
Label Description: Odd Ways……Yes Again. Recorded 2023.

Label Description: Odd Ways……Yes Again. Recorded 2023.


Label Description:
An end of year soupçon.
I know, I know…..SM10 is coming next year for good reason…hold your horses…

Label Description:
Written and Produced by Asher Levitas
Mastered by exm
Artwork by Megmayo

Label Description:
Lush yet minimal, spacious but dense, sweeping and intimate: Collector Of Dust’s orchestral ambitions betray the sparse instrumentation and lonely isolation that was employed to create what Reon has dubbed ‘chambergaze’. Music meant to invoke vulnerable romanticism set against the vastness of ancient, decaying hyper objects and indifference of the natural world. To lovers, dreamers, and survivors this one’s for you.
Dedicated to the memory of Peter & Ursula Megert, Dominick Pfefferkorn, Hasan Abdur-Razzaq, & J Guy Laughlin
Reon Moebius: All instruments (Ebowed bass guitar, bowed guitar, mellotron, drum machine programming), arrangements, lyrics, vocals.
Keith Hanlon: Mixing, mastering, and additional production.
Recorded at Home from 2021-2024.
Mixed & Mastered At Secret Studios 2024.
This is ARGREC61.

Label Description:
Recorded live at Morphine Raum in Berlin, Germany on February 21, 2024 by Rabih Beaini.
Aidan Baker (bass / guitar)
Han-earl Park (guitar)
Katharina Schmidt (drums)
aidanbakercollaborations.bandcamp.com
katharinaschmidt.bandcamp.com
hanearlpark.bandcamp.com
Limited edition CD available at emerge.bandcamp.com/album/thoughts-of-trio

Label Description:
Savage returns with an 8 track of blistering, headshifting Technoid Drum n Bass. Raised on the old school technoid of Offkey, Kemal & Rob Data, Proket, the heaviness of Technical Itch and golden era Renegade Hardware, and influenced by Hardcore, Industrial, and Speedcore, Savage delivers 8 cuts of pure dancefloor hybrid Techno Drum n Bass. Collaborations with MC Fantom, Submerged, Section 63, Katharsys, and NecroFox make this album a special landmark in the history of Technoid Drum N Bass!
All Tracks Written, Produced and Arranged by Árpád Szrnka.
Except ‘This is your last word’ Written, Produced and Arranged By Árpád Szrnka And Gábor Csepai.
‘Technomicon’ Written, Produced and Arranged by Árpád Szrnka and Submerged.
‘Daemons’ Written, Produced and Arranged by Árpád Szrnka and Dave Edwards.
‘Underground’ Written, Produced and Arranged by Árpád Szrnka, Gábor Csepai and Peter Szidor.
‘Top Acid’ Written, Produced and Arranged by Árpád Szrnka and Hugo Figuera.
Mastered by Lynn Standafer
Executive Producer: Submerged

Label Description:
Thia Alli – sylvialli1.bandcamp.com
Fabio Keiner – fabiokeiner.bandcamp.com
Aural Films is an online record label that releases high-quality soundtrack albums for movies that do not exist. We cover a wide range of music styles ranging from ambient to experimental to popular to soundtrack musics. Often on the same albums. You can find our complete catalog of releases online at AuralFilms.com
All tracks ©℗2024 Thia Alli & Fabio Keiner
Aural Films Catalog No. AF0436

