Wave Frequency is a collection of songs written across 2023 and 2024 that attempt to capture a variety of moods that shift seasonally throughout the year. An Energetic summer leading to an Indulgent fall harvest season, then into the Anxieties of the winter months and finally into a Regenerative spring, and repeating all over again. This is the first release as SANFORD that Daniel Sanford has made, though you might be familiar with his older work as Douibyorthst.
Written, performed, and produced by SANFORD Cover art by SANFORD
All Winter we’ve been hiding in the Barn, experimenting, improvising and nourishing our souls from a dying world.
These recordings are a testimony of the dark times we are living in, to uplift, to manifest and to divert our ways.
Recorded between December 2025 and February 2026 at the Barn, Betekom, Belgium.
Bang of Hearts is a musical entity consisting of Dominique Van Cappellen-Waldock (Baby Fire, Veda, Fleur de Feu,…) on vocals and spoken word, Timo Jacobs / Forestaal (Schim, the Moondig, Myaelin, Pilod,…); vocals, electronics, drums and percussion and Peter Verwimp / Ashtoreth ( Maya, Emptiness, Building Transmissions,…) on vocals, bass and guitar.
Together they conjure up an eclectic form of vast, improvised drone pieces with a ritualistic character. Every now and then they gather at the Barn in Betekom, Belgium and pour their hearts out. They play what they feel and this may result in a patchwork of styles and influences: dark ambient, sludge, kraut rock, ritual drones, gothic doom, electronic soundscapes…one never knows what to expect as it is always delivered in a free form; a hypnotic sonic adventure for both the players as well as the audience.
Spoken Word and voices: Dominique Van Cappellen-Waldock Drums, Electronics & voices: Forestaal / Timo Jacobs Guitars, Bass & Voices: Ashtoreth / Peter Verwimp Live mix: Timo jacobs studio mix: Peter Verwimp Mastering: Ronald Mariën Artwork: Peter Verwimp
Songs of life and death, of magic and the empirical, of dreaming and waking.
Included with this album are free download codes for the following albums: ‘We have met before,’ the shadow spoke… These Are The Days of Burning Books Reflections from a Sacred Pool In the Palace of Joy Starfall Manichees and Madmen The Lord of Shades Decides Live Soundtrack #69 A Thousand Twangling Instruments
You’ll receive your codes via direct message in the Bandcamp app.
Built for an industrial expansion that never came, Kielder Dam in Northumberland is a monument to a forgotten future. Kielder Water Music explores this engineered landscape through field recordings, electronics, and string quartet.
The four pieces draw on sounds from the valve tower, reservoir, and surrounding forest, alongside interviews with those who live and work at the site. These recordings are woven together with strings, samplers, and analogue and digital synthesizers to create a dream-like sonic portrait of this unique post-industrial space.
Supported by Arts Council England.
Jo Silverston – Cello Drew Morgan – Cello and Bowed Electric Guitar Laura Wilson – Viola Caelia Lunniss – Violin Hugh Blogg – Violin
Mike Roberts – Words
Dan Moore – Fender Rhodes Electric Piano, Field Recordings, Samples and Synthesizers
Strings recorded and engineered by Luke Cawthra
Mixed by TJ Allen
Mastered by Shawn Joseph at Optimum Mastering
Cover Design by Oliver Batho
Thanks to Dan Jones, Andy Sheppard, Jonty Hall, Mike Roberts, Northumbrian Water, Alison Freeman, Hilary Ashton and the estate of Ernest Tomlinson, Riaan Vosloo, Jennifer Bell, Seb Reynolds, James Hester, Ned Rush, Jaqueline Ewers and Jenny Lindfors.
Improvised and recorded by Levi at home, April–September 2025. Mastered by Andrew Weathers. Cover photo: Pacific Bobtail Squid (Rossia pacifica) by Bill Horist, Salish Sea, 2024.
Thank you: Meghan and Rowan, Eric Acosta, Bill Horist, Leanna Keith, Kate Olson, Scott Schaffer.
“Re-Make Re-Model” is the result of a five-year dialogue between Norway and New Zealand sound artists Lasse Marhaug and Bruce Russell. What first started as a friendly challenge during the Covid19-lockdown to re-work selected works from each other’s catalogue – using different techniques and experimental approaches, challenging each other to go to extremes – extended to what is now a double-CD and a 100-page book package of writings and photos. Each CDs has eight tracks, a total of 100 minutes of music. The book has extensive notes to each track (often with comments by the corresponding artist). In addition there’s a lengthy essay by Bruce Russell on the project’s origins and the nature of collaboration and noise making; a photo series by Lasse Marhaug; a series of stills by Bruce Russell taken from a video piece; as well as cover artwork and biographical notes.
“It quickly became apparent to me that the distinguishing aspect of this collaboration was that it was a competitive exchange, an ongoing game of ‘one-upmanship’ in which we each sought to outdo the other in terms of the inventiveness; the baroque and pointless complexity; or the sheer bloody-mindedness of the studio processes which we were inventing to transform the other’s work into something ‘rich and strange’” – Bruce Russell from his essay
The second full length from Fathomless started out as an homage to Star Trek villains and anti-heroes. But when it came time to write lyrics the realization dawned that life is imitating art a little too well these days and it morphed into an anti-fascist, anti-theocratic, anti-AI album.
The same lineup from the debut album returns, but this time with some special guests joining. Steve Wiener (Am I in Trouble?, Ashenheart, Eveale, Negative Bliss) contributes the albums only clean vocals in the title track. Josh Turner (Dischordia) contributes backing/additional vocals to “Spectres,” and Alicia Cordisco (Transgressive, Ex-Judicator) contributed a ripping guitar solo in “Intangibles.”
Stylistically this album embraces the Vulcan concept of “Infinite Diversity in Infinite Combinations.” While firmly rooted in Black Metal it also draws heavily from Death Metal, Thrash, Punk Rock, Blackgaze, Prog, and Stoner metal.
Fathomless II:Thy Desolation takes a more organic approach to production than the debut album. Mics on loud tube amps, live drums, no VSTs/amp sims, no sample replacement. The result is a wall of sound with a natural “live” feel.
Guest appearances: Steve Wiener (Am I in Trouble?, Ashenheart, Eveale, Negative Bliss)- Clean vocals on “Thy Desolation” Josh Turner (Dischordia) – Additional vocals on “Spectres” Alicia Cordisco (Transgressive, Ex-Judicator) – Guitar solo on “Intangibles”
All music and lyrics by Tyler Blake Produced, engineered, mixed, and mastered by Tyler Blake
Recorded at ToneTrip Studios and Fathomless Studios Reamping at ToneTrip Studios by Tyler Blake and Jon Reid
Music For The Rest Of Us 