Scanner & Neil Leonard – The Berklee Sessions (Alltagsmusick)

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Label Description:

This session took place over one day, but remarkably took a decade to mix and release. There was no rehearsal, we simply set off into the unknown with each piece, and the players found their feet within the music almost immediately.

Guided by Neil Leonard, who has worked with Magdalena Campos, Fujiko Nakaya, Phill Niblock, and Tony Oursler, the session was truly magical.

It’s psych rock embodied with an electronic spirit, spiralling(sic) off into thunderous rhythms, blistering solos, ethereal melodies and sampled voices, with exuberant playing and focused improvisation.

Working with David Tronzo on electric (slide) guitar (David Sanborn, John Cale, The Lounge Lizards, Sex Mob, Wayne Horvitz), Mike Rivard on bass (Cab Calloway, Frank Zappa, Morphine, Jon Brion), and Dean Johnston on Drums (Superhoney, Club d’Elf), they propelled the music into entirely fresh and dynamic territory.

The session was part of a residency in the Berklee Interdisciplinary Arts Institute at Berklee College of Music, Boston. Huge gratitude to Neil Leonard who steered the production in the right direction.

This exclusive version on Bandcamp features a reworking of Time Code by legendary American musician Richard Devine in collaboration with Neil Leonard live in Boston in 2014

“It hits the kind of openended(sic) all-consuming groove to be found in The Necks, Tortoise or Miles Davis in modal mode: pulsating, circling jazz patterns, bass bubbling through ring modulation and envelope filters, sax and slide guitar, with Rimbaud’s shortwave radio and electronics dusting through the gaps”
The Wire Magazine

“The album provides a powerful document of the idea that music is a living, breathing force of nature and as an ever-evolving possibility. The interplay with between the electronics, punctuating drums, bass, and horns delights in newfound measure. From the night-time atmosphere of grainy cinema or the nostalgic whisper of words to the more colourful(sic) excess of psychedelia, to the edge or life-affirming all points are referenced, touched upon, and then exercised.”
Magazine Sixty

credits

released July 5, 2024

Robin Rimbaud – Electronics, shortwave radio, keyboards
Neil Leonard – Soprano and alto saxophones, bass clarinet, and live electronics
David Tronzo – Electric (slide) guitar
Mike Rivard – Bass
Dean Johnston – Drums
Fred Oliveira – Tracking engineer
Artur Sandulyak – Mix engineer

Recorded live on 9 March 2014
Mixed and produced by Robin Rimbaud

Composed by Robin Rimbaud, but the recordings were extensively improvised by the musicians

license

all rights reserved

Cousin Silas – Geohistorical Empathy (The Cousin Silas Emporium)

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Label Description:

A collection of tracks that have one thing in common, they are all related to real places where I have been, experienced or often thought about, and for one reason or another they still call to me.

Whilst none of the tracks are new, they have never before been released on the Emporium label (well, not as I recall!).

credits

released August 9, 2024

Album cover by Ian Haygreen, used with thanks.

fourthousandblackbirds x Paxillus Succubus – JEUS DE CARNAGE (walnut + locust)

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Label Description:

FR
Projet conceptuel et collaboratif de fourthousandblackbirds et Paxillus Succubus inspiré des écrits d’Eugène Ionesco, des chansons de Brigitte Fontaine, de l’actualité d’aujourd’hui et imagine comme une pièce de théâtre, divisée en 3 actes.
Jeux De Carnage traite des themes de la guerre, des legendes, de la question de la place de l’homme dans la societe, de notre definition de l’existence et surtout de la mort.

Créations sonores de fourthousandblackbirds et Paxillus Succubus Conception visuelle de Paxillus Succubus
Mixé par Paxillus Succubus et fourthousandblackbirds

EN
Conceptual and collaborative project of fourthousandblackbirds and Paxillus Succubus inspired by the writings of Eugene Ionesco, the songs of Brigitte Fontaine, today’s news and imagined as a play, divided into 3 acts.
Jeux De Carnage deals with the themes of war, legends, the question of man’s place in society, our definition of existence and especially death.

