ALTARAGE – Cogwheel (Doomentia / Sentient Ruin Laboratories)

Label Description: Doomentia Records in conspiracy with Sentient Ruin present “Cogwheel”, Altarage’s highly anticipated seventh full-length album, coming 31/07/2026 on LP, CD, cassette and digital formats.

Basque experimental death metal behemoths Altarage return to crush the earth under their gargantuan hooves of dissonance. Packing in a staggering one hour and fourteen minutes of tectonic extreme metal upheaval, their seventh full length album “Cogwheel” not only represents the longest, and most imposing work in their career, but also their most defiant and visionary. Since 2015, and across six genre-defining full length releases and the spawning of countless imitators, Altarage have brilliantly and mercilessly ploughed through the barriers of convention and tradition, setting in motion one of the most revolutionary ruptures in recent death metal history, and redefining the very architecture of heaviness and of their long standing dual mandate of destruction through transformation, and transformation through destruction. “Cogwheel” reinvents this dismal trajectory once again, representing yet another rift in Altarage’s enigmatic and oppressive conquest for innovation. Tempos slow down, forms sprawl, deconstruct and convulse. Abstraction and evaporating compositional frameworks expand. Echoes of Swans, Sunn O))), Scott Walker and Godflesh accrete into structural elements while lyrical themes and concepts mirror this process of rehumanization, shifting from the supernatural and the imaginary, to real, blood-pumping societal struggle that embodies the very notion of suffering and anger inside the cogwheel of transactional industry slavery. And at the center of all of this, always them: the riffs, the eternal centerpiece and engine to Altarage’s tyrannical decade-long conquest. Colossal, implacable, inescapable uranium-depleted hammers of creation and destruction, demolishing and flattening everything in their wake. Conventions and their vestiges, wiped off the earth. Remnants and dogmas of tradition, flattened and pulverized under the weight of inevitability to create a new ground zero, scorched and sterilized of orthodoxy, and reseeded with the germs of innovation and expressive rebirth through the convergence of human struggle and musical destruction.

Funebrarum – Beckoning the Void of Eternal Silence (Pulverised Records)

Label Description: FUNEBRARUM “Beckoning the Void of Eternal Silence”

New Jersey death metal veterans FUNEBRARUM have announced their long-awaited third full-length album, Beckoning the Void of Eternal Silence, set for release on May 29th via Pulverised Records. Marking the band’s first new material in seven years, the record sees the revered underground outfit return with their most fully realized and crushing work to date, reaffirming their status as torchbearers of classic, doom-laden death metal steeped in the spirit of the late ’80s and early ’90s.

With a perturbed atmosphere writhing around the entire record, the pulsation of which “Beckoning The Void Of Eternal Silence” breeds is an expertly calculated Deathdoom craftsmanship and yet emitting at times a surreal bridging between extreme genres in orchestra-like precision. The core DNA of FUNEBRARUM has remained intact albeit the exalted darkness have shaped themselves to be cut from a different cloth.

Track List:

1. The Arrival (Intro)
2. Beckoning the Void of Eternal Silence
3. Sa Nagba Amāru
4. Through the Barren Halls of Grieving Emptiness
5. Into Dark Domains
6. Ancestral Manor (Intro)
7. Anhela Odor Mortuorum (The Adepts)
8. From Rotting Burial Shrouds
9. Turning the Stones of Torment
10. The Whispering Cathedral
11. Epilogue 

Daryl Kahan – Lead Vocals
Samuel Osborne – Rhythm Guitars
Phil Tougas – Rhythm & Lead Guitar
Winslow – Bass
Charles Koryn – Drums

Intros by DuskLord and Daryl Kahan
Keyboards and Acoustic Guitar by Phil Tougas
Backing Vocals: Winslow and Phil Tougas
Guest Leads by Patrik Fernlund *

Recorded by Charles Koryn at Elektrik City Recording.
Portland, Oregon
Recorded and Mixed by Stephen DeAcutis at Sound Spa Studios,
Edison, New Jersey
Co-Produced by Daryl Kahan and Phil Tougas
Mastered by Daryl Kahan at Winterdark – Jan 2026
Executive Producer: Roy Yeo
All Music by Funebrarum © 2026All Lyrics by Daryl Kahan except “Beckoning the Void of Eternal Silence” by Winslow and Daryl Kahan
All Artwork and Design by Daryl Kahan 2026
Logo by Turkka Rantanen


www.funebrarum.com
www.pulverised.net

Warning – Rituals Of Shame (Relapse Records)

Label Description: As WARNING prepares to release Rituals of Shame – their first new music in twenty years,vocalist/guitarist Patrick Walker is self-effacing about what led to this moment. Over the last two decades he continued to write and release music, satisfied that he had achieved what he set out to do with WARNING. In those intervening years, interest in WARNING swelled, organically gathering an ardent fanbase. In particular, the 2006 album, Watching from a Distance, has gained a cult following.

