snwv – music at a distance 317 (Self-Released)

Label Description: The music that was available this week manifested as something gentle and generous. There are some complexities in the upper partials of some notes, particularly as they interact with other higher notes, but the vibe here is very approachable. Timbres have a lot of breath in them, sounding a bit like reed instruments (bassoon, accordion), as well as the flute family. There’s plenty of space, and consideration for listeners joining us on this journey. It’s a good reintroduction to the home-built Res-O-Glas and this series.

Sending best wishes and oscillations to everyone listening, particularly for anyone facing challenges.

The titles this week are references to the visual art of Verena Bachl. Thank you for listening!

Maurice Rickard: Guitar, programming

Signal chain: Home-built Res-O-Glas Belmont > JHS Colourbox 10, Reuss Effects Understate, Reuss Effects Repeater Fuzz, Balls Effects KWB > Vox Wah > Dunlop Stereo Uni-Vibe, Hungry Robot Wardenclyffe Deluxe > Moyo Volume > Max/MSP eight-delay patch with FFT pitch shift, tremolo, convolution reverb, AudioThing Reels.

Impulses: Inchindown Oil Tanks (Matt Gray mattg.co.uk ), silent5 Biamp MR/140 (Curves 1_1_0_1), Huddersfield Town Hall (near), Fort Worden Cistern

our dear friend, the medic – shall these guiding embers be fashioned from our unlived yesterdays (Self-Released)

Label Description: no one remembers when the first false wind stirred, nor a time before their song began. as the still of night soothes our slumbering valley, the first crackle of embers sways in the shadow of elm and willow. atop a bed of deadened bark comes the hiss of a breeze that disturbs not the canopy above, nor does it wick the salt from one’s skin. here does coloured dust swirl against the darkness, and the first hollow, melancholy chime ring out

i close my eyes and recall the flavour of scorched ash and a hint of her favourite mango bubblegum sweetening the filter of the cigarette we passed between us. laid upon the roof of our car, staring ever upwards awaiting the lanterns of the past’s nightporters to decorate the sky. always caught mid-laugh by the sounding of the lambent bells off in the distance, though hardly ever in any hurry to make ourselves their audience. not while we had a fool’s infinity to spare

sunken notes whistle through the abandoned woods. the lights of every promised yesterday glows upon my lidded eyes. i feel a dim, charred flake at my lip. i wish for it to taste of mango. this desire is enough to alert me once more to my sense of the present, and my eyes would draw open to a flurry of cinders as a bellow strikes deeply into the air. i step into the cloud of dim flickers, and listen to its cry wavering into the ink-black eternity as it fizzles away

within my chest, a sigh begs. yet i remain silent, lest my pained breath mask the warm tone of her voice. each night unmoored between the blooms may i remain, until i find her among the glittering chorus of the gone 

Anti-Spectacular – I Am This Flesh (Self-Released)

Label Description: Alex Hood: bass, vocals
Colin Norman: drums, percussion

Nicole L. Spence: engineering (track 1, 4)
Apollo Saraga: engineering (track 2)
Melody Pearson: engineering (track 2)
John Castillo: engineering (track 3)
Colin Norman: engineering
Benjamin Byck: mixing
Adhil Azhar Bhatty: mastering

All songs written by Alex Hood and Colin Norman

Lyrics by Alex Hoo

Spruce Needles – Have You Had Enough Pain? (Self-Released)

Label Description: I didn’t love my album The Father, so I took some of it and added more sound to it. What is a recording anyway? Like are we kidding ourselves? I know that every time I see an album referred to as “personal”, I’m being asked to buy into a narrative that’s about as real as Santa Claus. Something else that’s pretty funny is that someone is going to not read this blurb and then refer to all of this as “deconstructed” even though the process of making it was piling things on to recordings I made with my phone.