Gjöll – On The Forgetting Of Language (Ant-Zen)

Label Description:

ON THE FORGETTING OF LANGUAGE: to contemplate the forgetting of language is to witness the word’s erosion until only the tongues of smoke and ashes remain. we inhabit an era where the soul’s syntax dissolves into the profound gravity of the stillness, a quietude where we encounter the unconscious dream of redefining god as darkness. in this state of un-naming, the biological yields to the ontological; you realize that within you all blood is black, a river of ink awaiting a script that no longer exists. moving beyond the transactional nature of speech, as we brace the mountain, we offer the self – a final surrender of the ego to the unyielding earth. lured by the pull of the shadows, we move toward a soundless, formless, serene darkness that defies modern categorization. to forget language is not to lose intelligence, but to transcend it; it is to finally become one with the emptiness, where silence speaks with a clarity no tongue could ever achieve.
credits
released April 16, 2026

the icelandic duo GJÖLL engineers an electronic praxis that is as psychologically immersive as it is sonically confrontational. eschewing traditional composition for dense, evolving sound narratives, their work traces the architecture of tension, alienation, and transformation. rooted in the stark intersections of dark ambient and industrial noise, GJÖLL’s aesthetic is defined by a striking duality: vast, glacial expanses punctuated by violent eruptions of rhythmic intensity. beyond its surface abrasiveness, their music possesses an austere depth, evoking desolate northern landscapes and the cold introspection of the human condition. conceptually, GJÖLL explores the fractured psyche – navigating the dialectic between societal oppression and existential awakening. by translating emotional poles – from despair to a fragile, sonic release – they remain firmly situated within the most intellectually rigorous fringes of experimental electronics.

all tracks written by jóhann eiríksson and sigurður harðarson. produced and mixed by jóhann eiríksson
artwork by stefan alt.

this is ant-zen act497

EXIT ELECTRONICS – I’M YOUR BEGGAR (Avalanche Recordings)

Label Description:

PAY AS YOU LIKE

PLEASE DONATE AND SUPPORT IF YOU CAN

Primal broken rhythm machines, bass, and noise music. 

Textural industrial destruction.

A no hope soundtrack for the brave and the bold. 

Approach with extreme caution.

Justin K Broadrick – Electronics. 2009-2025

INDUSTRIAL MUSIC

AVALANCHE RECORDINGS. 2026

AREC092

flyoversx – the art of defenestration: excerpts, sketches, unreleased ideas (Owlripper Recordings)

Label Description:

recorded during 2017~2025:
(1) recorded apr 2022
(2) recorded apr 2017 *
(3) recorded jun 2022
(4) recorded dec 2025
(5) recorded jun 2022
(6) recorded sep 2017 *
(7) recorded oct 2022
(8) recorded nov 2024
(9) recorded apr 2017 *
(10) recorded oct 2022

* – taken from unreleased pre-flyoversx 12-track demo

compiled/edited/remastered december 2025

in memory of better times

Acid Terminator – Acid Terminator (Phantasma Disques)

Label Description:

In the neon-lit margins of underground electronic music lives Acid Terminator, a shadowy audio entity that sounds less like a band and more like a malfunctioning time machine. Emerging somewhere between late-night pirate radio, forgotten warehouse raves, and the ghost circuitry of vintage drum machines, Acid Terminator operates at the intersection of acid house mythology and dystopian sci-fi.

Adrian Vale – machines
Sarah L Connor – Emulator, Linn Drum, Vocoder Operator Unit 1

Plague Clock – Junkpile [Extended Anniversary Edition] (Self-Released)

Label Description: Tracks 1 to 14 are exactly the same as the original Junkpile album (unless I accidentally uploaded the wrong version…), nothing’s been remastered or anything. Tracks 15 to 20 are songs that I finished between Junkpile and Junk Drawer, but didn’t end up on that album for whatever reason.

Converter – The Four Last Things (Ant-Zen)

Label Description:

CONVERTER is the seminal power-noise project of american composer scott sturgis, a foundational figure in the evolution of rhythmic industrial music. emerging in the late 1990s, sturgis moved beyond the conventional structures of his earlier work with pain station to develop a more visceral and abstract sonic language. his debut album, ‘shock front’ (1999), stands as a cornerstone of the ant-zen catalogue, widely regarded for its masterful synthesis of harsh, distorted rhythms, brooding atmospheres, and precise, machine-driven grooves.

through layers of clattering percussion and cold analog pulses, CONVERTER transforms noise into a refined rhythmic architecture, delineating the sonic contours of a dystopian, mechanized era. converter’s work occupies a charged space between violent sonic confrontation and cinematic isolation, revealing an uncommon ability to uncover structural beauty within dissonance while evoking the vast, haunting loneliness of the post-industrial landscape.

original songs by scott sturgis.

dismantled, deformed, destroyed, constructed, inspired and built by daniel myer / architect. linktr.ee/danielmyer

mastered by anatoly grinberg
artwork by stefan alt

this is ant-zen act493 

more releases of converter:
bandcamp.com/discover/converter