Zane Trow – Ibis (Room40)

Label Description:

A note from Zane

the moon, wisdom, knowledge, writing, hieroglyphs, science, magic, art and

… judgment, so they say

i have got to know a stand of sixteen Ibis quite well over the last few years, never any trouble

we live in times of rising fascism once more, though of course, it has never been far away. the endless war stretches on. the whole system – the onslaught of inhumane competition, the normalisation of cruelty, racism, genocide …

“ni dios, ni estado, ni patrón” …

from the stand there is one Ibis, once or twice every day, to oversee an avocado tree and keep a keen eye, just in case some avos might fall … the tree is forty years old … the bill well skilled.
 
most of the field recordings here are from the same stretch of wetlands and riverside. many birds live there, and they try their best not to offend anyone, but their habitat will soon be scraped out and covered in crude development. there are three recordings of the same lagune at different times of day, one is treated and overlayed on another … and one is annotated with a distant creek at nightfall, in the mountains after a cyclone. there is also a bell, treated, from the ice cream truck that, for the last twenty years or so, has passed up my street every month …
in the evolving electronics, feedback styling and synthesis improvisation there is an abiding interest in the raveling and unraveling of sonic textures .. exploring unresolved tensions between ideas of time and space, the recorded and the live, the analogue and the digital, the real and the unreal …
……………..
analogue, digital and virtual synthesizers, found sounds, sonic devices, analogue echo & digital delay units, percussives.

created, recorded, audiomulched and mixed at Studio Vector in Slacks Creek, January thru June 2025.

I would like to show my respect and acknowledge the Traditional Custodians of Country and to all Elders past, present and emerging, the Traditional Owners of the lands, winds and waters.
Many thanks to Lawrence English for mastering and support.

galen tipton & Shmu – dewCLAWS (Orange Milk Records)

Label Description:

Within ‘dewCLAWS’ is a digital orgy of goo-ey deconstructed and psychedelic club & dance music, including features from Hakushi Hasegawa, diana starshine, Ko T.C. & many others. Off the heels of the huge success of ‘You Like Music’ galen’s most recent collabo album with OM co-founder & dds heavyweight, Keith Rankin aka Giant Claw, as well as a collabo album with underground legend Holly Waxwing, galen brings all of their hallmark environment and naturesque zigzags that are beautifully balanced by Shmu’s emotional flurry of colorful tapestries, as their styles collide in a record that is both zany & in search of a new language for deeper emotions yet uncovered


All Songs Written, Arranged, Performed, Produced, Mixed & Mastered by Galen Tipton & Shmu

Album, Single Artworks, Art Layout & Album Title by Mas Guerrero

Hakushi Hasegawa appears courtesy of Brainfeeder Records

Orange Milk Records 2025

Aduanten – Apocryphal Verses (Self-Released)

Label Description: Aduanten, the melodic death metal project featuring members of Obsequiae, Vex, Panopticon, and Horrendous, unleashes its full power on the new album, ‘Apocryphal Verse.’ Combining ferocious, intricate riffs with a profound sense of sorrow and hopelessness, Aduanten crafts a sound that is both aggressive and beautifully melancholic. This is melodic death metal at its most potent and atmospheric. As a bonus, all CD and vinyl purchases will also include the band’s acclaimed debut EP, ‘Sullen Cadence,’ as bonus tracks. For fans of Dissection, Eucharist, Sacramentum, and Obsequiae.

Skaldr – Saṃsṛ (Avantgarde Music)

Label Description:

Continuing with the melodious gloom of their debut album, Scythe of Our Errors, Skaldr beckons from the darkness once more with their sophomore record, Saṃsṛ. A thematic observation of loss, devastation, and change, Saṃsṛ observes the ways in which death and life, formation and demise, are an inextricable cycle – providing an endless and inevitable means to the continuity of each in turn.

Physical copies of the album (CD & Vinyl) and t-shirts are available from the Avantgarde Music Bandcamp page :
avantgardemusic.bandcamp.com/album/sam-sr


HH – Guitars
BD – Guitars
CV – Bass, Vocals, & Violin
Myrdynn & TE – Drums

Saṃsṛ was recorded at Trepan Studios

Mixed and Mastered by Dan Swanö at Unisound Studio.

Artwork by Adam Burke

Released by Avantgarde Music

Ed Herbers – Tartarus (Self-Released)

Label Description:

A group of space-faring scavengers are navigating a remote region of the galaxy when the ship’s sensors alert them to an unidentified object looming in the distance.

