Label Description: also available to subscribers to NO PART OF IT
nopartofit.bandcamp.com
special thanks to Arvo Zylo.
all songs written and recorded by Leslie Keffer, Winter 2026
cover collage by Leslie Keffer
lesliekeffer.bandcamp.com/album/perceive
Label Description: New album…
The track ‘Longings’ is a completely different version to the one on our 2nd album.
Dedicated to Viggo
j2kt-yzra
fxyy-7zh7
mcky-v6q5
fp3z-6gkr
5fxz-kuzl
b5ck-6vkj
wrp2-69tk
pmfd-kzf9
8bac-6zjz
k6zg-57s6
kz2z-behy
ktmz-xuar
zk8k-j5ud
nyk2-6rah
ltya-k4u5
czkg-6mef
e3yy-y6ra
rxkz-76h7
a4yz-vkq5
rpuk-6ykr
uklr-h8zz
vzpa-5rk6
6t9b-7dzk
zutw-5h89
z5zq-7ebz
z8t9-5us6
yznk-b5hy
yy5t-hfar
tk6t-vpud
2zy3-62ah
dtk5-klu5
jvbl-6679
6bv4-kkqz
kdbj-gk6g
zjar-b99u
zgfa-w9kq
ntdb-htzz
5zq5-52k6
gy8f-7czk
tuzl-5×89
tmtj-75bz
t8k8-efs6
vhyt-v9j5
7euy-6tzr
vrwy-knkl
fmhz-6jzj
lben-k6yk
ev7x-6k79
gfms-69qz
ywrp-y96g
tjmb-bz9u
t9r5-wzkq
2tlf-hgzz
uktn-kb5h
xyzv-6xn5
hty8-6qpf
qnkt-y9ba
fwyy-7z47
5hky-vzj5
bq3z-6gzr
5rxz-k7kl
rvck-6vzj
dbju-kkyk
pafd-k979
kvte-7arz
kgzg-5nc6
kt2z-be4y
zzmz-x75r
zy8k-j5nd
3kzu-k35h
wzya-k4n5
ctkg-6mpf
puyy-yzba
rwkz-7647
asyz-v6j5
k97v-ckzq
uyw7-xykz
vtpa-5rz6
9z9b-7skk
z3tw-5lg9
y9t9-57c6
ytnk-b54y
tkak-xu5r
ty6t-vpnd
2ty3-6r5h
xfj3-kztk
j5bl-66f9
97v4-k6jz
zlbj-gk9g
zpv7-3k6u
y6fa-w9zq
3zdb-h8kz
5tq5-52z6
8k8f-7dkk
t3zl-5hg9
tatj-75rz
7lzk-ukh7
vcyt-v9q5
fjuy-68kr
Cover by Wilfried Hanrath.
wilfriedhanrath.bandcamp.com
Label Description: Collected together for the first time, this five-CD box set brings together the various works from the Music For Real Airports project.
The collection not only includes Music For Real Airports, Music For Airport Lounges, and Music For Dead Airports, but also features a substantial amount of new, unheard material, alternate mixes and live recordings taken from our archive. This second box set reflects a long and uneasy relationship with airports.
After years spent sitting in airports, travelling to and from gigs, we have seen past the polished surfaces and the promises of comfort and efficiency. They present a controlled fiction, a managed calm built on delay, surveillance and routine.
Across five hours of music, much of it previously unheard and available for the first time, the box set confronts the modern reality of travel and the corporate structures that shape it. The music documents these spaces as they are experienced rather than as they are sold.
Aspetuck has been steadily carving out a name for himself through releases on Never Late and Oslated, garnering a respected following for his DJ mixes and festival performances. Aspetuck’s latest record, Immersion, was sequenced and curated from dozens of ideas spanning a transformative few years in Griff’s life. The album is less a snapshot in time and more of a memory bank – flashes of fatherhood, loss, modular rabbit holes, late-night studio sessions, and long walks by the Hudson River with his daughter.
The emotional undertow of the album is immediate. Opener, Hit Me With Your Pet Shark, is one of the earliest compositions in the collection, created just months after the loss of Griff’s brother and during the sleepless swirl of new parenthood. Built around a single sound from Spectrasonics Omnisphere, found while rediscovering his brother’s studio gear, the track sets the tone: restrained yet searching, personal without becoming precious.
From there, The Printing Press captures the raw energy of a live jam in Griff’s upstate New York basement, running through a 1980s Tascam mixer like a lo-fi assembly line of synths, pads, and drum machines. REI, named after a spontaneous family mission to find a pink water bottle, encapsulates his knack for imprinting daily minutiae into sound. And title track Immersion- once known simply as “Tuesday 303 Jam”- emerges from a dinner break and a blender, distilling modular sketches and distorted drums into a powerful, slow-motion march.
Under, Under The Tree hits hardest. Built around a grainy iPhone voice memo of Griff’s daughter singing by the Hudson. And closing the album is Bobik, a collaborative studio session with Moon Patrol channeling the playful chaos of a close friendship and modular exploration. Named after a joke about their golden retriever and filled with alien textures from Griff’s beloved EMU XL7 gifted years ago by his late brother, it’s a fitting send-off to an album that straddles celebration and mourning with grace.
The artwork comes courtesy of Peter Skwiot Smith, whose textured analog/digital aesthetic resonated immediately with Griff’s original vision. Peter’s treatment draws on Griff’s personal photography and leans into motion, blur, and the layered nature of memory, echoing the album’s sonic tone without overexplaining it.
