
Tag Archives: bandcamp
Lagowski – Strange Minds 11 (Self-Released)

Label Description:
An end of year soupçon.
I know, I know…..SM10 is coming next year for good reason…hold your horses…
Cousin Silas & Glove Of Bones – New Runes (Extended Reissue) [The Cousin Silas Emporium]

Label Description:
Original Notes:
Looking at the files for this album, the first sketches appeared around September 2021. That makes it the longest gestation for a collaboration album with Cousin Silas (our sixth, the last in 2020). It’s also the greatest gap in putting out any new ideas since the GoB began.
In the past I’ve started out with a broadly clear narrative to work around. This didn’t start that way. I just had a circling nucleus of undirected rage that occasionally proposed titles and ideas.
The period from March 2020 to September 2021 delivered so much ‘content’ both over the internets and IRL. It was difficult to filter this down to reason. There’s an interview with David Bowie by Jeremy Paxman from 1999 where DB prophesises the impacts both positive & negative of the internet. Look it up (it’s worth noting that the planet has gone to hell since he passed. Studies need to be made).
It was perhaps not surprising that a global pandemic delivered the best of humanity on so many levels (charity, reason, science, benevolence, realisation of the value of workers, a tantalising look at how life could be better valued and lived) and also finally unboxed the absolute worst that had for numerous past decades been side-lined by truth & reason.
Puritanism, righteousness, division, corruption, an imagined ‘culture war’, embedded & extended privilege, a riled & enraged but ill-informed and manipulated electorate, an unimaginably wealthy tiny number of people, all took a deep breath and realised shouting at the marginalised, using punching down rhetoric and waving flags works and might delay their ultimate & deserved extinction.
Welcome to the New Dark Ages (yes, Pere Ubu got there first but I stand on the shoulders of these giants).
Dedicated to the ‘woke’, the SJWs, the non-conformists, the transgressives, the punks, the anarchists, XTR, the lefties & liberals. Every time these terms are used as slurs it means you’re winning.
New Runes is an arthritic index finger raised and ready.
Thank you to those who contributed to this auditory rant.
G.o.B. // October 2022
Originally released October 28, 2022
The Glove of Bones
Concepts, samples, apps, guitar noises & loops, production / construction / mastering, artwork & video.
1: Introrobus
For the warrior Christopher Eric Hitchens (13 April 1949 – 15 December 2011)
“What can be asserted without evidence can also be dismissed without evidence”
2: The Universal Hum 3:30am
This track includes a section of dialogue by Anton La Vey and a short section from his musical works.
3: I laughed at the Great God Pan
Cousin Silas: Guitars & synths
Title from a short story by Jack ‘King’ Kirby.
4: New Morning Star
Issy: Djembe
GoB: Anxiety Machine
5: Le Livre des Mensonges
Cousin Silas: Guitar
Antonella Porcelluzzi: Voice
Spoken text from ‘The Book of Lies’ by Alistair Crowley from the AEP project ‘Introducing Alistair Crowley’
6: Urban Nargual
Cousin Silas: Guitar and synths
Issy: Bass loops and solo
Greg Nieuwsma: Midi keys
7: Radio Rapture
Cousin Silas: Guitar and synths
8: The War on Saturnalia
Cousin Silas: Guitar and synths
9: Throwing Bones
Cousin Silas: Guitar and synths
credits
VAAG – Twenty Two (Point Source Electronic Arts)

Label Description:
Written and Produced by VAAG
Mastered by Alex Stilts at Orbit Room Audio
Illustration by VAAG
Design by Mike Slansky
Point Source Electronic Arts
PSA038
Various Artists – Noise Forest (Cold Spring)

Label Description:
The ultimate Japanoise collection, originally released in 1992 on the cult Les Disques Du Soleil label / record store on CD-only, and now impossible to find. Remastered and presented here on deluxe 2LP in matt-laminate gatefold sleeve (first time on vinyl) and new CD edition, all with new artwork.
A forest isn’t something normally associated with noise; it brings to mind silence and solitude. However, the ominous cover art here – and the artists within – bring to mind the notorious suicide forest Aokigahara. Despite all tracks falling into the Japanoise genre, the tracks are very diverse, yet every track is so distinct it could only be by that artist.
Notes on each track taken from Noisextra’s ‘Noise Forest’ special: www.noisextra.com/2024/01/10/various-artists-noise-forest
• CD in matt-laminate digipak.
• 2LP Black in matt-laminate gatefold sleeve.
• 2LP Forest Green in matt-laminate gatefold sleeve. Ltd 250 copies.
1. recorded at ZSF Produkt Studio, 11/07/91
2. recorded at Telecom Studio 06/07/91
3. recorded & mixed at works Fatagaga 07/91
4. edited by Dislocation 1991. Includes live recordings at Freebird (03/02/91) and Bubble (21/02/91). F.Kimura (guitars), K.Kiyokawa (performance), Y.Yanagawa (sax), T.Osaki (electronics)
7. recorded in 1989
8. T.Mikawa + F.Kosakai
Mastered by Martin Bowes
Layout by Abby Helasdottir
Anatoly Grinberg & Andreas Davids – Emergency Landing (Ant-Zen)

