Filmy Ghost & The Implicit Order – Horrorlands (Self-Released)

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Label Description:

In 2022 Sábila Orbe AKA Filmy Ghost cut-up and rearranged I/O’s entire discography in a wonderful and creepy out of this world way. Filmy Ghost does The Implicit Order better than The Implicit Order on this album.
Original source material by The Implicit Order.
Cut-up, disarranged and reassembled in the digital domain by Filmy Ghost.

credits

released February 27, 2024

Filmy Ghost is an experimental, ghostly music project from Rancagua, Chile, created by Sábila Orbe. LINKS:
hearthis.at/filmy-ghost/
archive.org/details/fav-sabila_orbe02
open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
hearthis.at/filmy-ghost/:
A quick Google search will tell you everything you need to know about Sabila Orbe and Filmy Ghost and the other work of this talented Chilean artist. Please support them in their work.

Sleepytime Gorilla Museum – of the Last Human Being (Avant Night)

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Label Description:

After thirteen years of hibernation, Sleepytime Gorilla Museum, the most gloriously uncategorizable American band in existence, has emerged from stasis to proudly announce the imminent release of their fourth studio album, of the Last Human Being. The album marks the first release of AVANT NIGHT – a new imprint headed by Nick Ohler and facilitated by Joyful Noise Recordings.

Sleepytime Gorilla Museum, comprised of multi-instrumentalists and rotating vocalists Nils Frykdahl, Carla Kihlstedt, Michael “Iago” Mellender, Matthias Bossi, and Dan Rathbun, plays an arsenal of instruments ranging from the somewhat standard (drums, electric guitars, bass, electric violin) to the rare (bass harmonica, nyckelharpa, marxophone) to the homemade (Slide-Piano Log, Electric Pancreas, Pedal-Action Wiggler). The group has consistently evaded easy categorization, garnering accolades from across the aisles of contemporary classical music, prog rock, industrial music, metal, avant-garde improv, and more. Their music, inturns bashing and bucolic, enveloping and unsettling, tends towards long-form epics interspersed with mysterious field recordings.

“As this slow-rolling planetwide Anthropocene Extinction event deepens, Sleepy- time’s work has only grown more  more

credits

released February 23, 2024

Most of these recordings were started at Polymorph in Oakland, CA in 2010-11. Additional overdubs in the intervening years were done at Polymorph and in home studios across the land. S.P.Q.R. was entirely recorded and mixed at Polymorph in 2004 and previously released as a 7” on Dephine Knormal Musik. (Hi, Moe!) “Hush, Hush” and “El Evil” were recorded at Polymorph and home studios in 2023.

All songs: Sleepy Time Gorilla Press Music, BMI, except Hush, Hush and Silverfish (Broca’s Fold, ASCAP) and S.P.Q.R. (Rough Trade Music)

Mixed by Dan 2023 ~ Produced by SGM ~ Mastered by Todd Rittmann

Art by Per “Ward C. Picnic” Frykdahl
Design by Jenya Chernoff and Nils
Logos and lettering by Nils
Photos and film stills from the film “The Last Human Being: A Critical Assessment,” directed by Max Baloian, featuring Shinichi Iova Koga

~ Ministry of Revivification ~

Meredith Yayanos – Special Ambassador, Ordained Symposiarch Of The John Kane Society
Mallory McAvoy – Diplomatic Liaison, Bailiff Of The Guild Of Bards
Erik Carter (an uncle) – Futurist Coordinator
John Karr – Audial Conveyist And Evidence Hoarder
Scott Crowley – Moving Picture Husbandry and Conservation
Jenya Chernoff – Head Of Propaganda and Graphic Design
Gregory Scharpen – Imagist, Disinformationist
Nicholas Ohler – Patron Saint of Fucked-Up Music
Karl Hofstetter – Locked Groove Stasis Enabler
Robert S. Meitus – Disentanglementalist

Boundless gratitude to our families, our friends, and our vast community of independent artists, musicians, and makers of all sorts. Thank you to Penelope Allman, Max Baloian, the Bossihlstedts, Steven Clark, Merlin Coleman, Sean Crawford, Dawn & the Faunettes, Thor Harris, Gooby Herms, the Kihlbossis, Shinichi Iova Koga & inkBoat, Claire Mack, Michael McCamish, Simon Miller, Lara Miranda, Dominique Persi, Nieves Rathbun & Jasper, Greg Scharpen, Janice & Gordie Shaw, Free Salamander Exhibit, Kitka, Rabbit Rabbit Radio, and Dr. Grordbort’s Infallible Aether Oscillators. Nick & Anya from AVANT NIGHT would like to thank the Joyful Noise Recordings team and Kramer & Valerie from Shimmy-Disc for their friendship, mentorship, and assistance with making this album a reality.

Endless props to the one-thousand-one-hundred-and-twenty-two generous people who helped us “SAVE THE LAST HUMAN BEING!” on Kickstarter. Boundless gratitude to all who volunteered time and energy to those buck-wild LHB film shoots oh so many years ago. Bottomless cheer to each and every member of the John Kane Society whether living, dead, or liminal.

