
Label Description: Tunes recorded to Fostex 280 4-track in Leeds between 1992 and 1994. Mastered by Antony Ryan at RedRedPaw in 2025. Cover art by Jermaine Legg.

Label Description:
New album from the JK Broadrick & Diarmuid Dalton electronic music project Council Estate Electronics
Absorbing early industrial music, krautrock and dub / dub techno.
Exploring the immediate geography of the areas of Birmingham where Justin and Diarmuid were raised.
JK Broadrick – Electronics
Diarmuid Dalton – Electronics
Produced by Justin K Broadrick at Avalanche Studio, UK
2020 – 2024
AVALANCHE RECORDINGS / 2025 /
AREC081 /

KOMPULS is the solo project of tim kniep, best known as one half of the industrial duo synapscape. a longtime figure in the german electronic music scene, kniep is recognized for his intense vocal delivery, complex rhythmic structures, and innovative sound design.
‘interaltro’, the debut album by KOMPULS, is an intricate fusion of depth and complexity, where rhythmic noise provides a dynamic foundation. the relentless pulse serves as a canvas for eclectic sonic threads, capturing the spirit of the times with subtlety and nuance.
balancing raw intensity with refinement, the album ventures into experimental territory, propelled by broken beats and technoid influences that create a surreal auditory experience. kniep’s sound design intertwines electronic, idm and glitch, creating a constantly shifting klangteppich – a sound carpet – where timbres evolve and fragment in perpetual motion.
ultimately, ‘interaltro’ stands as a cohesive artistic statement, inviting the listener into a layered exploration of structure and fragmentation, where sound unfolds with intellectual rigor and unpredictability.
KOMPULS : tim kniep
artwork by stefan alt
this is ant-zen dig109
Label Description:
Phil was everything: a rogue, a maverick, an explorer. He suffered his demons but did so with courage and an unflinching painful honesty. Phil was easy to talk with. He was always engaging, interesting, and interested. He had a mane of dark, dark hair and a smile to melt hearts. His eyes told his entire life story, if one dared to gaze long enough.
Phil loved wholly, without caution, and with the deepest sincerity. His unquenchable curiosity doubled as an altruistic way of disarmament and evoked harmony when met with a different perspective. Phil was relentlessly gentle and understanding even when it was undeserved.
Phil was a veteran psychonaut whose deep inner journeys, life experiences, and struggles imparted him with a degree of insight, wisdom, humility, and humor that is all too rare. His expression of these qualities in his music infused it with a melancholic understanding of the beauty, joy, frailty, tragedy, and absurdity of the human condition.
Phil was a true artist in every fiber of his being. His incredible talent and infectious energy left a lasting impression on the world, and his music will always hold the top spot in our hearts.
Phil continues to inspire us all.
– The Remixers (Worldwide)
The idea for this project came from having a few remix packs that Phil had given me ages ago for some releases I’d curated, and inspired by Dave King’s (Longwalkshortdock) yearly tribute songs that he’d been posting since Phil’s passing. I had already remixed one of Phil’s songs almost a decade earlier, and had just decided to start on another near the beginning of 2021.
In a conversation later that year with Jaime Dunkle (Love Above Will), I mentioned I was working on another remix. During that conversation, I came upon the idea of putting together a bunch of remixes from Phil’s friends/collaborators as a tribute album, which she enthusiastically encouraged me to do.
After receiving the blessings from Phil’s family to move forward and reaching out to all the potential remixers, the pool of available songs for remixing was soon expanded with the invaluable assistance of Tim Hill (Rim). Not long after that, a couple more artists came on board, including Omar Hashmoder who revealed that he had the files for the last song Phil had been working on right up to the night before he left us. That song, “Dream Death,” is now finally being released, as well as a remix by Omar who also contributed some sounds to the original version.
This project was not without its share of delays and complications, one of which was Bandcamp refusing to give access to Phil’s artist page to his mother so this album could live there with the rest of his discography. Thankfully, Robert Shea’s Map Music has given it a fitting home considering that some of Phil’s earliest solo works originated from that seminal record label.
It has been a profound honor to work with all the artists and fellow lovers of Phil throughout this project. More than anything, I hope this album inspires people to continue exploring Phil’s vast catalog of music in all his solo and collaborative guises.
