Label Description: The Liber series was always about the dancefloor; Dark rooms, loud systems, repetition, pressure and the point where the machinery takes over. Liber Eleven returns to those ideas with the original tracks remastered and re-issued on CD, limited edition vinyl and digital downloads.
This is The Black Dog in full techno mode. Hypnotic, physical and built for big systems, with enough strange corners to keep things interesting when the lights go down. It all started with the EPs Liber Kult, Liber Temple and Liber Nox, followed by the albums Liber Dogma and Liber Chaos. Eleven picks up that thread and carries it forward.
No nostalgia trip. No archive dusting for the sake of it. Just The Black Dog making techno.
Label Description: Collects works from 2025 and 2026. If they’re named for a saint, they were made on or around that saint’s feast day.
FANFARE: Everyone needs a fanfare. This is the Fanfare Of Slant Tales. One synth, one chord sequence. Welcome to the fair.
Jungular: A breakbeat broken. A bassline that refuses to sit still. Clouds of harmony modulated by industrial noise.
St Nestor: His saint day is October 27th. The Emperor Maximinian had him killed for killing the emperor’s favored gladiator. The sounds each run in their own time, colliding and mingling.
Andromedy: Tragedy? Comedy? Andromedy! While my melodica gently weeps.
North Face: named for Autechre’s iconic preferred outerwear brand.
Taschen: German For “bags.” A dance for the rhythmless.
St Rose: Her Saint Day is August 23. She wore a heavy silver crown of thorns. Halfway between baroque and chaos.
St Venturino: His Saint Day is March 28th. A charismatic leader, he led a pilgrimage to Rome and was imprisoned by Pope Benedict XII for 8 years. Sounds like an underwater harpsichord playing several songs at the same time.
XGiving: It is a holiday. Solve For X. A mixed meter breakbeat, like climbing stairs on uneven stilts, but the harmony still rises.
St. Athanasius: His Saint Day is May 2nd. He was exiled 5 times over the question of Christ’s divinity. The music is an edgeless cloud of shifting harmony.
Composition & Realization: Kent Williams/Chaircrusher Mastered by Michael Southard music@rumortone.com Cover art: @laraianuzzi.bsky.social Album Title: Inspired by Larry Baker, author of “Tell It Slant,” inspired in turn by Emily Dickinson. Dedicated to Richard Williams(RIP).
Label Description: Recorded in Ipswich in the mid 1980’s, using two track reel to reel tape recorders, cassette recorders, SCI Pro One, bass and electric guitars, Boss DE-200 digital delay, Roland TR-606 drum machine, Colorsound fuzzbox, Shure SM50 mic, radio and various effects pedals.
Label Description: Bruto Industries presents Slammer Weapons EP by Colombian producer Filmmaker, the label’s third 12-inch release.
Five original tracks built on EBM, industrial, and electro, infused with elements of dungeon synth and centered around a raw, dark, and distinctive sonic identity.
The tracks explore a range of tempos and have been conceived as club tools: sonic weapons designed to work at varying levels of intensity.
Dob41 closes out the EP with a remix of “Swordmaster,” reimagining the original track with a more extreme and direct approach. agining the original track with a more extreme and direct approach.
Mixed and Mastered by Dan Böhler. Artwork by Lucas Salinas. Distributed by Melting Pot Records.
Label Description: Colombian based live act Dead Artist is back after his contribution to ‘Pulsating Body’ compilation, this time with a 4 track EP titled ‘Fantasy Of Progress’ loaded of frenetic rhythmic noise and harsh electropunk. In his words “The progress is perfect when it doesn’t touch their fictional castles, when it doesn’t select their sons for war. The progress is perfect when doesn’t dirty their cities of putrid soul.
The watchful eye, the police, and the state hidden hand restrict inhabiting the city.
Concrete Cemetery / Future Dead Cities
Tracks by Dead Artist Artwork & mastering by Faunes Efe
Label Description: Written and produced by Guy Gormley and Thomas Bush Additional production on Barley Wine by Theodore Wright Mastered by Miles Whittaker Dedicated to the Korg Triton.
Label Description: After looking at how producers such as John Cage, Jean Michel-Jarre and Joe Meek produced music I translated that information into “Flashback Sequence”. This album evokes memories from the 90s and the Commodore Amiga. Enjoy.
Label Description: Mannequin Records is elated to present Electronic Corporation “1998–2006”, a compilation bringing together rare and long unavailable recordings by the German electronic projects heimelektronik and MAS 2008.
Active around the turn of the millennium, both projects share the involvement of producer Ive Müller while developing distinct collaborations and approaches to electronic music. H.E.I.M. Elektronik was founded in 1996 by Holger Erlenwein and Ive Müller (after the two artists split in 1999, Müller continued using the name), while MAS 2008 is the project of Ive Müller together with René Kirchner. Though separate entities, the two projects explored a similar sonic territory: stripped-down electro, minimal electronics and machine-driven body music shaped by analog hardware and a raw DIY production ethos.
The roots of Müller’s work go back to the final years of the DDR. As a teenager he worked as a licensed DJ — officially known as a “Schallplattenunterhalter” — operating a travelling disco across Saxony. With limited access to official Western releases, music circulated through cassette recordings taped from West German radio stations such as RIAS Berlin, NDR2 and Bayern3. Together with friends he travelled between youth clubs and discos around Leipzig with a “rolling discotheque”: a Russian Wolga pulling a trailer loaded with Electro-Voice sound systems sourced through the black market.
At the turn of the 2000s this background in underground electronic culture resurfaced in a series of recordings rooted in electro, EBM and minimal machine music. The tracks collected on Electronic Corporation 2000–2002 capture this moment: cold sequences, driving rhythms and stark synthetic textures produced with a direct and uncompromising approach.
Compiled and remastered by Rude 66 from the original sources, Electronic Corporation 2000–2002 documents a small but fascinating chapter of German underground electronics from the early digital era.
For fans of: Le Syndicat Electronique, I-F, Dopplereffekt, Drexciya, Legowelt, Adult., The Hacker, DMX Krew, Gesloten Cirkel, and early Bunker Records electro.
Tracks recorded between 1998 and 2006, originally released across various Electronic Corporation catalogue numbers.
All tracks composed, programmed and recorded by Ive Müller & René Kirchner.
