For the first time in over 8 years, the blistering assault on our nervous system that can only be described as the sound of NAILS, has reemerged. With Carlos Cruz on drums, Andrew Solis on Bass, Shelby Lermo on Guitars, and Todd Jones on guitar & vocals, the upcoming studio album, EVERY BRIDGE BURNING, will be revealed August 30th, 2024 via Nuclear Blast Records.
For this 4th full length album, NAILS have channeled raw emotion into tracks like “Imposing Will”, a seismic event in the realm of sonic aggression; igniting the pulse, and fueling a fire of hostility. “[This track is] special to the record in that I knew we wanted it to be the opener,” explains founder Todd Jones. “We wanted it to have the effect of an urgency; an immediacy in the music itself. When you push play, you get smacked in the face.”
Similarly, “Give Me the Painkiller” hints at an intricate groove while simultaneously causing the urge to peel your skin off. There exists a wild energy that according to Jones is the band’s “most expressive guitar playing” in their history. Plunge into “Punishment Map”, and confront the decades of misery brought about by Golden State serial killer Joe D’Angelo—a relentless descent into the abyss of human suffering. The guitar work on EVERY BRIDGE BURNING is an expansive force in its own right, epitomized in tracks like, No More Rivers to Cross. Here, NAILS masterfully navigates
a spectrum of moods, showcasing fluidity and intensity that is quintessentially NAILS yet profoundly evolved.
The album artwork, a creation by Jeff Whitehead, serves as a visual prelude to the auditory chaos—a stark representation of the aural brutality that NAILS delivers. “I really wanted to work with Whitehead again,” explains Jones. “I wanted the artwork to represent the sound of NAILS visually, and to reference the same figure from our last
album cover.”
The writing process for this album was no different than in record cycles of the past. The foundations of songs are born from riffs, and it is around these riffs that entire tracks are eventually composed. “Our writing process is about building songs,”
explains Jones, “not just sitting down and writing them straight through all at once.”
Recording for the album commenced in Massachusetts at God City Studio with Kurt Ballou (of CONVERGE), whose contribution is integral to the NAILS sound, as elucidated by Jones: “we’ve recorded every album with Kurt. He’s such an important ingredient as to how we present our music. When our fans want to hear NAILS, they
want to hear something that is through the filter of Kurt’s engineering.”
Most importantly, EVERY BRIDGE BURNING was born out of unwavering dedication to NAILS fans and the underground music scene. It echoes their commitment to authenticity and raw power. NAILS remains a beacon of rebellion and resilience in a
world hungry for genuine expression. With no shortage of effort or meticulous song
arrangement, the time has arrived to become engulfed in the ferocity of NAILS once again as EVERY BRIDGE BURNING unveils a new, but familiar chapter in extreme music.
“This band was modeled after some of my favorite bands; the type of bands where, when they put out an album, you know what it’s going to sound like,” describes Jones, “it’s the delivery of the expectation.” The sensory destroying musical onslaught that we’ve all been missing is back. NAILS is Todd Jones, Carlos Cruz, Andrew Solis, and
This album marks a significant evolution for Dream Division, evolving from a solo project into a full band experience. Blending the rich sounds of Italian soundtracks with psychedelic rock, Tom McDowell, the band’s core member and founder of Library of the Occult Records, has assembled an all-star lineup for this collaborative record. Featuring members of The Hologram People, Garden Gate, The Psychic Circle, Miles Brown and Men From S.P.E.C.T.R.E., the album navigates through genres while maintaining a cinematic essence. From the sinister melancholy tones of ‘Black Rose’ to the Giorgio Moroder-esque Giallo disco of ‘Technicolor Terror,’ ‘A Rose in the Garden of Winter’ unfolds like a lost soundtrack to a classic ’70s Giallo film.
credits
released August 23, 2024
Tom Mcdowell – Synths / Vocoder / Production
Jonathan Parkes – Drums / percussion
Jack Harris – Guitar / Bass
Timmi Meskers – Synths
Miles Brown – Theremin / Synth
Mario Janser – Organ / Synths / Bass
Felipe Boyd – Drums (October Moon)
Churro Green – Sitar
A. Barda – Vocals
Label Description: four microcassette collages
recorded mostly in August 2024
with a Sony M-570V Microcassette-corder
pillow diaries and text cut-ups
voices of family members, my dog Stanley
Trevor Luke, and other friends
including sounds of appliances
and other sounds of my daily life
sounds of Squared Wave on August 14, 2024
including my entire performance at that show
Our new release is in fact a re-release. ‘Thanksgiver’ by Botany Bay is a beautiful album by Schall und Stille artist Stephan Kleinhert whose albums Biike and The Drunken Fisherman were rightfully well received here.
Thanksgiver is a swampy reverb heavy minimalist elegy that leads with the 20 minute Winter Wolfpack Serenade. To-die-for vocals by Stefanie Mühr and a growing orchestra of bluesy angst. Like ECM meets Daniel Lanois recording Maria Muldaur, it’s simply gorgeous.
This is a stunningly produced work that deserves to find a bigger audience. Originally self released in 2018, SubCastCo is happy to bring this work to our talented & erudite listeners.
At the time of the initial release Stephan had the album pressed to vinyl. We would be super happy if we could encourage our listeners to head over to the Botany Bay BC page and make a purchase. It’s an artistically exceptionally made release with well thought through spot-UV over matt black card with inserts. A perfect clean sounding press for your audiophile pleasure guaranteed.
Music For The Rest Of Us 