Label Description:
remixes by room of wires, autoclav1.1, flint glass, loss, empusae, ah cama-sotz and spherical disrupted
layout by stefan alt
this is ant-zen dig077
INSPIRED BY A TRAGEDY:
ant-zen.bandcamp.com/album/inspired-by-a-tragedy
Phelios – Obsidian Forest (Loki-Found)

Label Description: With his latest release, Martin Stürtzer, the mastermind behind Phelios, continues to carve out a unique space in the dark ambient genre. He blends expansive soundscapes with slowly evolving tribal rhythms to create a truly immersive experience. Obsidian Forest captures the essence of deep, shadowy woods where ancient, unseen forces seem to dwell. The album feels like a ritualistic journey into nature’s darker realms, with each track evoking a vivid, sometimes haunting, landscape of sound.
Phelios’ trademark monumental melodies are omnipresent throughout the album, merging with somber, swelling drones that pull listeners into a dense sonic fog. As the album progresses, these melodies evolve like distant, otherworldly chants reverberating through the trees. The layering is intricate, and the atmosphere is thick, yet there’s always a sense of space—an invitation to explore these shadowy woods further.
The addition of tribal percussion is a defining feature of the album, grounding the otherwise ethereal soundscapes with a primal energy. These rhythms emerge slowly, almost as if they are the footsteps of an unseen figure moving deeper into the wilderness. Phelios seamlessly blends ancient and futuristic elements, balancing tension and tranquility to craft a meditative yet eerie soundscape.
Phelios’ latest work is both a sonic journey and an imaginative exploration of nature’s darker side — a plunge into the heart of deep woods, where every echo and shadow holds an untold story.
LOKI 75
Scanner – Columns (The Vinyl Factory)

Label Descriptions:
thevinylfactory.com/product/columns-falling-columns/
* Two electronic soundtracks composed by Robin Rimbaud aka Scanner
* Music produced to accompany Ben Kelly installations commissioned by 180 Studios for the exhibition Future Shock (2022)
* Pressed on 180-gram white vinyl
* Gatefold sleeve printed International Orange (RAL2004) on Mirror board
* Hand signed and numbered by Ben Kelly and Robin Rimbaud aka Scanner
* Limited edition of 300 copies
Ben Kelly is one of the UK’s most influential designers. Kelly is best known for his interior design of the legendary nightclub, The Haçienda in Manchester. His practice has produced influential work for 180 Studios, Virgil Abloh, The Sex Pistols, The V&A, Vivienne Westwood, Malcolm McLaren and Factory Records.
The Vinyl Factory first collaborated with Kelly to commission and stage his installation RUIN, produced in collaboration with Virgil Abloh, at 180 Studios in 2017. 180 Studios subsequently staged Kelly’s Columns installation as part of the exhibition Future Shock (2022), the soundtrack to which, composed by electronic musician Robin Rimbaud aka Scanner, is released here.
An organic shaped die cut peephole is cut into the front of the sleeve as a homage to Marcel Duchamp’s final work Étant donnés (1946-1966) – a gateway to another world. The peephole reveals one of Ben’s orange columns and plinth with a gloss varnish on a black background. On removing the inner sleeve the statement: “CONCERNING THE BUILDING OF THESE COLUMNS WE HAVE NO CERTAIN NEWS” is revealed, printed on a Pigeon Blue background.
The rear of the inner sleeve contains a printed transcription of a conversation surreptitiously recorded via dictation, complete with mistakes and mishearing’s, between Kelly and Scanner. The transcription has produced a mashup version of the true conversation which has been printed in full. Across the two sides of the inner sides of the gatefold, a vertical full colour printed collage of columns, taken from the FALLING COLUMNS digital installation.
The rear of the sleeve contains a printed essay by Brian Dillon, beginning with a quote from Francesco Colonna, Hypnerotomachia (1499). This essay was originally commissioned by Ben to accompany his COLUMNS installation in 2022. A Chocolate Grinder is printed on the silver mirror board on the rear of the gatefold above the VF logo.
Scanner’s work traverses the experimental terrain between sound, space, and image. His diverse body of work includes soundtracks for films, performances, radio, dance, theatre and site-specific intermedia installations. Committed to working with cutting edge practitioners he has collaborated with Carsten Nicolai, Wayne MacGregor, Laurie Anderson, Hussein Chalayan, and Mike Kelley.
Music composed and performed by Robin Rimbaud / Scanner Commissioned by Ben Kelly / The Photo Kid and VF on the occasion of: COLUMNS for the exhibition ‘FUTURE SHOCK and FALLING COLUMNS digitally exhibited in the Atrium, both at 180 The Strand.
Released by The Vinyl Factory, 2024. VF392
Sleeve Design by Ben Kelly
Layout Artwork by BPD
Essay by Brian Dillon
Photos of vinyl by Feiyang Xue
Tenderlash – Live From A Dark Room (SwissDarkNights Label)

Label Description:
Ocrillim – MEANT (Self-Released)

Label Description:
25 minutes of unreleased material..
all recorded at 608C SF 05/06.. all instruments by Ocrilim..