Truly, it is all of you who have made this complex revivification possible. Rock against rock, and rejoice!

Christian Fiesel – Analogy (Self Released)

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Label description:

From the archives Part 2

Originally release on Studio4632 Candy Lozier 17th January 2018
What a great time this was being support by the ever helpful Candy. Some of my best albums face the ears of the world over there.

This a different type, even more sinister, somber and dark as my current works with a complete instrumental set-up (to be honest, most of the used synth I don’t even remember anymore).

It was dark, it was ambient and it was experiemental.

Feel free to serve yourself as long as free downloads are available.

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released February 27, 2024

(P)+(C) 2018/2024 Christian Fiesel

Mika Vainio – Revvity [Torn] & Ydin (wavetrap)

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Label Descriptions:

Revvity:

recorded in Berlin 2005

credits

released December 12, 2006

all tracks by Mika Vainio
cover art by Elina [surname unknown]
mastered by Denis Blackham at Skye Mastering

Ydin:

released September 1, 1999

all tracks by Mika Vainio
cover art Leif Elggren
mastered by country masters

Our Final Invention – It’s Late (Fog & Lime)

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Label description:

the debut 8 song Mini-Album by Our Final Invention is a swirling electronic indie and pop and multimedia experience bringing classic Manchester post-punk and electronic sounds right into today.

OFI is Mark Gill & Richard Nancollis.
Formerly of The Rain Band.

Cassette released by Fog & Lime (NYC)

See the incredible video for “Parasite” here:
www.youtube.com/watch?v=px5RlY7LkYA

All the elements on screen were generated
entirely using Runway AI Inc software.

Directed and edited by: @Voltaine (FIT DIGITAL)
Creative Direction: Mark Gill for @thechasefilms
Additional Editing: @Bledar Bujupi

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released December 1, 2023

Music: Richard Nancollis, Mark Gill (Our Final Invention)
Label: Syed T. Hoda (Fog & Lime)

subterrene – the same rivers (Poverty Electronics)

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Label Description:

instrumentation: Arturia MicroFreak, Elektron Analog Keys, Camel Audio Alchemy software synthesizer, modular sampler, Hologram Microcosm

recorded at the Fortress of Squalitude

credits

released August 11, 2023

all production and programming by subterrene
subterrene.bandcamp.com

mastered by Marcus Miller at Holosuite Mastering
holosuitemastering.com

cover photo by Grant Stewart
sleeve design by Travis D. Johnson

Dedicated to K. You always have seen the good in me, even when I didn’t see it myself.

datewithdeath – Execution Style (Poverty Electronics)

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Label Description/Info:
datewithdeath is Travis D. Johnson: drum programming, field recordings, digital synthesis, percussion, transistor radios, mixing
linktr.ee/datewithdeath

voice on “underplay” by Diana Gruber
linktr.ee/dianastarshine

vocals, lyrics, and additional synth and mixing on “meltingpot” by dvdv
linktr.ee/dvdv

sopranino saxophone on “Ele1” by Massimo Magee
www.massimomagee.com

cover painting by MiHee Kim Magee
www.miheekimmagee.com

mastered by Dominic Clare at Declared Sound
declaredsound.com

special thanks to Amptek, Angel Marcloid, Audiobulb, clipping., Cole Lee, Fumbata Phiri, John Lithium, Jukka-Pekka Kervinen, Neuro… No Neuro, Pete Cann, sadfem, and Teen Smoking

Bahia Mansa – patagonia (ep) [Self-Released]

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Bahía Mansa embarks on a new sonic odyssey, where digital textures entwine in a mesmerizing dialogue with intricately processed acoustic sounds. Forged through uninhibited, free-form sessions, the album unveils lush soundscapes adorned with spontaneous melodic nuances and cascading waves of bitcrushed brilliance, crafted through the integration of salvaged field recordings interlaced with on-site explorations, thus, offering a uniquely organic and immersive auditory experience.

credits

released December 16, 2023

field recordings by ivan aguayo.
all sound design by ivan aguayo.

The Jesus Fish Experience – Cosmic Predation (Argali Records Netlabel)

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Pursuing a dark, singular music vision, “Cosmic Predation” fuses haunting e-bow melodies with industrial dirges, dark ambient pulsations, and harrowing post-rock constructions to form a “blackened neo-shoegaze” experience of harrowing intensity. Oppressive and moody, the sounds on this album grips at the earth while illuminating the void.

Originally released back in 2011 on the Argali Records Netlabel site on Archive.org, this re-release features high-definition audio (the original being an mp3-only release) in addition to a new graphic design by John Lithium. Also, the complete album download also includes the original album graphics as well.

.

credits

released June 30, 2014

Bass, guitar, drum programming, vocals/lyrics, arrangements, synths/textures, and samples are by Reon Moebius.

“Movement Of Celestial Bodies” features a sample of Carl Sagan’s “Cosmos” (episode 13). Special thanks to the “Infamous Billy Eubank” of “Premo Vs The World” for assistance and mixing on tracks 5 and 7.

The original release can be downloaded here: archive.org/details/ARGREC17