Jack Hertz – Coastlines (Aural Films)

Label Description:

The coastline comes alive at low tide on a full moon. This one is for all the followers. I hope you EMjoy this Liquid Mix as my special gift to you with a FREE download code available in the community post for this album release. Thanks for listening.
This mix includes music from the following releases:

COAST – jackhertz.bandcamp.com/album/coast

Pacifica – jackhertz.bandcamp.com/album/pacifica

Pacific Coast Highway – jackhertz.bandcamp.com/album/pacific-coast-highway

Starfish – jackhertz.bandcamp.com/album/starfish

Elements – jackhertz.bandcamp.com/album/elements

Illuminated Cumulus – jackhertz.bandcamp.com/album/illuminated-cumulus

Secret Coves – jackhertz.bandcamp.com/album/secret-coves

Jack Hertz – Cover Art, Mix, Composition, and Production.

Jack Hertz is fascinated by all aspects of creating sound. From the earliest instruments to the present day hardware and software innovations. More at JackHertz.com

Aural Films is an online record label (netlabel) that releases high-quality soundtrack albums for movies that do not exist. We cover a wide range of music styles ranging from ambient to experimental to popular to soundtrack musics. Often on the same albums. You can find our complete catalog of releases online at AuralFilms.com

Aural Films Catalog No. AF0462

JHD 258

MDK – The Three Holy Moments Of Your Life (Klappstuhl)

xxx

Label Description:

*Chronicles of the Harmonic Chrononauts*

The album was created by a secret society of time travelers calling themselves *The Harmonic Chrononauts*. This group discovered that January 6rd is the day when time itself pauses for a moment, allowing people to reflect on their most sacred moments. On this day, memories of significant events from the past can be viewed as if through a prism, revealing them in a new light.
*The Harmonic Chrononauts* decided that releasing their album on this very day would provide the perfect opportunity to take humanity on a journey through time not only for the enjoyment of music, but also to awaken the sacred moments within each of us. The songs are composed at a frequency that allows listeners to reflect on their own emotional experiences and connect them with the sounds of the universe.
The choice of the date is therefore no coincidence, but the result of a secret ritual in which the members of the society meditated in an underground cave to the sounds of a crazy, dancing unicorn. This unicorn, known for its ability to manipulate time, revealed to *the Harmonic Chrononauts* that January 6th is the only day on which the memories of sacred moments can be transferred into the musical dimension. In summary: The album release on January 3rd is not just a strategic move, but a transdimensional experience that invites us to reflect on the deepest emotions of our existence while traveling in time all thanks to a dancing unicorn and a secret society of time travelers!

But since time and space are irrelevant to us, the album is only coming out now.

MDK

MDK is:

Mik Schuppin (M),
Diego Madero (D)
and Kai Kraatz (K)

Mixed, Mastered & Cover Artwork by D.
Cover Layout FD

More Info & Music at:
mdkband.com
mdkmdkmdk.bandcamp.com


Published by Klappstuhl International.
‘Where borders are fiction’

[SP 037]

Yoga Nugraha Usmad – PSALM022: Gurnida (Phantom Limb)

Label Description:

“Explores ancient, unseen worlds…immersed in mythological recollections…Yoga packs countless ideas into these pieces, but the album flows with an underlying narrative, searching for new living pathways.”
Foxy Digitalis

Solo Indonesian ambient producer Yoga Nugraha Usmad joins Phantom Limb’s Spirituals imprint for new album Gurnida, an aqueous and archipelagic collection filled with ruminative pathos, ancient mythology, and carefully applied grit.

Yoga Nugraha Usmad began the creative process that yielded new album Gurnida at the once-sacred Boyong River in Yogyakarta, Java. “A river that once carried myths, prayers, and daily rituals,” he writes. Now a centre for aggressive and destructive sand-mining, the river’s beauty is being eroded. “It is slowly losing its flow, drowned out by the roar of machines and the dust of exploitation,” Usmad laments. The music of Gurnida asks: “do the spirits that once dwelled within it disappear, migrate, or linger restlessly among the remnants left behind? Do they seep into the earth, seeking refuge elsewhere, or remain in silent defiance?”

