Voidscan – Tired Monster (SHIFT+CTRL Music)

Label Description:

I didn’t set out to make an album. I set out to survive some long, stressful nights.

I tend to take on many projects at one time, often too many and this album came from a place I don’t talk about much anxiety and isolation. I made Tired Monster during a period of serious burnout, physically, creatively, and emotionally. Not the loud kind, but the slow, creeping kind that wears you down until you barely recognize yourself. In between albums, and starting a record label, the music started as a way to process that. It’s the sound of pushing forward when you’re running on fumes, of feeling heavy but still restless. The “monster” in the title isn’t a villain, it’s the tired version of yourself that refuses to give up, even when you kind of want to.

This album is my most personal work yet. It blends my love for cinematic sound design with the darker beat driven textures I’ve always gravitated toward. You’ll hear ambient decay, distorted rhythms, and moments of tension and release that mirror how I was feeling while making it.

There’s no single genre here it’s my hybrid of cinematic electronic storytelling, crafted in isolation and shaped by late nights; the need to process life without words. I hope these tracks feel like a mirror, or maybe a companion.

If you’ve ever felt overwhelmed but couldn’t slow down… this one’s for you.

Thanks for listening to what I couldn’t put into words.
 


Music by Voidscan

Cover Art by Maria Forsberg (www.instagram.com/forsberg_drawing/)

Layout by Voidscan (voidscanmusic.com)

Mastered at Structure|Edit Studio in Wildlight, FL (structureedit.com)

Released by SHIFT+CTRL Music (shiftctrlmusic.com)

No AI was used in the production of the art or music.

The Hedonistic Imperative – Planetoid 3 (Self-Released)

Label Description: Planetoid 3

Decades of attempts later.
Escaping the pull of gravity.
Released into the void.
Yet another culmination.
I disappeared, intermittently.
I appear, briefly.
“Please enjoy this soundtrack to a parallel world. Creating, recreating, and fine-tuning this experience has brought me great satisfaction and much needed diversion. May listening to it provide you with something valuable as well.”

Third time’s the charm?

gribbles – githerments #02 (Self-Released)

Label Description:

Another collection of orphaned tunes lurking in the nether regions of my laptop.

These are tracks that were lined up for a bit more polish and probable release – but since then my attention has moved elsewhere as I got all excited about new shiny projects and these tracks got left at the ‘nearly there’ stage. So they’re a little rough around the edges in places, but I’m claiming that as part of their charm.

That said, when I played a couple of these to people they got broadly appreciative nods – so I thought another githerments release may be in order.

It’s a bit of a mixed bag.

ether is so old, all I have is the audio file. Which is a shame ‘cos there was a lovely long reverb tail on the end and it’s cut off in the version I found sat in a random folder.

There’s upbeat electro in Storm, Noir-esque noodling with some spoken word in Thomas, and even some guitar on Tom Five.

Streets and Blue Hills are pseudo-themes for some never made US cop dramas.

Of course there’s a tune or two with stuff from my much raided US evangelists sample folder. Will I ever grow out of that?

There’s some sort of poppy songs, some sub Daft-Punk vocoder work courtesy of a Arturia pssst I found that I meant to replace the sample in. And some things I’m not sure how to describe.

All in all – something for everyone or maybe everything for someone.

Line up, baby!

.g
July ’25

Heaven Topology – Describer (Ingrown Records)

Label Description:

Review from On The Fringes of Sound!
http://www.onthefringesofsound.com/2025/08/heaven-topology-describer.html

CDs available here and from the artist in a super limited quantity!

Please follow and support the artist here:
heaventopology.bandcamp.com
heaventopology.net

Previous release on Ingrown here:
ingrown.bandcamp.com/album/worldpath-yggdrasil

ING062

If you dig this we think you’ll dig:
ingrown.bandcamp.com/album/lately-sprung-up-in-appalachia
ingrown.bandcamp.com/album/i-2
ingrown.bandcamp.com/album/aw-cute
ingrown.bandcamp.com/album/bup-land-anomaly-audio

Council Estate Electronics – MIRFIELD (Avalanche Recordings)

Label Description:

New album from the JK Broadrick & Diarmuid Dalton electronic music project Council Estate Electronics

Absorbing early industrial music, krautrock and dub / dub techno.

Exploring the immediate geography of the areas of Birmingham where Justin and Diarmuid were raised.

JK Broadrick – Electronics
Diarmuid Dalton – Electronics

Produced by Justin K Broadrick at Avalanche Studio, UK

2020 – 2024

AVALANCHE RECORDINGS / 2025 /
AREC081 /

Kompuls – Interalto (Ant-Zen)

KOMPULS is the solo project of tim kniep, best known as one half of the industrial duo synapscape. a longtime figure in the german electronic music scene, kniep is recognized for his intense vocal delivery, complex rhythmic structures, and innovative sound design.