“Sensors detect a massive freighter up ahead. Looks like it was powered down and abandoned out here. Its callsign is coming through as “Tartarus,” but there’s no other data available (manifest, origin, destination). I’m sure we could salvage some useful scrap from it—let’s dock and check it out.”

Although the ghost ship appears to be empty, the crew quickly discovers that they’re not alone…and a simple salvage mission becomes a desperate fight for survival.

Inspired by media like Dead Space and Alien, Tartarus is an atmospheric and immersive dark ambient, sci-fi horror/suspense experience.


All songs produced and mixed by Ed Herbers.

Mastered by Exit Chamber (exitchamber.bandcamp.com)

Album artwork by Ed Herbers, adapted from a costume piece created by Sam Herbers.

Big thanks to Adventsong for suggesting the album title (adventsong.bandcamp.com)

Several pieces from this album previously appeared in other contexts:
– “Promise & Peril” and “Insomnia” were released as singles in early 2023. At the time, I had no plans to use them on anything else, but as Tartarus started to take shape, I realized both of these tracks were perfect for it.
– “No One Is Going To Save Us” previously appeared on the “Passed Away” compilation, from Passed Recordings, in 2022 (passedrecordings.bandcamp.com/album/passed-away-2)
– “Entropy” previously appeared on “Heavy for the Hollers” a compilation benefiting hurricane relief efforts in North Carolina following Hurricane Helene (liminaldreadproductions.bandcamp.com/album/heavy-for-the-hollers)

Dead Voices On Air – Silence, Melt And Mourn (Re:Mission Entertainment)

Label Description:

Re:Mission Entertainment is proud to announce SILENCE, MELT AND MOURN, the new album from Dead Voices on Air, arriving October 31st, 2025. Created during preparations for a US tour, the album features new material alongside reimagined versions of songs from across Mark Spybey’s career. The live set will include selections originally released by Download, Beehatch, DVOA, and other collaborative projects. Working with Nathan Jamiel of The Drood and longtime friend Stephen Weatherall, Spybey approached the process by writing new music and revisiting older work with fresh arrangements and a renewed focus on vocals and song structure. SILENCE, MELT AND MOURN is a reflection of that journey, built on collaboration, reinvention, and respect for the creative voices that shaped it.


All music produced by:
Nathan Jamiel, Mark Spybey and Stephen Weatherall

Nathan Jamiel – Guitar, Bass, Synthesizers, Keyboards, Vocals
Mark Spybey – Drums, Keyboards, Vocals, Trumpet, Toys
Stephen Weatherall – Bass, Vocals
Mark Sanderson – Synthesizer, Baritone Ukelele (2,5)
All lyrics by Nathan Jamiel and Mark Spybey

Mastered by Mark Pistel
Art by Mark Spybey, layout by David Babbitt
With thanks to Wes Turner and scott crow

eMERGENCY heARTS / Re:Mission Entertainment

Dedicated to Vince Wald (1976-2024) and Daniel Doss

Swordman Kitala x Soft-Bodied Humans – Magada Biwuka EP (Third Kind Records)

Label Description:

The transcontinental collaboration between Uganda’s Swordman Kitala and UK’s Soft-Bodied Humans continues. Following EPs on Brighton’s Phantom Limb label as well as a track on the SBH collaborative LP ‘Kaijupop’ on Turin’s Gang Of Ducks, the pair present here a set of tracks that originally tore up dance floors on their UK and EU tour.

The sound achieved on this EP combines UK-Caribbean influences like grime and dancehall dub with East Africa’s new wave of hard industrial sounding mutant dance music as heard on labels like Hakuna Kulala and Nyege Tapes. Honed and tested in front of lively tour audiences, the resulting EP is a consistently energetic set of dancefloor tracks that are both irresistibly anthemic and dramatic.

Swordman Kitala first made waves in the UK with the release of his ‘Kimbalagaga EP’ collaboration with Blip Discs, an innovative and infectiously dancey set that was promptly championed by the likes of The Chemical Brothers. He has since released on Village Cuts, Hakuna Kulala, Blue Tapes and guested on our own Fisty Kendal LP ‘Price Match!’ on Third Kind Records.

David McNamee is big chief and curator of the eternally adventurous Blue Tapes label, and producer of global dancefloor banger collaborations as Soft-Bodied Humans.


phantomlimblabel.bandcamp.com/album/kaiju-kitala

gangofducks.bandcamp.com/album/kaijupop

 

released July 11, 2025

All tracks written by Swordman Kitala & Soft-Bodied Humans.
Produced and mixed by David McNamee.
Mastering by Nicholas Langley.

THIRD88