Label Description:
Rising Taiwanese sonic and visual experimentalist SABIWA teams up with Italian duo Queimada and Nathan L. for the release of strange and beguiling new EP Sons of _, marrying disembodied field recordings and processed orchestral instrumentation with coruscating noise and half-forgotten Taiwanese folklore.
“We wanted to achieve a unique sonic experience that gently pulls listeners into a calm, introspective realm of sound, visuals, and hidden stories,” write the trio. All based in mainland Europe, but bringing divergent and itinerant influences to the mix, SABIWA, Queimada, and Nathan L. each represent complementary elements to the deep and unpredictable elixir that makes up their collaborative debut Sons of _. The record is characterised by SABIWA’s heavily processed singing voice fluttering and glitching in strange, coded languages within a heavenly but deserted CGI cathedral rendered from crashed software. Italian brothers Marco and Lorenzo Colocci (Queimada and Nathan L. respectively) are both well versed musicians, exposed to classical schools as well as the outerspheres of experimental music. Their contribution to Sons of _ can be felt in its no-input thumps, its crawling of mechanical insects, its devastating waves of crushing noise. Together, the trio push at sonic realities and temporal structure to form an indecipherable messaging. “A rediscovery of a new self, unrecognisable from its former shape,” they offer.
Key moment “Nothing blue – 無憂無慮” feels culled from a dreamlike, alien mythology, fugged into disparate and divergent worlds as if the dust from a newly-collapsed Tower of Babel has still not settled. The track loops and swoons with raw distortion, James Bond fever dream strings, and SABIWA’s mystifying vocal experimentation before introducing a lolloping rhythm of church bells and crackling, staticky snare. Next, “What is true is not true -無明大夢” almost proceeds like a song. It has a recognisable rhythm – rare for Sons of _ – and a processed vocal loop maintains a riverine melodic flow. But throughout, its foundations splinter and shiver under the weight of malfunctioning modems screaming to escape. Later, “The Root of Unwilled Existence – 無自性” breaks apart under its own weight. Clouds of noxious gas swallow whole its harmonic voicing as mischievous transversal pixies haunt a psychedelic, reverberant inner chamber.
Cover photo by @yoteng087

Label Description:
Original Notes:
Looking at the files for this album, the first sketches appeared around September 2021. That makes it the longest gestation for a collaboration album with Cousin Silas (our sixth, the last in 2020). It’s also the greatest gap in putting out any new ideas since the GoB began.
In the past I’ve started out with a broadly clear narrative to work around. This didn’t start that way. I just had a circling nucleus of undirected rage that occasionally proposed titles and ideas.
The period from March 2020 to September 2021 delivered so much ‘content’ both over the internets and IRL. It was difficult to filter this down to reason. There’s an interview with David Bowie by Jeremy Paxman from 1999 where DB prophesises the impacts both positive & negative of the internet. Look it up (it’s worth noting that the planet has gone to hell since he passed. Studies need to be made).
It was perhaps not surprising that a global pandemic delivered the best of humanity on so many levels (charity, reason, science, benevolence, realisation of the value of workers, a tantalising look at how life could be better valued and lived) and also finally unboxed the absolute worst that had for numerous past decades been side-lined by truth & reason.
Puritanism, righteousness, division, corruption, an imagined ‘culture war’, embedded & extended privilege, a riled & enraged but ill-informed and manipulated electorate, an unimaginably wealthy tiny number of people, all took a deep breath and realised shouting at the marginalised, using punching down rhetoric and waving flags works and might delay their ultimate & deserved extinction.
Welcome to the New Dark Ages (yes, Pere Ubu got there first but I stand on the shoulders of these giants).
Dedicated to the ‘woke’, the SJWs, the non-conformists, the transgressives, the punks, the anarchists, XTR, the lefties & liberals. Every time these terms are used as slurs it means you’re winning.
New Runes is an arthritic index finger raised and ready.
Thank you to those who contributed to this auditory rant.
G.o.B. // October 2022
Originally released October 28, 2022
The Glove of Bones
Concepts, samples, apps, guitar noises & loops, production / construction / mastering, artwork & video.
1: Introrobus
For the warrior Christopher Eric Hitchens (13 April 1949 – 15 December 2011)
“What can be asserted without evidence can also be dismissed without evidence”
2: The Universal Hum 3:30am
This track includes a section of dialogue by Anton La Vey and a short section from his musical works.
3: I laughed at the Great God Pan
Cousin Silas: Guitars & synths
Title from a short story by Jack ‘King’ Kirby.
4: New Morning Star
Issy: Djembe
GoB: Anxiety Machine
5: Le Livre des Mensonges
Cousin Silas: Guitar
Antonella Porcelluzzi: Voice
Spoken text from ‘The Book of Lies’ by Alistair Crowley from the AEP project ‘Introducing Alistair Crowley’
6: Urban Nargual
Cousin Silas: Guitar and synths
Issy: Bass loops and solo
Greg Nieuwsma: Midi keys
7: Radio Rapture
Cousin Silas: Guitar and synths
8: The War on Saturnalia
Cousin Silas: Guitar and synths
9: Throwing Bones
Cousin Silas: Guitar and synths