AVAILABLE ON CD & VINYL
elasticstage.com/triplicate/releases/timewarp-album

TIMEWARP ZIP-UP HOODIE
triplicaterecords.com/products/unisex-heavy-blend-zip-hoodie

EDEN GREY’S SYNTH SAMPLE PACK INCLUDED WITH EVERY DOWNLOAD

Modular synth expert and creative force behind the CV-Freqs modular community Eden Grey returns to Triplicate Records with her fourth release entitled “Timewarp”. 10 certified bangers. Cool & slick with classic electronic grit.

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INTERVIEW
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George Ernst (Triplicate Records): It’s been a while, so I’ll simply ask, how are you and what have you been up to?

Dr. Chelsea Bruno (Eden Grey): Been pretty good, thanks.. working on a lot of projects, the CV FREQS events, teaching, writing articles, modular synth workshops and composing. I released my last album in August of 2025 called “In the Forest of Fangorn” with EC Underground. I’ve also been working on my doll project quite a bit, making and showing my handmade dolls, and some of them have found new homes. I love the doll project because it is another place where I find peace in their stillness and silence, where I find a different kind of sound meditation in exploring sounds I create with my modular synth.

GE: How did the Nomadic collaborations come about? They’re excellent! I hope you two can work together again!

CB: Nomadic is an old friend who played one of the first electro shows I ever booked, and he resurfaced again in my sphere after more than a decade. I suggested he should send some drums, which he did with a few synth sounds mixed in and I just spent a lot of time adding to them and making a nice arrangement for both of the tracks that he is featured on. It gives another personality to my work to collab, to see what comes out, collabs often work out really nicely, so I am sure we will be working together again.

GE: Seeing Space in the Finite is a real trippy and heavy title. Can you talk about what that sentence entails to you, and the broader musical themes of Timewarp?

CB: This track I made with the intention for it to represent a Boards of Canada style beat. I made the beat very much inspired by their tracks and then I wanted it to sound like the other synth themes were also familiar too. Coincidentally they have resurfaced this year, when I made this track in the holiday season to also give it some of that nostalgic feel. Space is forever, and what is finite, is not forever. Phosphorescent also reminds me of my early inspiration from Boards of Canada. I am interested in the ways we experience time differently as individuals in our environments. It is a somewhat mysterious concept.

GE: Do you think an elephant would stand and politely sway their trunk to Timewarp? I reckon they would.

CB: Yes, I do think, and a manatee would swim with it underwater too…

GE: Night Tripper is one of my favorite things I’ve heard you make, or heard in general in fact. Can you talk about that one and the effort that went into making it? I’m being selfish I realize but whatever, I like this song a lot and I wanna hear more about it!

CB: I’m so glad you like it.. yes, it is a special song, its evolution, I like the way it changes but keeps you in the same space. Also, sometimes, oftentimes I stay up late at night working on music to get the vibe I am after. And then it has a whole new type of magic when you hear it during the day. To me, it has an equal mixture of dark and light. 

Written & Produced by Dr. Chelsea Bruno
Mastered by Michael Southard
Artwork by Ned Rush