Ourobonic Plague – G.A.: Six: Communion (Self-Released)

Label Description: “oooh. oh, OK. it did work…”
..


breaking through and the not carefulling of what wished for. be not afraid. you have prepared for this. sought it.


..

things are starting to get a little weird. but simple. it almost makes sense.
.
.
.
liner notes: pastebin.com/CF39dauY
single1: /// Leaf House: youtu.be/kSNqoLDvrjE
single2 /// Alien Tongue: youtu.be/UFwQA0NAhU4

Mick Magic – The Bridge (Klappstuhl Records)

Label Description: “Celebrating 40 years in underground music, “The Bridge” is a collection bridging my cassette culture years, with Magic Moments At Twilight Time and Ehrlich Bullet, to my digital era project, Magic Bullet, and on to the bridge of my radioshow’s starship, the WSS Boobyprise (Consolation Class).”

– Mick Magic

Includes bonus items:
The Bridge” – The official 40th anniversary album guide
(PDF format booklet, 24 pages)
“The Second World Chronicles” by Sati Varg
(PDF format book, 244 pages, the ‘lost time journal’ from the 2016 Magic Moments At Twilight Time 30th anniversary online event, “Down The Rabbit Hole”)

Concept, Mix, Mastering – Mick Magic
Also see individual track notes for further details.
“Radioshow To The Stars” Pts. 1-8 recorded aboard the
WSS Boobyprise (Consolation Class), June 2026

Cover Art includes elements originally drawn by:
Kate Twilight: Ford Escortron and Magic Moments band picture
Kevin Trundley: The WSS Boobyprise and Magic Bullet band picture
Thayen Rich: The Starship Psychotron, with party going on
Iaino Davies: Ehrlich Bullet logo and band picture
Design and Layout by Mick Magic.
www.mickmagic.net

Licensed from Music & Elsewhere 2026

Published by Klappstuhl International

[SP 048]

Kara Konchar – Nova Mitologia (Rotten/Fresh)

Label Description: Nova Mitologia é um deselogio aos tempos que nos são contemporâneos. Bruto, maquinal, acídico. Derrotado, magmático, contemplativo. Explorativo por natureza, não foi planeado — foi sendo feito.
Do EBM ao industrial mais barulhento, com lamirés ambientais e outsider-folk, houve preferência pelas tecnologias neo-arcaicas e a sujeição ao erro.
Conta com a nobre participação de Vile Karimi, Violeta Azevedo e Inês Malheiro, que elevam e transportam o disco para novos territórios que sozinho seriam impossíveis.

O artefacto musical (CD) está disponível em rottenfresh.bandcamp.com/album/nova-mitologia

Miguel Béco – Música, trabalho técnico e gráfico
Inês Malheiro – Voz e efeitos (faixa 7)
Vile Karimi – Sintetizadores e efeitos (faixa 1)
Violeta Azevedo – Flauta transversal e efeitos (faixas 5 e 6)

Camilla Pisani – Konstellationen (Aesthetical)

Label Description: With Konstellationen, Camilla Pisani explores language as a fluid and universal force, extending beyond words into sound, gesture, symbols, and even the movements of the stars. At the heart of the work lies rhythm, the fundamental principle linking music, astronomy, and human perception, transforming disparate forms of expression into a unified creative language.

Through layered arrangements, hypnotic pulses, and suspended atmospheric textures, Pisani creates a series of immersive sonic environments where rhythm becomes more than structure, evolving into a vehicle for emotion, transformation, and connection. Delicate yet powerful, the compositions unfold as dreamlike spaces suspended between intimacy and vastness.

Expanding beyond the purely musical, Konstellationen embraces a multidimensional artistic approach in which sound, text, and imagery exist in constant dialogue. Each composition is accompanied by writings developed by the artist over several years, offering poetic entry points into the work and enriching its narrative depth.

Conceived as both a personal reflection and a universal gesture, Konstellationen presents electronic music as a spiritual language, one capable of transcending cultural boundaries through shared sonic experience. Cyclical rhythms echo celestial movements, natural forces, and collective human experience, inviting listeners into a world where perception, imagination, and communication converge.

CD Edition of 200 copies in 4 panel Digipak with 16 pages Booklet. 

Mixed and mastered by Matteo Gualeni at @c.o.s.a.studio
Teaser by Rosalia Giuliano at @studiogleba

Unruly Disturbance – Frisson (Not Yet Remembered Records)

Label Description: Manchester, UK native Tom Collingburn, who records as Unruly Disturbance, has put together a varied and emotional record entitled ‘Frisson’ designed to elicit this very effect. From sweeping ambient work, dripping with gorgeous sound design to beat-driven workouts, the album delivers this physical response to music in spades.

Featuring a few tunes with poetry recitations by featured artist Mat Riches, these pieces act as an anchor on an otherwise instrumental recording that explores different facets of mood, texture, melody, groove, and the human psyche itself. Rife with a mix of analog drift paired with precise programming and sequencing, meticulous around-the-house sampling, and stellar live-take performances, this seasoned electronic music veteran has returned to the fray after a long hiatus…and the wait was worthwhile. Certainly one not to be missed…a treat for the ear-bones.

The album releases 6/12/2026. Anyone who preorders this album will also receive free codes to two of Tom’s previous Unruly Disturbance albums, ‘Music for Scenes,’ and ‘Melodic Drone.’

  • Ben @ NYR

Written & Produced by Thomas Bernard Collingburn

Gigi Masin – Movement (Sacred Bones Records)

Label Description: Following the jazzy library vibes of 2023’s collaborative Dolphin LP with Greg Foat and Moses Boyd, the venetian maestro Gigi Masin returns to the ambience for which he is renowned, with Movement – his first solo full-length since 2020’s Calypso, and his Sacred Bones Records debut. Fuelled by creative reinvention and rhythmic motion, he moves seamlessly between melancholy electronic notes, technoid robotics, groovy liminal cloudscapes, and fathoms-deep ambient aquatics.

Since early beginnings in obscurity, his 1986 debut album Wind slowly built an organic following on late night radio, later bolstered when “Clouds” was sampled by artists like Björk, Post Malone, and more. He now counts Oneohtrix Point Never, Devendra Banhart, Caroline Polachek, and the late Kenny Wheeler as fans.

The new album Movement reflects on Masin’s place within the pantheon of ambient masters, his ongoing artistic ambitions, and his aspirations for a scene which he’s seen grow exponentially from humble beginnings. The LP is also an ode to literal movement, both in nature, and in human physical expressions to sound. Masin strived to make ambient music for movement, not in the standard dance music sense, but “dynamic music, with a beating heart full of love.” Reconfiguring ambient’s association with solitary listening and cold academia, Gigi went outwards, channeling something somatic that connects with the body, not just the mind.

“Bed on Mars” sets the titular tone for Masin’s renewed curiosity, with cosmic atmospherics evoking the sensation of waking up on a new planet unafraid, whilst the poignant synthesized trumpet and suspended liminal limbo of “Lost” feels like floating adrift in an unknown sea. Delving further into off-centre beats is the celestial techno funk of “Deception Dance,” which sounds like Sun Electric jamming with Carl Craig and Kraftwerk. The bright beaming light of “Golden” radiates warmth, sounding like the bossa nova brother of Göttsching’s Balearic classic E2 E4.

Despite the passing of his wife after a long illness, and losing his musical archive in a flood, Gigi remains pure-at-heart and positive, pouring his soul into the pursuit of beauty. The latest in a slow starting but steadily building career, Movement sees Masin continue to secure his seat at the table of true ambient greats.