– Seth Branum (Bainbridge Island, WA)
My dear son: I miss you so much, but like your music, you now live in my heart and mind. Love, Mom.
– Enid Western (Vancouver, BC)
Mastering: Martin Granger (www.7d6music.com) and Jesse Creed
Cover Portrait: Simon LaPlante
Cover Design/Layout: Jaime Dunkle
Executive Producer: Seth Branum
All songs originally written by Phillip Western, except “HeWatchedMeSleepLastNight”, written by Simon LaPlante.
Copyright: The Record Company
The bonus track “Dream Death”, previously unreleased and the final track Phil worked on before his passing, is sent to album buyers on 4/20.
The majority of the proceeds go to the fund for Phil’s daughter, Mora Western
MAP219-D
Label Description: for this, their fourth release, the duo of ANATOLY GRINBERG and MARK SPYBEY continue to carefully straddle the blurred lines between electronic and acoustic music and on a more personal level, the difficulties imposed by the political landscape and climate that separates and divides nations and people. friends, united in a common language. to create art.
Label Description:
Andrew Lagowski, a name synonymous with exploration in electronic music, has been at the forefront of sound innovation since the early 1980s. Known for his work under various aliases, including Lagowski, Legion, and S.E.T.I., his early output in experimental and industrial sounds paved the way for his later techno-focused ventures. Albums like Knowledge (S.E.T.I.) and Nadir (Lagowski) highlighted his pioneering approach to unconventional sound sources and production techniques. In the 1990s, his work with Chromium Industries brought him into the techno spotlight, with a series of influential 12” singles that helped shape the electronic music landscape. With over 60 albums and 10+ singles to his name, Lagowski’s versatility and dedication have garnered him a loyal following and lasting influence across genres.
Paul Howard, aka Howie D, brought his DIY ethos from the punk scene of the 1970s into electronic music. As a founding member of The Frames and co-founder of the Brain Boosters and Spacematic labels, Howard has consistently pushed boundaries. His early forays into hip-hop saw him release the genre-pioneering jazz-rap track Miller Light as Fission. The transition from punk and hip-hop to electronic music was a natural one, culminating in his creation of Chromium Industries after a fateful night hearing Lagowski’s Vermilion at a London party. The label brought some of the most unique techno releases to the scene, with tracks like Blue Anomaly causing near-riots on the dancefloor. Since then, Howard’s work has evolved to include multiple aliases, including The Legend That Is, Phase Collective, and Skulpture.
Chromium Industries 2xLP is more than an album; it’s a legacy preserved and reimagined. The double LP transports listeners to an era when electronic music was in full experimental bloom while showcasing the genre’s continual evolution.
Chromium Industries 2xLP will be available for purchase from January 2025 through Mannequin Records and select distributors. This is an essential release for collectors, DJs, and anyone who reveres the legacy of 1990s techno and the boundless potential of electronic music.
Mastering by Rude 66, Amsterdam 2024
Graphic design by Alessandro Adriani, Berlin 2024
Label Description:
roman belavkin, known as SOLAR X, is a russian artist praised for his contributions to electronic music, martial arts, and artificial intelligence. SOLAR X’s unique sound draws from idm, electro and experimental electronica, characterized by deep basslines and delicate melodies. his compositions often evoke themes of space, nature, and human emotion, guiding listeners through introspective and cosmic journeys.
his second album ‘xrated’ (1997) was reissued and recognized by the wire for showcasing the soviet union’s untapped talent. in 1998, he signed with london’s worm interface label, and his album ‘little pretty automatic’ has been lauded as one of the best in electronic music. a key figure in russian electronic music, belavkin founded the art-tek records label, introducing post-soviet artists to the world. recently, ptuch magazine named SOLAR X the most influential person in modern russian electronic music.
track 01-04 & 08 originally released on: v.a. travel sickness. 8×3″cd box set. hymen records ¥410
track 05, 06 & 07 previously unreleased
layout by stefan alt
this is ant-zen dig111
INTERVIEW:
a man with no borders: phd in computer science and musician SOLAR X
en.tight.media/post/interview-solar-x
LITTLE PRETTY AUTOMATIC (EXTENDED VERSION). digital re-release of the classic album & bonus tracks
thesolarx.bandcamp.com/album/little-pretty-automatic-extended-version
thesolarx.bandcamp.com
solarx.net
this is ant-zen dig111
layout by stefan alt