Fathomless – II: Thy Desolation (Self-Released)

Label Description:

The second full length from Fathomless started out as an homage to Star Trek villains and anti-heroes. But when it came time to write lyrics the realization dawned that life is imitating art a little too well these days and it morphed into an anti-fascist, anti-theocratic, anti-AI album.

The same lineup from the debut album returns, but this time with some special guests joining. Steve Wiener (Am I in Trouble?, Ashenheart, Eveale, Negative Bliss) contributes the albums only clean vocals in the title track. Josh Turner (Dischordia) contributes backing/additional vocals to “Spectres,” and Alicia Cordisco (Transgressive, Ex-Judicator) contributed a ripping guitar solo in “Intangibles.”

Stylistically this album embraces the Vulcan concept of “Infinite Diversity in Infinite Combinations.” While firmly rooted in Black Metal it also draws heavily from Death Metal, Thrash, Punk Rock, Blackgaze, Prog, and Stoner metal.

Fathomless II:Thy Desolation takes a more organic approach to production than the debut album. Mics on loud tube amps, live drums, no VSTs/amp sims, no sample replacement. The result is a wall of sound with a natural “live” feel.

Tyler Blake – Bass, Keys/Synths, Theremin, Backing Vocals
Kyle Clark – Vocals
Clayton Eckert – Guitars
Josh Fallin – Drums, Guitars
Jon Reid – Guitars

Guest appearances:
Steve Wiener (Am I in Trouble?, Ashenheart, Eveale, Negative Bliss)- Clean vocals on “Thy Desolation”
Josh Turner (Dischordia) – Additional vocals on “Spectres”
Alicia Cordisco (Transgressive, Ex-Judicator) – Guitar solo on “Intangibles”

All music and lyrics by Tyler Blake
Produced, engineered, mixed, and mastered by Tyler Blake

Recorded at ToneTrip Studios and Fathomless Studios
Reamping at ToneTrip Studios by Tyler Blake and Jon Reid

Artwork by Holy Forest Design

greyfleshtethered – The Dark Being (Self-Released)

Label Description:

“On a fateful stormy night you receive a panicked phone message from your eccentric and mysterious neighbor Dr. Krick stammering that something terrible has happened and he must flee, begging you to watch over his infant daughter Amanda in his absence. After arriving at the monolithic lighthouse, you learn more about the doctor’s work – Krick’s research navigates the treacherous and unexplored territory of reducing the linear distance between planets and creating a proximity point by focusing electricity across a Fresnel lens, thus harnessing the electrical power stored in lightning to generate a portal to parallel universes. Before you have a chance to admire the vastness and complexity of the laboratory equipment, Amanda is snatched from her cradle by a dark ethereal creature and taken to a distant land in another dimension. Determined to rescue both Amanda and Krick, you follow them through the portal and into a strange world filled with sophisticated machines and bizarre architectures, a world once flourished but now largely destroyed, rendered nearly uninhabitable through the Dark Being’s malicious actions.”

“The Dark Being” is a journey through fantastic and harrowing cosmic realms. From torpid starfields to turbulent seas, from sunken submarines to a volcanic fortress, The Dark Being cascades through time & space as a veritable rollercoaster of sound & emotion. Intended to be perceived in its entirety, The Dark Being represents only one iteration of many possible journeys the listener can take as endless and infinite existential probabilities swirl around us at any given instance in time.

A world of thanks and gratitude to Brian Min for his masterful score to Lighthouse: The Dark Being, which on many occasions was the sole reason for this album’s continuation. Min’s compositions enthralled and captivated my young mind when I first played the game and were largely the reason I even considered this project in the first place.

Album mastered by Dan Paoletti, support their music here:
apostrophebeats.bandcamp.com

Synth work/dark ambience on track 4 composed by Luciform, support them here:
luciform.bandcamp.com/releases
soundcloud.com/luciform

Album art by 0ceanfloor, support them here:
twitter.com/0ceansfloor

Thanks to Krrrrrrk for the awesome promotional video, support them here:
http://www.instagram.com/krrrrrrk/
twitter.com/Krrrrrrk

And finally, a huge thanks to everybody else who contributed physically or emotionally to this project, you all mean so much to me. And biggest thanks to my prince Kodie ❤

Darkswoon – Antivenom (Viasonde)

Label Description:

Antivenom is the fourth album from Portland melancholic dark alternative trio Darkswoon, further refining the band’s emotionally charged intersection of darkwave, post-punk, and shoegaze. Built atop a hardware-driven electronic foundation, the record balances cold mechanical textures with an intimate human core, cradling Jana Cushman’s ethereally soaring vocals. Lyrically, Cushman confronts loss, anxiety, fear, and inequality with unflinching honesty, wielding words as both confession and scalpel.

Norah Lynn’s melodic yet gritty basslines snake through Rachel Ellis’ propulsive, kinetic rhythms, while Cushman’s guitar work provides a dense sonic web that at times pushes Darkswoon into more expansive shoegaze territory. The songs on Antivenom function as an immersive, atmospheric whole, yet retain a sense of urgency through cautionary missives, unresolved emotions, and the weight of things left unsaid. With each release, Darkswoon has continued to evolve, and on Antivenom, the trio sounds fully assured, channeling introspection into focused, resonant songwriting that highlights their distinct voice.

