h{EE}l -Value Ape (Self-Released)

a1919677666_10

Label Description:

So, True Story. I Grew up in the suburbs of Chicago – There were a lot of great things about being in the midwest, one of which was the breakfast culture. Anyhow, we lived about 45 minutes away from a small diner, what I think most people would relate to as being a ‘ Greasy Spoon ‘ – While the food wasn’t all that great I remember always having a blast. Something about the regulars shooting the shit & the combination of cheap meat & sugar stickiness to everything delighted my pre-pubescent senses. Except, However, for one thing – A Minor detail to be sure but one that at the time terrified me & sill gives me pause

There was a small balcony above this eatery establishment, a widow’s peak or some such, a small nook in the roof just above the main entrance – This a place I always sort of thought of as having a main floor. And in this nook, keeping watch over the busy main road & not that far from the airport ( I Often wondered, as an adult, what the appeal of this place was for my father. We had plenty of places much closer that surely had equally bad food. But I digress ) Anyhow, in this nook there was a life sized ” Ape ” ( Obviously a cheap costume on a dress form ) It was waving in a cross between a cordial getting and a nazi salute. But the thing I found unnerving about it was that it was never explained, no – It was never even mentioned really. I went through a period of time where I would try my hardest not even to look at the cursed thing but it was an effort doomed to failure – I Always had to sneak a peak at those garish rubber lips, those outsized & fumbling giant rubber hands – As is the custom in ape costumes of the cheap & tawdry variety, this one also had very pronounced nipples & a vague suggestion of being pregnant.

Anyhow, Life went on I eventually got old enough to where I didn’t have to go to the diner any more. But I never forgot that ape. I Don’t think I ever will. I Wonder where it ended up

credits

released August 10, 2024

Album Title VALUE APE Attributed to a concept by the cartoonist Daniel Clowes ( The genius behind EIGHTBALL & Ghost World – Check them out )

This album created using the sounds of

CP McDill / KR Seward / Jo Bled / Executive Producer Prick Wolf / {AN} EeL

Text / Image : {AN} EeL

Six Flags Guy – And Nothing Did So What (Self-Released)

a0434364824_10

Label Description:

Adorning the cover of Six Flags Guy’s debut album, And Nothing Did So What, is a warehouse on fire. Some stumble over to watch with passive amusement before wandering off unphased. Over eight tracks, the Ohio post-rock band captures this disparate tone, one that contains cataclysm within numbness and feigned apathy. From the noisy opener “John Wayne” to the exhausted aggression of “RJ Dreams of a Blackwater Mercenary Contract” to the final explosion of emotion on the epic closer “Work Song,” Six Flags Guy comes through with a project writhe with frustration, wild dynamics, and much-needed catharsis. And Nothing Did So What is the sound of a band with something to say, an impressive first showing from newcomers on the rise.

“The album’s eight songs wander through smoky, dingy soundscapes unmoored from recognizable structure, with subtle vocals and guitar work both ready to launch into a frenzy of noise at any given moment… Every song on And Nothing Did So What feels like a journey” — Rosy Overdrive

“Not sure how to describe Six Flags Guy but they’re sick” — Local show flyer

“john wayne rips” — RYM user dietz

credits

released July 14, 2023

license

all rights reserved

Tukahdus – satunnaisia hetkiä (few fictional moments) [Self-Released]

a3771877678_10

Label Description:

If we are not listening to music, we can have a certain part of the song looping inside our head, while we are walking somewhere, working or just lazing around. Surroundings will offer us lots of different sounds and noises that will mix with those loops.

credits

released August 9, 2024

Music, mixing and mastering by tkhds
Cover art collage and design by tkhds

license

all rights reserved

Bogatir – Decomposition (Self-Released)

a1059536447_10

Label Description:

decomposition was recorded during the autumn of 2023. inspired by the season and its various manifestations of decay, the album came together through hours of introspection, reflection, prediction, predication, hyperfixated porings over media from and about experimental artists, a deep delve into the behaviors of magnetic tape, observations of nature interacting with and juxtaposed against fabrication, experimentation with tape loops, analog synthesizers, digital synthesizers, drifting, phasing, found art, scanning, speeding, slowing, stretching, condensing, reversing, repeating, recording, analog deterioration, digital degradation, drones, microcasettes, arrangement, disarrangement, agreement, disagreement, composition, and decomposition.

credits

released December 21, 2023

decomposition:

written and performed by Max Platitsyn
engineered and recorded by Max Platitsyn
mastered by Caeleigh Featherstone

guitar on “dissolution” and «титры» written, performed, and recorded by Sweet Teeth

educational video and audio sample on “danse decomposition” from «Коррозия металлов, способы защиты от неё»

«что же будет с родиной и с нами?» is a cover of the song «Что такое осень» by the band ДДТ. lyrics by Yuri Shevchuk (Юрий Шевчук).

inspired by Emil Cioran, Philippe Soupault, Harold Budd, Renaldo & The Loaf, Eugeniusz Rudnik, Gavin Bryars, Philip Glass, Steve Reich, Jon Brion, Colin Stetson, Emile Mosseri, Leonard Bernstein, Milton Babbitt, Puce Mary, Sofia Gubaidulina, Delia Derbyshire, Solmaz Sharif, and more.

artwork and design by Max Platitsyn – decomposition triptych, distorted scans of a postcard of H.N. Werkman’s print Composition (1925)

license

SUMMORE – New Pain (Self-Released)

a3791213443_10

Label Description:

In September 2022, after playing at an intimate venue in Columbus,Ohio the duo stopped for a late night bite at a Waffle House. As they sat parked in their car eating, a drunk driver lost control, and blasted the duo from one side of the parking lot to the other within a second. In an instant, their lives were changed.

They have not stopped. In spite of everything, they found enough strength through their recovery to chronicle their harrowing experience on their second LP, New Pain. Despite their physical and emotional injuries, they continue to persevere in their musical journey.

It has only just begun.

credits

released August 27, 2023

SUMMORE is: Julie Rose & Justin Rose

license

all rights reserved

Confusion – Limbic Psalms (Very Much Recordings)

a0506227657_10

Label Description:

experimental, electro-pop, and ambient artist, Confusions (ben turner), explores digital and analog music-making processes.

credits

released January 5, 2024

All pieces and lyrics composed and performed by Benjamin Turner.

Recorded and engineered by Benjamin Turner.

Additional recording and engineering at Oranjudio Studio, by Joey Gurwin for tracks 1, 5, 6, 7, 8, & 16, thanks to Music Columbus.

Mixed and produced by Joey Gurwin and Benjamin Turner.

Pre-mastering steps by Joey Gurwin.

Mastering by Benjamin Turner.

Album artwork by Brian Rogers. Variation on a photo by Mitchell Multimedia.

Featured performances and contributions:

01- Noncredible – Caleb Miller: tape saxophone

02 – It’s Not Mine – Noah Fisher: space echo

04 – Ppl B4 – written by Stew Johnson (guitar), Sam Johnson (cello), Benjamin Turner (synthesizer/production).

06 – Another Green Man – Brendan Youngquist: advice
Rachel Scott: advice

07 – It’s Not Mine – Caleb Miller: saxophone

08 – String – Joey Gurwin: midi toms

09 – Dialectics – Brendan Youngquist: advice

14 – Quarry – Niki Weber: soundscape contributions / advice

15 – A Place to Say It’s Real – Eric Stratton: sampled performance

license

all rights reserved