
Tag Archives: electroacoustic
Quintelium + Lalén Ríos Luna – Even if Given to a Life of Contemplation (Porous Collective)
Daniel Menche And Andrew Liles – The Progeny Of Flies (Beta-Lactam Ring Records)

Label Description:
We never met each other and we barely heard of each others solo music. Just a quick and brief e-mail exchange and month later we had an incredible piece of work that stands as one of one of my most graceful and elegant recordings to ever be a part of. I allowed Andrew Liles to mix and compose because I wanted to see how my sounds and noise could be utilized in a more song/musical fashion. When I first heard this recording I almost cried it was so beautiful. Once we were strangers to each other and now friends thanks to this recording. – Daniel Menche, May 21, 2013
Mixed by Andrew Liles
Recorded 2006-2007 in Portland, USA and at the Bear Den, Brighton, East Sussex, UK.
This Bandcamp release is %100 approved by Andrew Liles. Please run to his site and listen and support his work! www.andrewliles.com
Haptic – Ambivalence (Ash International)

Label Description:
with
Mark Wastell (1)
and
Linda Jankowska, Sarah Hughes, Seth Cooke (2)
Late Work I
Recorded by Billy Steiger (London)
Mixed by Olivia Block and Adam Sonderberg
Late Work II
Recorded by Thomas Carroll (Leeds), Will Montgomery (Brighton), Kathy Hinde (Bristol), and Haptic
Mixed by Joseph Clayton Mills
Mastered by Giuseppe Ielasi
Research and development: Thanks to Mike Reed and Josh Berman (Chicago), Thomas Carroll (Leeds), Will Montgomery and Paul Khimasia Morgan (Brighton), Dan Linn-Pearl (Hay-on-Wye), Seth Cooke (Bristol), and Fielding Hope (London) for hosting; Sarah Hughes and Mark Wastell for logistical support; Linda Jankowska, Sarah Hughes, Seth Cooke, and Mark Wastell + Tim Daisy (Chicago) and Rose Linn-Pearl (Hay-on-Wye) for performing; Arts Council England and Arts Council Wales for financial support.
Ambivalence 2025: 28 September, Hungry Brain, Chicago; 2 October, Wharf Chambers, Leeds; 3 October, Coach House, Brighton; 4 October, The Old Electric Shop, Hay-on-Wye; 6 October, The Cube, Bristol; 7 October, Cafe OTO, London.
This is Haptic recording number seventeen.
You can read a review here: salt-peanuts.eu/record/haptic/ and also in Chain D.L.K.: www.chaindlk.com/reviews/13493
Dusted also – dustedmagazine.tumblr.com/post/814796017101914112/dust-volume-12-number-4-part-2
Reverse Image / Thomas Bey William Bailey – 常若 / Tokokawa (Fourth Dimension Records)

Label Description:
From late 2023 to the present, we started from a simple, agreed interest in collaboration to something that became much more carefully calibrated and conceptually guided.The results are, to my ears, a seamless and strangely organic suite of electro-acoustic pieces that hone in on the “essences” of various avant-electronic genres (“noise,” “drone,” “dark ambient,” etc etc) without succumbing to their more cliched elements. We composed this material almost telepathically (i.e. with a bare minimum of instruction and revision needed) and I’m excited to share the results with my supporters here.
I think our music is a representation of us being conduits for energies that precede us and will survive us, and to that end we also named the three “phases” here with verbal cues indicating different states of matter: “Amanogawa” is either the “Milky Way” or, in direct translation, the “River of Heaven.” “Nurikabe” is a solid plaster wall that, I’m told, occasionally figures into bouts of sleep paralysis. “Jouhatsu suru Yuurei” are “vaporizing ghosts” (the confusion this may cause native Japanese speakers is intentional – I was trying to imagine something ephemeral becoming somehow even more ephemeral).
We aimed at creating pieces which would also have the “properties” of solid, liquid or gas, but not completely: the focus is, again, on cyclical renewal and therefore each of these phases has just enough of an open-ended quality to it.
The CD version of this album on Fourth Dimension is also enhanced by lovely full-color artwork from Paul Takahashi, and expert mastering by Ryoko Ono.
Originally released on 5th July 2024
Y’ng-Yin Siew (Reverse Image), Thomas Bey William Bailey:
analog modular synthesis, real-time digital processing
Paul Takahashi: artwork
Thomas Bey William Bailey: CD layout / design
Ryoko Ono: mastering
datewithdeath – Apple Tree Brightness (Poverty Electronics)

Label Description:
datewithdeath is Travis D. Johnson: field recordings, electromagnetic and otherwise; digital synthesis; springs; motors; objects; oscillators; drum machines; radios; glockenspiel
linktr.ee/travisdjohnsonwrites
Lalén Ríos Luna – Black Isle Begging (Porous Collective)
Sohme – PSALM23: Palm (Phantom Limb)

Label Description:
Persian-American ambient producer sohme joins Phantom Limb’s Spirituals imprint for debut album Palm, a study of new fatherhood and changing stages of life for synthesis, acoustic instrumentation, and field recording, integrating a practice in architecture and two distinct cultural heritages.
Saumon Oboudiyat, aka sohme, is a Persian-American sound artist, producer and architectural designer based in Philadelphia. His music is informed by a decade of work in architecture and a lifetime of musicianship. Through a careful balance of soft harmonics, Eno & Lanois-esque melodic detail, slo-mo chordal shifts, and drifting, dreamlike field recordings, the music of Palm reflects Oboudiyat’s entry into parenthood and the accompanying transformation therein. “When I began working on the album in New York, we were just starting to see the other side of the pandemic,” he writes. “Upon completing mixing in my home studio, my wife and I prepared to welcome a new life into this world.”
Opening track and first single “These Are All My Thoughts” combines monastic reflection with a swelling and sirenic pathos, employing the kind of cosmic redolence that conjures early space travel documentary or hermetic contemplation. Hues of twentieth century German ambient production glitter and enshadow its powerful sonics.
Later, “The One, The Other” is more reminiscent of Middle Eastern musics. An oud-like pluck shudders and shimmers about broken and nonlingual vocal snippets, a howz of still water amidst a desert plain of sparse and arid instrumentation. Another key moment is “Signal”, and its deceptively pop-oriented chord structure. Housing clattering steps, shooting stars of high frequency melody, and single notes of conical synthesis that resemble the Persian karna, its soundworld is warm and enveloping, safe and secure.
sohme joins A Lily, Jan Esbra, Eamon Ivri, Sachi Kobayashi, Dau, Ibukun Sunday, Beqa Ungiadze, Suso Saíz, Menhir, Francsesca Ter-Berg, Dylan Henner, and Pram of Dogs (and others) on Phantom Limb’s Spirituals imprint, a sub-label offering works of high grade, emotive ambient and experimental music from emerging artists from across the world. Palm is his debut release.
subterrene – the same rivers (Poverty Electronics)

Label Description:
recorded at the Fortress of Squalitude
credits
all production and programming by subterrene
subterrene.bandcamp.com
mastered by Marcus Miller at Holosuite Mastering
holosuitemastering.com
cover photo by Grant Stewart
sleeve design by Travis D. Johnson
Dedicated to K. You always have seen the good in me, even when I didn’t see it myself.