Music written and performed by Darkswoon

Lyrics written by Jana Cushman
Additional lyrics on x3 by Rachel Ellis
Guitar, Vocals by Jana Cushman
Synth, keys, drum machines by Rachel Ellis
Bass by Norah Lynn

Additional drum programming by Jeremy Wilkins
Additional guitar on Antivenom, Thread, and Blood Let by Jeremy Wilkins
Recorded and Produced by Jana Cushman and Jeremy Wilkins
Mixed by Jeremy Wilkins at underwater research and design
Design by M.Cadoo and Jana Cushman
Mastered @ 37n,122w

With deep love and gratitude, we’d like to
thank our friends, family, and fans for
the support, connection, and inspiration.


©DARKSWOON ℗VIASONDE 2026 • PUBLISHED BY n5MUSIC [BMI]

helllhound – Here In The Valley (Constellation Tatsu)

Label Description:

Here In The Valley is the debut full-length release from helllhound, the intimate sonic collaboration of life partners Cadmar Fitzhugh and Nailah Hunter. Born out of a seismic shift from urban Los Angeles to a remote mountain town in the Sierra National Forest, the record reflects a period of profound transition—into the wilderness, into parenthood, and into a deeper communion with self.

Woven together through acoustic guitar, harp, voice, and gentle electronics, Here In The Valley evokes the textures of the natural world and the unseen dimensions of ancestral memory. It moves like mist through tall pines and echoes like a fireside tale overheard from across a moonlit meadow. Tracing the arc from conception to early motherhood, the album celebrates the beauty and impermanence of life on Earth, the mysticism of matrescence, and the long journey home to oneself.

With tracks written before, during, and after pregnancy, the album unfolds like a handmade map of a spirit-led pilgrimage—through waterways, starfields, and golden hills. Each song is a milestone, a myth. From the harmonic murmurs of “downstream” to the ancestral chant of “by sea,” the stargazing restfulness of “the pleiades (sleep),” and the gentle nighttime balm of “lullaby,” Here In The Valley is a love letter to new life, old stories, and the sacred quiet in between.

The pair’s shared creative language finds expression in ethereal ambient and folk sounds. Nurtured in the stillness of California’s high country, their music conjures pastoral dreamscapes that hum with the mystery of birth, the longing of memory, and the wild devotion of partnership. Named after their spirited Husky-Aussie dog Sigge, helllhound channels both the chaos and comfort of life lived close to the bone—deep in the valley, with stars above and earth below.


Guitar and Synth by Cadmar Fitzhugh
Piano, Vocals, Harp and Guitar by Nailah Hunter

Mixed by Joseph Smith
Mastered by Salz Mastering

 

Gjöll – On The Forgetting Of Language (Ant-Zen)

Label Description:

ON THE FORGETTING OF LANGUAGE: to contemplate the forgetting of language is to witness the word’s erosion until only the tongues of smoke and ashes remain. we inhabit an era where the soul’s syntax dissolves into the profound gravity of the stillness, a quietude where we encounter the unconscious dream of redefining god as darkness. in this state of un-naming, the biological yields to the ontological; you realize that within you all blood is black, a river of ink awaiting a script that no longer exists. moving beyond the transactional nature of speech, as we brace the mountain, we offer the self – a final surrender of the ego to the unyielding earth. lured by the pull of the shadows, we move toward a soundless, formless, serene darkness that defies modern categorization. to forget language is not to lose intelligence, but to transcend it; it is to finally become one with the emptiness, where silence speaks with a clarity no tongue could ever achieve.
credits
released April 16, 2026

the icelandic duo GJÖLL engineers an electronic praxis that is as psychologically immersive as it is sonically confrontational. eschewing traditional composition for dense, evolving sound narratives, their work traces the architecture of tension, alienation, and transformation. rooted in the stark intersections of dark ambient and industrial noise, GJÖLL’s aesthetic is defined by a striking duality: vast, glacial expanses punctuated by violent eruptions of rhythmic intensity. beyond its surface abrasiveness, their music possesses an austere depth, evoking desolate northern landscapes and the cold introspection of the human condition. conceptually, GJÖLL explores the fractured psyche – navigating the dialectic between societal oppression and existential awakening. by translating emotional poles – from despair to a fragile, sonic release – they remain firmly situated within the most intellectually rigorous fringes of experimental electronics.

all tracks written by jóhann eiríksson and sigurður harðarson. produced and mixed by jóhann eiríksson
artwork by stefan alt.

this is ant-zen act497

{AN} EeL – Doggerel (Pan Pan Pan Avian Distress Call)

Label Description:

Moggy Log Slog
Midnight Mint Shag Splinter
Catered Dinner
Fox Trot Lyons Woods
Untidy You’ll do better on
Then down the road
Tow the line, done as told

Emulsify & Cajoled
Jollies in a sugar prism
Laughter in a long and winding
hallway system
Exist signs every
where

A Listless Shadow Lipstick
Rouge on the Moon in powder
Stardust & Serenades
Broken chi
Circus Mariachi Organ

Envelop total distrust

Elicit Gasps the Collective
Aunties of the world

clutch their pearls

And finger the accused in tandem ~


Sounds & Noises – {AN} EeL
Text & Image – {AN} EeL