Mastered by Sven Weisemann, Immersion is available on blue smoke colored 12” and digital
Written and produced by Griff Fulton
Mastered by Sven Weisemann
Artwork by Peter Skwiot Smith
Cat: ASIPV055
♫This album is part of the Stevia Sphere: Rainbow series – Downtempo/chillout albums, each with a different theme, color and sound.
♫Theme: Space
♫Color: Blue
♫Main influences: Minimal techno, synth pop, kosmische musik
•Music & 3D render by me.
•Image editing by Hysteric Pixie Nightmare Girl
nightmaregirl.bandcamp.com
•Music software: Renoise, Sunvox, Audacity
•Music gear: Eurorack Synth, Visionkey-2 Toy Keyboard, Yamaha PSR-E383 Keyboard, Behringer Model D, Behringer XM8500 Microphone
•Image software: Blender, GIMP, Adobe Lightroom
cry baby pod (dandipiero.substack.com/podcast) is a show about popular music and the people who study it.
After making some bump music for the first season, I decided to try making something more coherent for future episodes.
I’m still not great at ableton but I learned a lot doing this one. The two tribute tracks involved attempts to reproduce music that inspired me as a means of learning the software better.
Proceeds from this album will go to support the emergency relief fund for Hampshire College, and then later something else. More details about the music and the work it supports can be found here: dandipiero.substack.com/p/cry-babies and here: www.zeffy.com/en-US/donation-form/hampshire-college-workers-emergency-relief-fund
❤ ❤
AVAILABLE ON CD & VINYL
elasticstage.com/triplicate/releases/timewarp-album
TIMEWARP ZIP-UP HOODIE
triplicaterecords.com/products/unisex-heavy-blend-zip-hoodie
EDEN GREY’S SYNTH SAMPLE PACK INCLUDED WITH EVERY DOWNLOAD
Modular synth expert and creative force behind the CV-Freqs modular community Eden Grey returns to Triplicate Records with her fourth release entitled “Timewarp”. 10 certified bangers. Cool & slick with classic electronic grit.
__________
INTERVIEW
__________
George Ernst (Triplicate Records): It’s been a while, so I’ll simply ask, how are you and what have you been up to?
Dr. Chelsea Bruno (Eden Grey): Been pretty good, thanks.. working on a lot of projects, the CV FREQS events, teaching, writing articles, modular synth workshops and composing. I released my last album in August of 2025 called “In the Forest of Fangorn” with EC Underground. I’ve also been working on my doll project quite a bit, making and showing my handmade dolls, and some of them have found new homes. I love the doll project because it is another place where I find peace in their stillness and silence, where I find a different kind of sound meditation in exploring sounds I create with my modular synth.
GE: How did the Nomadic collaborations come about? They’re excellent! I hope you two can work together again!
CB: Nomadic is an old friend who played one of the first electro shows I ever booked, and he resurfaced again in my sphere after more than a decade. I suggested he should send some drums, which he did with a few synth sounds mixed in and I just spent a lot of time adding to them and making a nice arrangement for both of the tracks that he is featured on. It gives another personality to my work to collab, to see what comes out, collabs often work out really nicely, so I am sure we will be working together again.
GE: Seeing Space in the Finite is a real trippy and heavy title. Can you talk about what that sentence entails to you, and the broader musical themes of Timewarp?
CB: This track I made with the intention for it to represent a Boards of Canada style beat. I made the beat very much inspired by their tracks and then I wanted it to sound like the other synth themes were also familiar too. Coincidentally they have resurfaced this year, when I made this track in the holiday season to also give it some of that nostalgic feel. Space is forever, and what is finite, is not forever. Phosphorescent also reminds me of my early inspiration from Boards of Canada. I am interested in the ways we experience time differently as individuals in our environments. It is a somewhat mysterious concept.
GE: Do you think an elephant would stand and politely sway their trunk to Timewarp? I reckon they would.
CB: Yes, I do think, and a manatee would swim with it underwater too…
GE: Night Tripper is one of my favorite things I’ve heard you make, or heard in general in fact. Can you talk about that one and the effort that went into making it? I’m being selfish I realize but whatever, I like this song a lot and I wanna hear more about it!
CB: I’m so glad you like it.. yes, it is a special song, its evolution, I like the way it changes but keeps you in the same space. Also, sometimes, oftentimes I stay up late at night working on music to get the vibe I am after. And then it has a whole new type of magic when you hear it during the day. To me, it has an equal mixture of dark and light.
Written & Produced by Dr. Chelsea Bruno
Mastered by Michael Southard
Artwork by Ned Rush
Label Description:
Label Description:
There isn’t much known about Crystal Voyager & UFOm, the two musicians that created “Universe People.” We do know that it’s an album of deep ambience and weirdo sonic exploration; simultaneously harnessing lulling sounds and celestial vibrations alongside more visceral sonic encounters that exist somewhere else entirely.
As previously reported from last year’s “Aliens Are Real” by UFOm, the artist has ties to a low-profile religious organization which necessitates their secrecy. Thankfully, we do have a message from the duo to accompany this release: “From the far recesses of deep space, messages have been telepathically received and interpreted into aural vibrations used to open the pathways of communication between mankind and beings that exist outside our observable universe.” Due to the privacy requested by these two artists, this is all we are able to share with you for now, so continue to widen your mind, open your ears and keep watching the skies.
Music by Crystal Voyager & UFOm
Produced by Myles Byrne-Dunhill
Recorded West of the Mississippi River, USA, Earth
Label Description:
