Antoine Chessex & Dave Phillips – Vrhältnis (Coherent States / Krim Kram)

Label Description: More than twenty years of friendship haunt Vrhältnis, the new album by Antoine Chessex and Dave Phillips, out now on Coherent States and Krim Kram. Its source material reaches back twenty years, originating from live performances during a 2005 joint tour in Lausanne and Basel and a studio session recorded the same year at the Dynamo/Popkredit Studio in Zürich. Both sessions were then filed away, the recordings disappearing into the archive, untouched for nearly two decades, before resurfacing in 2025 and prompting both artists to return to them with fresh ears and renewed intent. The material was subsequently reworked, manipulated, layered and decomposed -in Zürich and in Thailand- into the two extended pieces that form this album. Iischtellig and Tüüfi unfold across an expanded temporal horizon, echoes and non-linear fragments reverberating between what was recorded, what was remembered, and what was made anew.

The strange ritual unfolding within Vrhältnis possesses a particular distant quality – the creators’ specific gravity and distinct compositional traits concealed behind accumulating densities. Musique concrète with strong noise and heavy electronics elements is the obvious point of entry, yet the work exists under a mystical prism that embraces sonic naturalness, as if the sounds themselves carry a memory that predates their recording. Running through both pieces is a haunting vocal presence drawn from the Silvesterchlausen tradition of northeastern Switzerland -an ancient Alpine ritual of winter processions- raw and untethered, arriving from no fixed point, eerie and unmoored. Deep in the forest, spectral voices surface and dissolve. What time is it?

Antoine Chessex is a sound artist based in Zurich. Drawing on long-standing experience in experimental music and sonic arts since the late 1990s, his work engages sound and listening across multiple formats. Emerging from an early practice as an improvising saxophonist and a sustained investigation of noise within performance contexts, his work has traversed plural sonic territories. It has since evolved into a distinctly transversal practice moving between performance, installation, research, improvisation, and composition. Rooted in sonic intensity, Chessex’s early experience as a solo performer and collaborator -including works with Zbigniew Karkowski, Jérôme Noetinger, and Valerio Tricoli- positioned him within international noise and avant-garde communities. As a founding member of the experimental noise-rock band MONNO, he toured extensively across underground scenes while maintaining an active international practice as a solo artist. He has appeared at CTM Festival, Unsound, INA/GRM Présence Électronique, Issue Project Room, Berghain, and Café OTO, among others, and has released works on Tochnit Aleph, Fragment Factory, Editions Cave12, Musica Moderna, Bocian, and Rekem Records.

Dave Phillips is a sonic activist, composer, performer and core member of the legendary Schimpfluch-Gruppe alongside Rudolf Eb.er and Joke Lanz, a collective that has spent four decades wielding sound as a tool of metaphysics, protest and catharsis. Emerging from the radical tradition of Viennese Actionism and pushing it into the terrain of harsh noise, performance art and extreme sound, Schimpfluch-Gruppe remains one of the most uncompromising and influential collectives in the history of experimental music. Phillips’ roots stretch back further still, to his co-founding of Swiss grindcore pioneers Fear Of God in the late 1980s. His solo work is as philosophical as it is visceral, rooted in a radical ecological and humanimal worldview that consistently positions the listener at the edge of civilisational discomfort. He has appeared at No Fun Fest, Colour Out Of Space, Liquid Architecture, Ende Tymes, Bergen International Festival and many others, and has released his music on Schimpfluch, Tochnit Aleph, Blossoming Noise, Ideal Recordings, Misanthropic Agenda and numerous other labels worldwide. 

Mastered by Francisco Meirino | Artwork inspired by the Silvesterchlausen tradition | Layout by PH!D

A co-release between Coherent States and Krim Kram.
CS-59. coherentstates.com bandcamp bigcartel 2026
KK-34. krimkram.com bandcamp 2026

The Implicit Order – My Happiness Alone (WHOLENESS RECORDINGS)

Label Description:

My first noise album in 26 years. I reference all things I love and hate in the track titles. Did I sample these loves or the hates??? No. This whole recording was made with a cheap handheld cassette recorder and worn tape, digital audio recorder (my phone) and an old Yamaha synthesizer. All three sampling mostly musique concrete. The synth I did play some notes and chords on.

This is a WHOLENESS RECORDINGS release:
WHOLE202601

datewithdeath – Apple Tree Brightness (Poverty Electronics)

Label Description:

composed and produced between October 2023 and January 2024


datewithdeath is Travis D. Johnson: field recordings, electromagnetic and otherwise; digital synthesis; springs; motors; objects; oscillators; drum machines; radios; glockenspiel
linktr.ee/travisdjohnsonwrites

The Implicit Order – They Live In The Sky (2025 Remaster) [Wholeness Recordings]

Label Description:

Remastered version of this long OOP cassette classic. Please note that the original track order has changed.
AAD

This is a WHOLENESS RECORDINGS release: WHOLE032025
released October 31, 2025

The Implicit Order: Soundtools, Sampler, Synth, Cassette Recorder, 4-Track Tape Machine, Digital Signal Processor.
These tracks were all recorded on a Tascam 4-Track Cassette Machine, no DAW or modern effects were used. A DAW was used to transport them into the digital domain.
Original limited cassette issued in 1997. Reissued as a MP3 digital download by Vuzh Music in 2011.

Aidan Baker / Han-earl Park / Katharina Schmidt – Thoughts Of Trio (Cruel Nature Records)

a4098448952_10

Label Description:

Thoughts of Trio was recorded live at Morphine Raum in Berlin, Germany on February 21, 2024 by Canadian guitarist Aidan Baker, Korean-American guitarist Han-earl Park, & German drummer/percussionist Katharina Schmidt. The group brings together their respective, disparate musical backgrounds to explore the intersections of ambient music, improvisational (free) jazz, and musique-concrète.
releases December 6, 2024

Recorded live at Morphine Raum in Berlin, Germany on February 21, 2024 by Rabih Beaini.

Aidan Baker (bass / guitar)
Han-earl Park (guitar)
Katharina Schmidt (drums)

aidanbakercollaborations.bandcamp.com
katharinaschmidt.bandcamp.com
hanearlpark.bandcamp.com

Limited edition CD available at emerge.bandcamp.com/album/thoughts-of-trio

The Implicit Order – Musique Concrete 1994-2024 (Wholeness Recordings)

a1707792981_10

Label Description:

A collection of concrete compositions and location recordings from the past 30 years of my archive. The recordings are presented in the way in which they were composed and recorded. Meaning they can vary in volume and fidelity. Most of the composed concrete pieces were mixed on a 4-track tape machine with delay and distortion from a rack mount processer(sic). No DAW effects or compression was applied to these raw tracks. The DAW was only used to transfer these recordings to the digital domain.
NOTE: MC = Musique Concrete piece. LR = location recording.

credits

released August 14, 2024

The Implicit Order: tape recorder, digital recorder, mixer.
This is a Wholeness Recordings release: WHOLE0324