Sound creations by fourthousandblackbirds & Paxillus Succubus
Artwork by Paxillus Succubus
Mixed by Paxillus Succubus & fourthousandblackbirds

fourthousandblackbirds.bandcamp.com
paxillussuccubus.bandcamp.com

www.walnutlocust.com
www.facebook.com/walnutlocust

wl079 – May 28th 2024

credits

released May 28, 2024

license

all rights reserved
Editors Note: Highly recommended.

Cousin Silas – Orphans 14 (The Cousin Silas Emporium)

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Label Description:

Never thought I’d get to Orphans 14, but here we are. The Orphans series basically gathers up the tracks that I’ve done for various compilations.

This album is in memory of Norbert Kutz. A valued friend for many years. I’ll miss the guy.

credits

released July 5, 2024

Thanks to Thomas Mathie for the Cover work

Endurance & Inner Travels – To The Ancestors (Golden Ratio Frequencies)

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Label Description:

After a period of quiet, and just in time for summer Solstice, Golden Ratio Frequencies is thrilled to return to releasing physical (or is that metaphysical?) music, announcing the release of TO THE ANCESTORS, an immersive suite of ambient electronics by Endurance & Inner Travels.
A trans-international collaboration between Canadian-born, Japanese-based Joshua Stefane, aka Endurance, and American based artist Steve Targo, aka Inner Travels, To The Ancestors see’s the duo turn in a serene and zen inducing listening experience, delicately blending flavours of traditional Japanese music influences with contemporary electronics and sound design.

In the artist’s words, TO THE ANCESTORS is “An exploration into synthetic nature”, drawing inspiration from, and conjuring the emotional resonance of, forest bathing, zen garden sitting, and the historical elegance of the Gagaku and Koto music of Edo period Japan. The album seamlessly merges these influences with moods of the environmental music movement Kankyō Ongaku of the 1980s and 1990s and then passed through a filter of modern electronics, digital processes and patch cables resulting in a collection of meditative pieces that evoke a sense of calm, introspection and peace.

Composed between 2018 and 2020, the album’s eight tracks, titled only by their duration, are rich in texture and shimmering with radiance. Utilising modular, analog and digital synthesis, Stefane and Targo conjure sounds that feel both distinctly processed, yet organic in nature, and in doing so, embody the Japanese traditions and practices of Wabi-Sabi. Digital flutes breathe through self-generative CV patched Gewa blocks while fountains of ethereal granular plucked koto like sounds cascade and glide over serene synthesised sparkles, drips, and tweets in a mimicry of the natural world bringing a harmonious meeting of human and machine, nature and virtual landscapes. Through40 minutes, these aural infusions hint at shades of Hiroshi Yoshimura, Midori Takada, Satoshi Ashikawa and other greats of the Japanese ambient golden era.

Prepare your favourite(sic) Temea ceremonial tea, relax and enter a state of serenity. This is environmental meditation music for the digital now-age.

Joshua Stefane, known for his work as Endurance, is a prolific Ontario, Canada born producer and curator currently residing in Nara, Japan. One of the founders of cult ambient cassette tape label Muzan Editions, Stefane has been instrumental in organising(sic) and supporting various events, happenings, and festivals in his adopted home, (such as the annual Moment Festival held in the majestic Tenkawa village) and being a vital, nurturing connector to an international community of forward thinking electronic ambient artists and DJs.

Steve Targo, performing as Inner Travels, and more recently as Nimbudala, is an American, Wisconsin based artist and explorer of inner and outer worlds. He has been creating New Age and spiritual-adjacent visionary music for years, releasing meditative works for cassette tape on labels such as Aural Canyon, Sounds of The Dawn, Fluere Tapes, and Inner Islands. A true purveyor and practitioner of futurist healing sounds.
TO THE ANCESTORS will be available in both digital and physical realms. Physical copies will be released exclusively through bandcamp as a limited edition pro-dubbed C90 cassette, featuring translucent smokey shell, on-body print, 4-panel full-colour inlay and as always, a screen-printed Golden Ratio Spiral acetate, continuing Golden Ratio Frequencies’ tradition of offering quality, visually appealing sonic totems.

