span (including my own) has been reduced to that of a fruit fly with the proliferation of quickly digestible social media clips. But if attempted, the ebb and flow of its continuity becomes apparent and makes for a complete, compelling story.

I’m asking the listener to come on a turbulent journey with me, where respite seldom presents itself, but ultimately the protagonist comes through in the end with hopeful resilience and a newfound perspective on the grand scheme of things. A silver lining is mostly obscured, but it exists if you’re open enough to be willing to let it present itself to you.
 

All songs written, recorded, performed and produced by Ben Rabenold @ The Lamp Post 2024-2025

Mastered by Marcus Miller @ Holosuite Mastering

Front cover photography by Olga Karlovac

Back cover / inner panel photography by Chris Friel

Disc inlay photography by Bryn Alleman

Booklet & disc image photography by Ben Rabenold

Design by consumer

Thank you: Bryn Alleman, Patrick Blinkhorn, Will Creason, Euan Dalgarno, Chris Friel, Iris Fuller,Mindi Hartlaub, Nikki Hope, Justin @ MQ, Olga Karlovac, Marcus @ Holosuite, Mom & Dad, Pietro Da Sacco, Caleb Byron Smith, Jake Wayman, room 606, the Great Solar Eclipse 2024, all at Jefferson Methodist Headache Center

©℗ Ben Rabenold 2026



Gjöll – On The Forgetting Of Language (Ant-Zen)

Label Description:

ON THE FORGETTING OF LANGUAGE: to contemplate the forgetting of language is to witness the word’s erosion until only the tongues of smoke and ashes remain. we inhabit an era where the soul’s syntax dissolves into the profound gravity of the stillness, a quietude where we encounter the unconscious dream of redefining god as darkness. in this state of un-naming, the biological yields to the ontological; you realize that within you all blood is black, a river of ink awaiting a script that no longer exists. moving beyond the transactional nature of speech, as we brace the mountain, we offer the self – a final surrender of the ego to the unyielding earth. lured by the pull of the shadows, we move toward a soundless, formless, serene darkness that defies modern categorization. to forget language is not to lose intelligence, but to transcend it; it is to finally become one with the emptiness, where silence speaks with a clarity no tongue could ever achieve.
credits
released April 16, 2026

the icelandic duo GJÖLL engineers an electronic praxis that is as psychologically immersive as it is sonically confrontational. eschewing traditional composition for dense, evolving sound narratives, their work traces the architecture of tension, alienation, and transformation. rooted in the stark intersections of dark ambient and industrial noise, GJÖLL’s aesthetic is defined by a striking duality: vast, glacial expanses punctuated by violent eruptions of rhythmic intensity. beyond its surface abrasiveness, their music possesses an austere depth, evoking desolate northern landscapes and the cold introspection of the human condition. conceptually, GJÖLL explores the fractured psyche – navigating the dialectic between societal oppression and existential awakening. by translating emotional poles – from despair to a fragile, sonic release – they remain firmly situated within the most intellectually rigorous fringes of experimental electronics.

all tracks written by jóhann eiríksson and sigurður harðarson. produced and mixed by jóhann eiríksson
artwork by stefan alt.

this is ant-zen act497

EXIT ELECTRONICS – I’M YOUR BEGGAR (Avalanche Recordings)

Label Description:

PAY AS YOU LIKE

PLEASE DONATE AND SUPPORT IF YOU CAN

Primal broken rhythm machines, bass, and noise music. 

Textural industrial destruction.

A no hope soundtrack for the brave and the bold. 

Approach with extreme caution.

Justin K Broadrick – Electronics. 2009-2025

INDUSTRIAL MUSIC

AVALANCHE RECORDINGS. 2026

AREC092

flyoversx – the art of defenestration: excerpts, sketches, unreleased ideas (Owlripper Recordings)

Label Description:

recorded during 2017~2025:
(1) recorded apr 2022
(2) recorded apr 2017 *
(3) recorded jun 2022
(4) recorded dec 2025
(5) recorded jun 2022
(6) recorded sep 2017 *
(7) recorded oct 2022
(8) recorded nov 2024
(9) recorded apr 2017 *
(10) recorded oct 2022

* – taken from unreleased pre-flyoversx 12-track demo

compiled/edited/remastered december 2025

in memory of better times

Acid Terminator – Acid Terminator (Phantasma Disques)

Label Description:

In the neon-lit margins of underground electronic music lives Acid Terminator, a shadowy audio entity that sounds less like a band and more like a malfunctioning time machine. Emerging somewhere between late-night pirate radio, forgotten warehouse raves, and the ghost circuitry of vintage drum machines, Acid Terminator operates at the intersection of acid house mythology and dystopian sci-fi.

Adrian Vale – machines
Sarah L Connor – Emulator, Linn Drum, Vocoder Operator Unit 1

Plague Clock – Junkpile [Extended Anniversary Edition] (Self-Released)

Label Description: Tracks 1 to 14 are exactly the same as the original Junkpile album (unless I accidentally uploaded the wrong version…), nothing’s been remastered or anything. Tracks 15 to 20 are songs that I finished between Junkpile and Junk Drawer, but didn’t end up on that album for whatever reason.