Through looping bamboo flutes, reflective harmonics, undulating drones, and nocturne synthesis, the music of Gurnida speaks not only of physical loss but also of the fading spiritual and ecological bonds between humans and nature. It is an album “composed of soundscapes from geographical and symbolic realities. A place that holds souls and spirits that continue to resonate between existence and memory,” writes Usmad. Field recordings taken on location at such environments haunt his musical spaces like these spirits, their ghostly ephemera lacing Usmad’s arrangements with fragments of ancient stories, sometimes real and sometimes imagined.

Opening track and first single “Old Trees” is at first groaning and low-lit, an eldritch dusk rising over the metallics and machinery of an ecosystem shattered by industrial landstripping. But as a scintillating, wooden flute melody snakes through to its surface, the spirits of the old river begin to find their voice. They call and conjure in a multitude that drowns out the destruction, the place that we have found ourselves revealing a pristine and perfect state of ancient reverence.

Next, “Fluid and Solid” is founded on field recordings from Yogyakarta’s Plunyon River, a landscape traversed by lava from Mount Merapi’s last eruption. “In this track,” writes Usmad, “I imagine the dual nature of lava—its destructive force that devastates natural habitats, topples trees, and disrupts wildlife, as well as its regenerative power. Despite the destruction, lava also creates opportunities for the emergence of a new ecosystem.” Lava is here represented by throbbing synthesis tuned directly into geologic frequencies, sometimes flowing at engulfing speed and sometimes resting and breathing, on the earth, while the birdsong and insect chirp of the Plunyon forestry coagulates around its stream.

Council Estate Electronics – MIRFIELD (Avalanche Recordings)

Label Description:

New album from the JK Broadrick & Diarmuid Dalton electronic music project Council Estate Electronics

Absorbing early industrial music, krautrock and dub / dub techno.

Exploring the immediate geography of the areas of Birmingham where Justin and Diarmuid were raised.

JK Broadrick – Electronics
Diarmuid Dalton – Electronics

Produced by Justin K Broadrick at Avalanche Studio, UK

2020 – 2024

AVALANCHE RECORDINGS / 2025 /
AREC081 /

Ether Driver – The Mechanics of Mysticism (Self-Released)

Label Description: Across time, space and cultures, the mystical experience is nearly universal. At the core of religions, secret societies and cults from around the world, these experiences of direct connection with spirits, gods or the true nature of reality have shaped culture despite being accessible to only a small subset of humanity. Now, for the first time, a comprehensive effort to catalog the techniques, tools and technology of direct experience of the divine has been undertaken. The preliminary results are contained within the 12 recordings on this album. With this, and access to the necessary materials, you too can experience the ultimate truth of the universe as expressed thru the mystical experience.

Lagowski – The Telepathic Wheel (Self-Released)

Label Description:

Just some thoughts and questions.

When our physical bodies die, do our souls enter the telepathic wheel?

Do you believe we even have souls….? Are the mind and soul conjoined?

Can we express our true soul via sound?

A hybrid collection, drawn largely from scattered jams which have been married together in Waveform 12. Except ‘Telepath 5′ which is a live improvised drone piece created using Bastl Instruments’ 1.5 Kastle, Bestie Mixer and Kastle 2 FX Wizard.

*Please play back on a system with good bass reproduction, otherwise I have no sympathy!

Jack Hertz – Compilated II (Aural Films)

Label Description:

Listen to a new collection of tracks from the many compilation projects I have contributed to in years past. Click on each track to see the album, label and link for the original compilation releases.

credits

released April 18, 2025

Jack Hertz – Sound Design, Composition, Production, Cover Art

Jack Hertz is fascinated by all aspects of creating sound. From the earliest instruments to the present day hardware and software innovations. More at JackHertz.com

Aural Films is an online record label that releases high-quality soundtrack albums for movies that do not exist. We cover a wide range of music styles ranging from ambient to experimental to popular to soundtrack musics. Often on the same albums. You can find our complete catalog of releases online at AuralFilms.com

Aural Films Catalog No. AF0455

JHD254

Phil Western – Afterflash: A Remixed Tribute (Map Music)

Label Description:

What Phil created in his time on earth makes our world a better place. He was the kind of person everyone needs to know or at least know about. He was full of unexpected surprises. He held the land speed record for the demolition of food and on tour would go to sleep fully clothed, often with his shoes on.

Phil was everything: a rogue, a maverick, an explorer. He suffered his demons but did so with courage and an unflinching painful honesty. Phil was easy to talk with. He was always engaging, interesting, and interested. He had a mane of dark, dark hair and a smile to melt hearts. His eyes told his entire life story, if one dared to gaze long enough.