‘interaltro’, the debut album by KOMPULS, is an intricate fusion of depth and complexity, where rhythmic noise provides a dynamic foundation. the relentless pulse serves as a canvas for eclectic sonic threads, capturing the spirit of the times with subtlety and nuance.

balancing raw intensity with refinement, the album ventures into experimental territory, propelled by broken beats and technoid influences that create a surreal auditory experience. kniep’s sound design intertwines electronic, idm and glitch, creating a constantly shifting klangteppich – a sound carpet – where timbres evolve and fragment in perpetual motion.

ultimately, ‘interaltro’ stands as a cohesive artistic statement, inviting the listener into a layered exploration of structure and fragmentation, where sound unfolds with intellectual rigor and unpredictability.

KOMPULS : tim kniep
artwork by stefan alt

this is ant-zen dig109

Phil Western – Afterflash: A Remixed Tribute (Map Music)

Label Description:

What Phil created in his time on earth makes our world a better place. He was the kind of person everyone needs to know or at least know about. He was full of unexpected surprises. He held the land speed record for the demolition of food and on tour would go to sleep fully clothed, often with his shoes on.

Phil was everything: a rogue, a maverick, an explorer. He suffered his demons but did so with courage and an unflinching painful honesty. Phil was easy to talk with. He was always engaging, interesting, and interested. He had a mane of dark, dark hair and a smile to melt hearts. His eyes told his entire life story, if one dared to gaze long enough.

Phil loved wholly, without caution, and with the deepest sincerity. His unquenchable curiosity doubled as an altruistic way of disarmament and evoked harmony when met with a different perspective. Phil was relentlessly gentle and understanding even when it was undeserved.

Phil was a veteran psychonaut whose deep inner journeys, life experiences, and struggles imparted him with a degree of insight, wisdom, humility, and humor that is all too rare. His expression of these qualities in his music infused it with a melancholic understanding of the beauty, joy, frailty, tragedy, and absurdity of the human condition.

Phil was a true artist in every fiber of his being. His incredible talent and infectious energy left a lasting impression on the world, and his music will always hold the top spot in our hearts.

Phil continues to inspire us all.

– The Remixers (Worldwide)

The idea for this project came from having a few remix packs that Phil had given me ages ago for some releases I’d curated, and inspired by Dave King’s (Longwalkshortdock) yearly tribute songs that he’d been posting since Phil’s passing. I had already remixed one of Phil’s songs almost a decade earlier, and had just decided to start on another near the beginning of 2021.

In a conversation later that year with Jaime Dunkle (Love Above Will), I mentioned I was working on another remix. During that conversation, I came upon the idea of putting together a bunch of remixes from Phil’s friends/collaborators as a tribute album, which she enthusiastically encouraged me to do.

After receiving the blessings from Phil’s family to move forward and reaching out to all the potential remixers, the pool of available songs for remixing was soon expanded with the invaluable assistance of Tim Hill (Rim). Not long after that, a couple more artists came on board, including Omar Hashmoder who revealed that he had the files for the last song Phil had been working on right up to the night before he left us. That song, “Dream Death,” is now finally being released, as well as a remix by Omar who also contributed some sounds to the original version.

This project was not without its share of delays and complications, one of which was Bandcamp refusing to give access to Phil’s artist page to his mother so this album could live there with the rest of his discography. Thankfully, Robert Shea’s Map Music has given it a fitting home considering that some of Phil’s earliest solo works originated from that seminal record label.

It has been a profound honor to work with all the artists and fellow lovers of Phil throughout this project. More than anything, I hope this album inspires people to continue exploring Phil’s vast catalog of music in all his solo and collaborative guises.

– Seth Branum (Bainbridge Island, WA)

My dear son: I miss you so much, but like your music, you now live in my heart and mind. Love, Mom.

– Enid Western (Vancouver, BC)

credits

released April 20, 2025

Mastering: Martin Granger (www.7d6music.com) and Jesse Creed
Cover Portrait: Simon LaPlante
Cover Design/Layout: Jaime Dunkle
Executive Producer: Seth Branum

All songs originally written by Phillip Western, except “HeWatchedMeSleepLastNight”, written by Simon LaPlante.
Copyright: The Record Company

The bonus track “Dream Death”, previously unreleased and the final track Phil worked on before his passing, is sent to album buyers on 4/20.

The majority of the proceeds go to the fund for Phil’s daughter, Mora Western

MAP219-D