Dylan Houser – Goth Luau (Self-Released)

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Label Description:

Goth Luau was recorded during some enchanted evening with a fractured knee in Novembe of 2024 at Nullis Pretii ov Lakeland Residential Studios, and then road tested over the next few months via the Nullis Pretii Mobile Studio

In memory of the Safety Harbor pier, the edge of the universe

Thanks: Spookstina, Bizarre Charlie Alien, WSLR, Liz, Joe and Maggie, Damon Nobles, Surprise Sidney, Lord Dealwithit and The Day Odin Got Stoned (two princes), Jerry Kranitz, Collector of Dust, Nathan James Carter, Corvid Canine, CJEANCRY, Jake Joyce, Illuminated Paths, Hal McGee, workers comp, Craig and Ashley

Get well soon, Glaive

The Eyes And The Mistoids – Luna Terra Sol (Waxing Crescent Records)

Label Description: Luna Terra Sol is the immersive latest album by The Eyes and the Mistoids that explores our place in the universe, combining modern-classical piano and modular synthesis to create emotive soundscapes that delve into themes of exploration, loss, hope, and beauty.

Jack Hertz – Compilated II (Aural Films)

Label Description:

Listen to a new collection of tracks from the many compilation projects I have contributed to in years past. Click on each track to see the album, label and link for the original compilation releases.

credits

released April 18, 2025

Jack Hertz – Sound Design, Composition, Production, Cover Art

Jack Hertz is fascinated by all aspects of creating sound. From the earliest instruments to the present day hardware and software innovations. More at JackHertz.com

Aural Films is an online record label that releases high-quality soundtrack albums for movies that do not exist. We cover a wide range of music styles ranging from ambient to experimental to popular to soundtrack musics. Often on the same albums. You can find our complete catalog of releases online at AuralFilms.com

Aural Films Catalog No. AF0455

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Spirituals – PSALM020: Psalms (Phantom Limb)

Label Description:

We celebrate reaching twenty releases on our Spirituals imprint with a special compilation album featuring material from every artist who has featured in the catalogue so far.

From Spain’s seminal ambient luminary Suso Saíz and his collaboration with Menhir, to debuting solo South Korean drummer Chloe Kim 김예지. From Nigerian producer and violist Ibukun Sunday, to the teenage electronic experimentations of label founder James Vella and his A Lily project, Spirituals’ remit is and always will be to champion voices in experimental music from all over the world. To offer a creatively fertile and accepting environment to produce music that can reveal secrets about the cosmos and ourselves.

Our twentieth release is a thank you to everyone for listening, thank you for supporting, thank you for allowing us your time.

Richard Bégin – Déjà Vu (Reverse Alignment)

Label Description:

Déjà vu is a fleeting yet profound sensation, a moment when time seems to fold in on itself, between past and present. It is a phenomenon of memory—both elusive and deeply personal—where recognition and strangeness coexist. Few artistic mediums can evoke this liminal state as powerfully as ambient music, where repetition, decay, and texture shape sonic landscapes that mirror the ghostly presence of the past within the present.
Canadian composer Richard Bégin has been steadily building a reputation in the realm of ambient music for his explorations of memory, crafting soundscapes that feel like echoes from a distant past, lost yet eerily familiar. His latest work, centered on the concept of déjà vu, follows in the tradition of artists like Boards of Canada, Fennesz, Philip Jeck, and William Basinski—musicians who have sculpted time-worn textures, fragile loops, and sonic artifacts to capture the essence of recollection and its inevitable dissolution.
Like Basinski’s Disintegration Loops, which document the slow decay of recorded memory, or Jeck’s ghostly turntable manipulations that awaken forgotten voices from the grooves of old records, Bégin’s music invites listeners into an auditory space where time is fluid. Fennesz’s digital deconstructions and Boards of Canada’s nostalgia-tinted melodies find an echo in Bégin’s work, which similarly embraces imperfection, layering textures that drift between clarity and erosion keeping the listener between the comfort of recognition and the disquieting realization that the past is always just out of reach.

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Tribunal – In Penitence and Ruin (20 Buck Spin)

Label Description:

Tribunal returns with their sophomore album, ‘In Penitence and Ruin’, an elegy most grievous and forlorn, descending deeper into the solemn abyss of woe. 2023’s debut ‘The Weight of Remembrance’ set a high bar for the Canadians becoming one of the year’s most notable and praised Doom releases, leading Decibel Mag to include the band’s new album in their annual list of most anticipated releases. Tribunal have taken their time and crafted an opus of enormous scope to echo evermore through halls long abandoned.