In response to a transformative period in his life, Walker turned towards writing new songs, and it soon became apparent that these belonged to WARNING. In early January 2025, he started with a completely blank canvas, and piece by piece, he started to fill it with ideas that evolved to become the songs that make up Rituals of Shame. His immersion in the project became a full-time pursuit.

After successfully demoing the five songs, Walker retreated to a remote house on a hill outside Florence, Italy, to refine the lyrics. Recording took place at The Arch Studio, a 140-year-old former church in Southport, UK. Chris Fullard (Idles, Sunn O))), Ulver) handled the recording and mixing.

Walker’s lifelong musical inspirations can be traced through Rituals of Shame. The ambitious structural arrangements harken to Marillion’s complex but soaring episodic songs. They retain a sparsity that is reminiscent of June Tabor’s economic arrangements; thick with melody but with a diaphanous air to them. Citing John Brenner of Revelation as an enduring inspiration, Patrick credits him with introducing the idea of how to infuse heavy music with significant emotional depth.

Often reluctant to discuss the minutiae of his lyrics, Walker does acknowledge that making this album was a direct response to the immediate concerns of his current life period. Rituals of Shame also echoes the enduring themes and fixations that have marked most of his work: guilt, shame, personal failure, obsession, longing, and separation, but, most of all, he says, love.

Mothertomb – Dying To Live (Self-Released)

Label Description: Mothertomb emerged from the deep woods of Northern Michigan in 2025, forging a sound that is equal parts crushing weight and haunting atmosphere. Rooted in traditional doom metal yet unbound by convention, the band’s sound explores a broad spectrum of influences, from the hypnotic haze of heavy psych and stoner metal to the aggression of sludge metal and the dynamic complexity of progressive and groove metal.

Set for release on July 14th, 2026, Dying to Live is Mothertomb’s debut full-length album. Across its five tracks, the record explores themes of transformation, suffering, transcendence, and the timeless struggle between darkness and light. Drawing inspiration from Welsh folklore and the shadowed corners of the human psyche, the songs traverse landscapes inhabited by ancient spirits, inner demons, and the forces that shape the human condition.

The album unfolds through layers of metaphor, allegory, and introspection, inviting listeners into a world where darkness and illumination coexist. From brutal heaviness to moments of eerie beauty, Dying to Live is a journey through the depths of the human experience.

Created entirely as an independent DIY effort, the album was written, recorded, produced, and artistically directed by the band itself. Dying to Live stands as a testament to that labor of love, and we are honored to share it with the world.

Mothertomb:
Alice Gawlinski: Vocals
Chance Gawlinski: Guitar
Alton Minor: Bass
Mike Benitez: Percussion

“Dying to Live” was recorded in Charlevoix, MI at Death Box Records (2026).

Music written by: Mothertomb
Produced by: Alton Minor and Mothertomb
Lyrics written by: Alice Gawlinski
Mixed and mastered by: Alton Minor
Recording engineer: Alton Minor and Mike Benitez
Artwork Design and Illustration by: Alice Gawlinski

Picking / Gnarled Fingers – Picking / Gnarled Fingers (Cruel Nature Records)

Label Description:

“This is some heavy-duty drone shit, and it sure hits the spot.”
– Aural Aggravation
auralaggravation.com/2026/04/25/picking-gnarled-fingers-picking-gnarled-fingers/

Gnarled Fingers and Picking are two artists drawn together by a shared love of bleak, crushing, low-end oblivion.

Picking is a new raw doom / noise / drone project from Charlie Butler inspired by lifelong incessant excessive picking of nails.

Gnarled Fingers is an experimental, ambient drone project, relentless wall of fuzz and atmosphere, no escape, created after growing up in Somerset Levels with stories of witchcraft and pagan superstition.

Picking – Toenail
Written, recorded live with no overdubs, and mixed by Charlie Butler, December 2025
charliebutler1.bandcamp.com

Gnarled Fingers – Echoes From Futures Past
Written, recorded at 13 sound studio, and mixed by Carlos, November 2025
linktr.ee/GNARLEDFINGERS

Cover & layout by Carlos
Mastered by Jack Chuter

Nadja – cut (Cruel Nature Records)

Label Description:

Four extended songs ranging from experimental and minimal acoustic to heavy industrial doom metal, with the addition of saxophone, French horn, harp, and multiple voices.

Double LP release by Midira Records available from:
midirarecords.com/release/md-156-nadja-cut/

CD available from Broken Spine Productions:
nadja.bandcamp.com/album/cut

Cover artwork by Jesse Narens.

www.midirarecords.com
cruelnaturerecordings.bandcamp.com
otayonii.bandcamp.com
andyaquarius.bandcamp.com
fastermilesanhour.com
jessenarens.com

 

released October 24, 2025

Aidan Baker – guitars, drum machine, voice, saxophone
Leah Buckareff – bass, voice
Andy Aquarius – harp
Kartini Suharto-Martin – french horn
Tristen Bakker – voice
Oskar Bakker-Blair – voice
Lane Shi Otayonii – voice