Mika Vainio – Revvity [Torn] & Ydin (wavetrap)

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Label Descriptions:

Revvity:

recorded in Berlin 2005

credits

released December 12, 2006

all tracks by Mika Vainio
cover art by Elina [surname unknown]
mastered by Denis Blackham at Skye Mastering

Ydin:

released September 1, 1999

all tracks by Mika Vainio
cover art Leif Elggren
mastered by country masters

Our Final Invention – It’s Late (Fog & Lime)

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Label description:

the debut 8 song Mini-Album by Our Final Invention is a swirling electronic indie and pop and multimedia experience bringing classic Manchester post-punk and electronic sounds right into today.

OFI is Mark Gill & Richard Nancollis.
Formerly of The Rain Band.

Cassette released by Fog & Lime (NYC)

See the incredible video for “Parasite” here:
www.youtube.com/watch?v=px5RlY7LkYA

All the elements on screen were generated
entirely using Runway AI Inc software.

Directed and edited by: @Voltaine (FIT DIGITAL)
Creative Direction: Mark Gill for @thechasefilms
Additional Editing: @Bledar Bujupi

credits

released December 1, 2023

Music: Richard Nancollis, Mark Gill (Our Final Invention)
Label: Syed T. Hoda (Fog & Lime)

Various Artists – Anniversary (Bromtol Largesse)

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Label Description:

So It’s Everywhere – Dates , Letters and sounds
Clues, as it were ( KLEWS as JR. would yell )
Like cats under the furniture, like eyes creeping out
from behind the dew,

A Certain fabric for Dawn, A Certain tale to tell ~
Late in the Behinds but here for the foreverafter

A Brilliant yet bilinding moment

Scatter few, Over whiffle
The Unburnt toast
Scatter few, Over whiffle

credits

released February 25, 2024

All Tracks .by the respective artists

Huge thanks to everyone who contributed and made this album the stunning monolith that it is

Text = Bromtol Largesse

Image = {AN} EeL

About the Cover –

This is a photo from the ” Barefoot Ballroom ” In Eureka Springs, Arkansas. It is a very interesting location & while I’ll stop short of calling it haunted, there was certainly something haunting about it – More information for the curious here – onlyinark.com/places-and-travel/the-basin-park-hotel-barefoot-balls-gangsters-and-vortexes/

subterrene – the same rivers (Poverty Electronics)

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Label Description:

instrumentation: Arturia MicroFreak, Elektron Analog Keys, Camel Audio Alchemy software synthesizer, modular sampler, Hologram Microcosm

recorded at the Fortress of Squalitude

credits

released August 11, 2023

all production and programming by subterrene
subterrene.bandcamp.com

mastered by Marcus Miller at Holosuite Mastering
holosuitemastering.com

cover photo by Grant Stewart
sleeve design by Travis D. Johnson

Dedicated to K. You always have seen the good in me, even when I didn’t see it myself.

datewithdeath – Execution Style (Poverty Electronics)

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Label Description/Info:
datewithdeath is Travis D. Johnson: drum programming, field recordings, digital synthesis, percussion, transistor radios, mixing
linktr.ee/datewithdeath

voice on “underplay” by Diana Gruber
linktr.ee/dianastarshine

vocals, lyrics, and additional synth and mixing on “meltingpot” by dvdv
linktr.ee/dvdv

sopranino saxophone on “Ele1” by Massimo Magee
www.massimomagee.com

cover painting by MiHee Kim Magee
www.miheekimmagee.com

mastered by Dominic Clare at Declared Sound
declaredsound.com

special thanks to Amptek, Angel Marcloid, Audiobulb, clipping., Cole Lee, Fumbata Phiri, John Lithium, Jukka-Pekka Kervinen, Neuro… No Neuro, Pete Cann, sadfem, and Teen Smoking

Bahia Mansa – patagonia (ep) [Self-Released]

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Bahía Mansa embarks on a new sonic odyssey, where digital textures entwine in a mesmerizing dialogue with intricately processed acoustic sounds. Forged through uninhibited, free-form sessions, the album unveils lush soundscapes adorned with spontaneous melodic nuances and cascading waves of bitcrushed brilliance, crafted through the integration of salvaged field recordings interlaced with on-site explorations, thus, offering a uniquely organic and immersive auditory experience.

credits

released December 16, 2023

field recordings by ivan aguayo.
all sound design by ivan aguayo.

The Jesus Fish Experience – Cosmic Predation (Argali Records Netlabel)

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Pursuing a dark, singular music vision, “Cosmic Predation” fuses haunting e-bow melodies with industrial dirges, dark ambient pulsations, and harrowing post-rock constructions to form a “blackened neo-shoegaze” experience of harrowing intensity. Oppressive and moody, the sounds on this album grips at the earth while illuminating the void.

Originally released back in 2011 on the Argali Records Netlabel site on Archive.org, this re-release features high-definition audio (the original being an mp3-only release) in addition to a new graphic design by John Lithium. Also, the complete album download also includes the original album graphics as well.

.

credits

released June 30, 2014

Bass, guitar, drum programming, vocals/lyrics, arrangements, synths/textures, and samples are by Reon Moebius.

“Movement Of Celestial Bodies” features a sample of Carl Sagan’s “Cosmos” (episode 13). Special thanks to the “Infamous Billy Eubank” of “Premo Vs The World” for assistance and mixing on tracks 5 and 7.

The original release can be downloaded here: archive.org/details/ARGREC17

Scanner – Alchemeia (Alltagsmusik)

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Just received this in the mail today, also came with several label stickers which is always fun.

Description:

This album was written as a tribute to the early 1960s library music culture, applying crude techniques of electronic composition, using a mix of hardware and software. It explores a kind of musique concrète, electroacoustic character, in an otherworldly cinematic fashion.

It is the debut release on Alltagsmusik, a new label to release Scanner albums.

Available as limited digipak CD and digital

credits

released January 19, 2024

Written, performed and produced by Robin Rimbaud
Recorded at The Factory 2023

Dylan Houser – Druid (Self-Released)

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Description: Originally recorded and released in early 2021, as part of a monthly mail exchange group. The CD was limited to around a dozen or so copies.

“The incredibly prolific Dylan Houser delivers another dose of incredible music, this time a series of guitar explorations that take the instrument to places that are near and dear to Dylan’s heart, while offering some compelling drive and excellent textures to give this disc excellent sound with repeated listenings(sic). I recommend playing this one loud, to soak in the dynamic range.”

-Austin Rich (Mid-Valley Mutations)