Conjured by the band’s new form as a fully fleshed out five-piece, ‘In Penitence and Ruin’ has a wider lens of cohesion and maturity weaving together the widow’s wail of doleful strings, chilling keys and percussion that tolls like the iron bell of fate. These elements ornament the monolithic foundation of crushing dirge and funereal melodies hewn from the marrow of sorrow itself. A conceptual piece, the songs form a cycle that ruminates on justice and punishment, centering on a guilty Penitent who cannot escape what they have done. The duality between the wistful, impassioned singing of vocalist / cellist / bassist Soren Mourne and agonized growls from guitarist / vocalist Etienne Flinn bind with resolute tread and stride forth into darkness, traversing a path lit only by the pale glow of distant lament.

Tribunal hath wrought a requiem most dire where beauty and ruin become one and in doing have forged a second album beyond expectations, bold in its exploration of timeless human flaws and eminently listenable as a scripture of loss. Like ivy upon the tombstone, ‘In Penitence And Ruin’ winds slowly but inexorably towards spectral grandeur and eternal oblivion.

credits

released April 18, 2025

Tribunal is:
Soren Mourne – bass, cello, vocals
Etienne Flinn – guitar, vocals
Jessica Yang – guitar
Dallas Alice – keys
Julia Geaman – drums

Additional vocals performed by Rory Say

Produced by Tribunal and Jesse Gander
Drums recorded by Jesse Gander at Rain City Recorders
Mixed by Jesse Gander at Rain City Recorders
Mastered by Greg Chandler at Priory Recording Studios

All music and lyrics written by Tribunal

Cover painting and lettering by Soren Mourne
Layout by Chimere Noire
Photography by Sav Bagshaw

Phil Western – Afterflash: A Remixed Tribute (Map Music)

Label Description:

What Phil created in his time on earth makes our world a better place. He was the kind of person everyone needs to know or at least know about. He was full of unexpected surprises. He held the land speed record for the demolition of food and on tour would go to sleep fully clothed, often with his shoes on.

Phil was everything: a rogue, a maverick, an explorer. He suffered his demons but did so with courage and an unflinching painful honesty. Phil was easy to talk with. He was always engaging, interesting, and interested. He had a mane of dark, dark hair and a smile to melt hearts. His eyes told his entire life story, if one dared to gaze long enough.

Phil loved wholly, without caution, and with the deepest sincerity. His unquenchable curiosity doubled as an altruistic way of disarmament and evoked harmony when met with a different perspective. Phil was relentlessly gentle and understanding even when it was undeserved.

Phil was a veteran psychonaut whose deep inner journeys, life experiences, and struggles imparted him with a degree of insight, wisdom, humility, and humor that is all too rare. His expression of these qualities in his music infused it with a melancholic understanding of the beauty, joy, frailty, tragedy, and absurdity of the human condition.

Phil was a true artist in every fiber of his being. His incredible talent and infectious energy left a lasting impression on the world, and his music will always hold the top spot in our hearts.

Phil continues to inspire us all.

– The Remixers (Worldwide)

The idea for this project came from having a few remix packs that Phil had given me ages ago for some releases I’d curated, and inspired by Dave King’s (Longwalkshortdock) yearly tribute songs that he’d been posting since Phil’s passing. I had already remixed one of Phil’s songs almost a decade earlier, and had just decided to start on another near the beginning of 2021.

In a conversation later that year with Jaime Dunkle (Love Above Will), I mentioned I was working on another remix. During that conversation, I came upon the idea of putting together a bunch of remixes from Phil’s friends/collaborators as a tribute album, which she enthusiastically encouraged me to do.

After receiving the blessings from Phil’s family to move forward and reaching out to all the potential remixers, the pool of available songs for remixing was soon expanded with the invaluable assistance of Tim Hill (Rim). Not long after that, a couple more artists came on board, including Omar Hashmoder who revealed that he had the files for the last song Phil had been working on right up to the night before he left us. That song, “Dream Death,” is now finally being released, as well as a remix by Omar who also contributed some sounds to the original version.

This project was not without its share of delays and complications, one of which was Bandcamp refusing to give access to Phil’s artist page to his mother so this album could live there with the rest of his discography. Thankfully, Robert Shea’s Map Music has given it a fitting home considering that some of Phil’s earliest solo works originated from that seminal record label.

It has been a profound honor to work with all the artists and fellow lovers of Phil throughout this project. More than anything, I hope this album inspires people to continue exploring Phil’s vast catalog of music in all his solo and collaborative guises.

– Seth Branum (Bainbridge Island, WA)

My dear son: I miss you so much, but like your music, you now live in my heart and mind. Love, Mom.

– Enid Western (Vancouver, BC)

credits

released April 20, 2025

Mastering: Martin Granger (www.7d6music.com) and Jesse Creed
Cover Portrait: Simon LaPlante
Cover Design/Layout: Jaime Dunkle
Executive Producer: Seth Branum

All songs originally written by Phillip Western, except “HeWatchedMeSleepLastNight”, written by Simon LaPlante.
Copyright: The Record Company

The bonus track “Dream Death”, previously unreleased and the final track Phil worked on before his passing, is sent to album buyers on 4/20.

The majority of the proceeds go to the fund for Phil’s daughter, Mora Western

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