Phil loved wholly, without caution, and with the deepest sincerity. His unquenchable curiosity doubled as an altruistic way of disarmament and evoked harmony when met with a different perspective. Phil was relentlessly gentle and understanding even when it was undeserved.

Phil was a veteran psychonaut whose deep inner journeys, life experiences, and struggles imparted him with a degree of insight, wisdom, humility, and humor that is all too rare. His expression of these qualities in his music infused it with a melancholic understanding of the beauty, joy, frailty, tragedy, and absurdity of the human condition.

Phil was a true artist in every fiber of his being. His incredible talent and infectious energy left a lasting impression on the world, and his music will always hold the top spot in our hearts.

Phil continues to inspire us all.

– The Remixers (Worldwide)

The idea for this project came from having a few remix packs that Phil had given me ages ago for some releases I’d curated, and inspired by Dave King’s (Longwalkshortdock) yearly tribute songs that he’d been posting since Phil’s passing. I had already remixed one of Phil’s songs almost a decade earlier, and had just decided to start on another near the beginning of 2021.

In a conversation later that year with Jaime Dunkle (Love Above Will), I mentioned I was working on another remix. During that conversation, I came upon the idea of putting together a bunch of remixes from Phil’s friends/collaborators as a tribute album, which she enthusiastically encouraged me to do.

After receiving the blessings from Phil’s family to move forward and reaching out to all the potential remixers, the pool of available songs for remixing was soon expanded with the invaluable assistance of Tim Hill (Rim). Not long after that, a couple more artists came on board, including Omar Hashmoder who revealed that he had the files for the last song Phil had been working on right up to the night before he left us. That song, “Dream Death,” is now finally being released, as well as a remix by Omar who also contributed some sounds to the original version.

This project was not without its share of delays and complications, one of which was Bandcamp refusing to give access to Phil’s artist page to his mother so this album could live there with the rest of his discography. Thankfully, Robert Shea’s Map Music has given it a fitting home considering that some of Phil’s earliest solo works originated from that seminal record label.

It has been a profound honor to work with all the artists and fellow lovers of Phil throughout this project. More than anything, I hope this album inspires people to continue exploring Phil’s vast catalog of music in all his solo and collaborative guises.

– Seth Branum (Bainbridge Island, WA)

My dear son: I miss you so much, but like your music, you now live in my heart and mind. Love, Mom.

– Enid Western (Vancouver, BC)

credits

released April 20, 2025

Mastering: Martin Granger (www.7d6music.com) and Jesse Creed
Cover Portrait: Simon LaPlante
Cover Design/Layout: Jaime Dunkle
Executive Producer: Seth Branum

All songs originally written by Phillip Western, except “HeWatchedMeSleepLastNight”, written by Simon LaPlante.
Copyright: The Record Company

The bonus track “Dream Death”, previously unreleased and the final track Phil worked on before his passing, is sent to album buyers on 4/20.

The majority of the proceeds go to the fund for Phil’s daughter, Mora Western

MAP219-D

Derma – Gran Monoplano (Ant-Zen)

Label Description:

DERMA, a collaboration between riccardo bianchi and massimo magrini (also known as BAD SECTOR), embodies a sophisticated fusion of retro-futuristic electronica and poetic lyricism. originating in 1995 and revitalized in 2020, this project has become a distinctive voice in the italian synthwave scene.

their musical approach combines analog loops, diverse vocal inserts, and synthetic arrangements, blending ’70s and ’80s synth-electro aesthetics with modern production techniques. this unique amalgamation results in a raw yet refined auditory experience, where abrasive electronic textures intertwine with complex vocal arrangements.

DERMA’s lyrics, delivered in italian through singing and declamation, explore introspective decadence and everyday science fiction. drawing inspiration from krautrock, ebm, and cold wave, their music creates a nostalgic yet forward-thinking soundscape that appeals to both retro enthusiasts and contemporary audiences seeking a darker, more cerebral dance music experience.

their compositions serve as sonic time capsules, echoing the past while envisioning the future, with sharp, icy melodies set to danceable rhythms.

credits

released April 17, 2025

DERMA: riccardo bianchi (voice) & massimo magrini (music)
artwork by stefan alt
this is ant-zen act476

DERMA – gran monoplano [trailer]
www.youtube.com/watch?v=1JQtzWU2fqQ

websites:
www.bad-sector.com/derma
bad-sector.bandcamp.com