Pre- Order available 21 June 2024, with full release and shipping from 5th July 2024.

credits

released July 5, 2024

Composed 2018 – 2020
Inner Travels – Synthesisers
Endurance – Modular Synthesis

Photography – Joshua Stefane
Design & Layout – A P Macarte

license

all rights reserved

Hypnodrone Ensemble – The Problem Is In The Sender – Do Not Tamper With The Receiver (Cruel Nature Records)

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Label Description:

DOWNLOAD DIGITAL DIRECT FROM THE ARTIST:
hypnodroneensemble.bandcamp.com

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“Improvisational music can be guilty of veering towards the self-indulgent, but that’s far from the case here thanks to a highly assured collection of songs. Strongly recommended. ”
– Reza Mills, Clean Sheets
rezamills.wixsite.com/clean-sheets-record/post/hypnodrone-ensemble-the-problem-is-in-the-sender-do-not-tamper-with-the-receiver

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Canadian experimental guitarists Aidan Baker (Nadja, Caudal, Tavare) & Eric Quach (Thisquietarmy) originally formed Hypnodrone Ensemble in Berlin, Germany in 2014, along with the drummers Felipe Salazar (Caudal), Jérémie Mortier, and David Dunnett, to explore the conjunctions of atmospheric space-rock and shoegaze with motorik, krautrock-ish, propulsive beats to offer immersive, psychedelic, and transportive performances. While these five musicians formed the original core of the group, members have regularly changed over the years and, besides stalwarts Baker and Quach, currently features Angela Martinez Muñoz (nunofyrbeeswax, Tavare), Fiona McKenzie (Halma) and Sara Neidorf (Mellowdeath, Aptera). This line-up, along with bassist Gareth Sweeney (Caudal) and guest vocalist Lane Shi Otayonii (otay:onii, Elizabeth Colour Wheel), toured in Europe in the spring of 2023 with a pause on 1 May for a recording session set up by Heartnoize at Punctum in Prague, CZ.

The result is The Problem Is in the Sender – Do Not Tamper with the Receiver, featuring material from the May 2023 Punctum sessions and to be released on vinyl by Wolves & Vibrancy (DE), CD by WV Sorcerer (FR), and cassette by Katuktu Collective (US) and Cruel Nature (UK)

hypnodroneensemble.bandcamp.com

LP: wolvesandvibrancyrecords.bandcamp.com/album/the-problem-is-in-the-sender-do-not-tamper-with-the-receiver and Wolves And Vibrancy Big Cartel site.

CD: wvsorcerer.bandcamp.com/album/the-problem-is-in-the-sender-do-not-tamper-with-the-receiver

Cassette (US): katuktucollective.bandcamp.com/album/the-problem-is-in-the-sender-do-not-tamper-with-the-receiver

“[T]hunderous polyrhythmically driven rock ensemble.”
The Wire – May 2022 (Issue 459)

“[A]s experimental as it gets, brimming with space rock synths and drones that enlarge and expand, gradually engulfing the listener.”
Astral Noize

“[D]rones gradually worming their way into the conscience amid a soothing bath of synthesisers(sic) and rock-steady drums; Pink Floyd would be proud.”
Invicta Magazine

credits

released July 5, 2024

Aidan Baker – guitar
Fiona McKenzie – drums
Angela Martinez Muñoz – drums
Sara Neidorf – drums
Lane Shi Otayoni – voice
Eric Quach – guitar
Gareth Sweeney – bass

Recorded at Punctum in Prague, CZ – May 2023
Engineered by Daniel Nulty
Edited and mixed by Aidan Baker
Mastered by James Plotkin
Photography by Leon De Backer
Layout by Eric Quach

hypnodroneensemble.bandcamp.com
www.instagram.com/hypnodroneensemble/
www.facebook.com/hypnodroneensemble