Asher Levitas – Above The Pale Green (Waxing Crescent Records)

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Label Description:

Above The Pale Green, takes its name from a line in Colophon to Songs Of The Groves, a poem by Victor Neuburg. It’s vivid description of a return to nature, frames this collection of field recording collages, ambient soundscapes and outsider pop songs. File somewhere in between Hiroshi Yoshimura and Daniel Johnston.
released June 14, 2024

Written and Produced by Asher Levitas
Mastered by exm
Artwork by Megmayo

Slomo – Zen and Zennor (Trilithon Records)

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Label Description:

Electric drone stalwarts Slomo return with only their fifth album in 20 years, “Zen and Zennor”; their sonic palette refreshed, their focus again tuned to the spectral otherness of Land’s End. The cover star – Zennor Quoit – is a colossal megalithic structure to be found on moorland above the village of Zennor, 4.5 miles to the west of St Ives.

Primitive melodies and arcane motifs are buffeted by drifting analogue oscillators on lead track ‘Zen and Zennor’, compressing into thick saturated drones before taking a sublime turn into familiar subterranean territory. ‘Zennor Diode’ crackles into manifestation above the moorland, cautioning against – or perhaps encouraging – experiments with exposed electrics in the Cornish mizzle. Complete removal of self (and band) is provided with circuit-closing track ‘Antechamber’, dissolving the Zennor’d-out participants into the hum of the Hummadruz*.

The duo continues to be informed by their work elsewhere; Chris (“Holy”) McGrail recently contributed to Julian Cope’s Dope and Queen Elizabeth projects, while Howard Marsden co-runs Hebden Bridge’s already-legendary Ambient Bowling Club, where experimental music mixes with environmental sounds, low chatter and the soft clank of bowls.

“Zen and Zennor” wraps Slomo’s only constant – immense, eventual catharsis – in a freshness and immediacy that could perhaps suggest a quickening of their notoriously glacial pace. Time will tell.

*Hummadruz refers to a mysterious, low-frequency hum or droning sound, often said to be heard around the ancient sites of Land’s End.

released October 4, 2024

Composted by McGrail/Marsden
Published by Domesday Music

JK Flesh – Echo Chamber Music 01 (Avalanche Recordings)

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Label Description:

In the spirit of the intention of ‘dubs’, comes a new series, Echo Chamber Music, consisting of open ended manipulations of minimal JK FLESH 4/4 ‘techno’ tracks, loosely traversing the ‘industrial dub techno’ concept (some vague meeting point between early industrial music e.g Throbbing Gristle, etc, and dub techno pioneers Basic Channel); gritty dub techno tracks reduced and inverted, indulging in the endless possibilities of the application of the processes of dub through dirt…

The series was intended to begin in 2021 with this first volume, but due to clashes with other project releases around the period, the series was put on hold until now – Nov 2024….

released November 5, 2024

Justin K Broadrick – Electronics @ Avalanche studio, UK. 2021

AREC088. AVALANCHE RECORDINGS. 202

plateau – Kushbush + Music for Grassbars (Artoffact Records)

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Label Description:

PlatEAU’s 2007 release, Kushbush, is a psychedelic, dub-infused electronic album that blends ambient soundscapes with heavy, bass-driven grooves. The project, spearheaded by cEvin Key of Skinny Puppy and Phil Western, delves into themes of altered states and introspection, combining lush synth textures, hypnotic rhythms, and distorted samples to create a trippy, immersive listening experience. With its laid-back, smoked-out vibes, Kushbush is a sonic journey through hazy atmospheres and experimental beats, reflecting the duo’s unique fusion of industrial influences and chillout music aesthetics.

Music for Grassbars, released by platEAU in 1997, serves as the debut album for the duo, laying the groundwork for their distinctive sound that would evolve in later works like Kushbush. This album explores a more minimalistic and experimental approach, characterized by downtempo rhythms, ambient textures, and an eclectic mix of organic and synthetic sounds. With its playful track titles and dub-inspired grooves, Music for Grassbars captures a sense of curiosity and exploration, offering a lo-fi, laid-back soundscape that’s equally suitable for contemplative listening or background ambiance. It’s an early testament to platEAU’s ability to blend electronic innovation with a relaxed, hazy atmosphere.

Various Artists – radical​/​love​/​DRUM Vol. 1 (Flux ov Time)

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Label Description:

radical/love/DRUM Vol. 1 is the debut release from Flux ov Time Netlabel, which focuses on percussion-forward experimental, noise, contemporary classical, absurdist, unlistenable, avant-garde.

credits

released September 6, 2024

sounds by:
{An} Eel (panpanpanaviandistresscall.bandcamp.com)
John Notaro (johnnotaro.bandcamp.com)
Mathieu Bec (mathieubec.bandcamp.com)
Persefone
Jo Bled (jobled.bandcamp.com)
nd dentico (nddentico.bandcamp.com)
the professors of mystery (theprofessorsofmystery.bandcamp.com/album/sad-emotions)
rj myato (jeudemarseille.home.blog)
Jim Storch (burnoutwarcry.bandcamp.com/music)

Art by:
Neal Retke

F(ov)T001

{AN} EeL – Glitter & Brimstone & Gold (Pan Pan Pan Avian Distress Call)

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Label Description:

It’s A Hell of a thing ,
A Lingering sting
A Diamond Ring
Dropped right down a sink
A Bubble
And Bubble
And Toile & Trubble
Witches Brooms & Warlocks Wobble
A Kiss in the Graveyard and
The dust of bones in churches
Lurches forwards, Shudders
and Halts
Bring it up to the earth,
Earth straight from the vaults ~

It’s all your fault