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Label Description: VLZ PRODUKT will release two titles by No input mixer artists at the same time.
Giulio Fontana is an Italian artist living in Rome. He is active as a composer of high-quality retro-future synthesizer music.
“Feedback loop studies” is a report of the results of his daily acoustic experiments. While the sounds are reminiscent of technoise from the 90s, the very fluid and subtle rhythmic sounds continue to change dazzlingly. These are works that allow you to enjoy the delicate changes in tone and time that you would not think were caused by the mixer alone.
This collection of studies is a great album with a cool experimental music and a pop mood.
VLZ PRODUKTは、No input mixer アーティストを2タイトル同時リリースする。
Giulio Fontanaはローマ在住のイタリア人アーティスト。良質なレトロフューチャーなシンセサイザーミュージックの作曲家して活躍する面を持つ。
「Feedback loop studies」はそんな彼の日々の音響実験結果の報告である。90年代のテクノイズを想起させるサウンドでありながら、非常に有機的で微細なリズミックなサウンドがめくるめく変化をし続けていく。ミキサーのみの音の変移とは思えない繊細な音色変化と時間の移行を堪能出来る作品となっている。
実験音楽的なクールさと、何処かポップなムードを携えた好盤である
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And, for those who don’t know, Justin worked tirelessly in the drum and bass scene in the mid 90s to the early 00’s producing many records on revered UK drum and bass labels, both as Tech Level 2 and his pre Tech Level 2 project Youpho (which was a duo). More info can be found on the blurbs for the previous Tech Level 2 releases on Avalanche Recordings.
Drum and bass / Jungle, had a huge impact on Justin from its inception in the early 90’s, and he brought that influence into his Godflesh productions from the mid 90’s onwards. An influence that has been omnipresent ever since, in not only Godflesh, but across every project.
Now operating without engaging in any scenes or DJ culture, Tech level 2 still exists to continue flying the flag for the roots of pure, raw and minimal/maximal drum and bass.
Produced 2020 – 2024 by Justin K Broadrick /
AVALANCHE RECORDINGS /
AREC077 /
2025 /
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1. Exorcism – 42:42
2. Icepick – 52:34
ErstSolo 009-2
Kevin Drumm – electronics, tapes, microphone, computer assistance
Greg Kelley – trumpet
recorded 2023-2025 at Full and Empty in Chicago
mastered by Taku Unami
produced by Jon Abbey
thanks to Peter Rehberg, Jim O’Rourke, Isabelle Piechaczyk, Tina Frank, Yuko Zama, Mitch Cocanig, Chris Goudreau, Brent Gutzeit
p+c 2025 Erstwhile Records
www.erstwhilerecords.com
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“With “The Harmony Knife”, Colossloth is cutting through to the bone and sinew of Man’s chronic, species-specific dissatisfaction, and the causes thereof. He is laying bare humankind’s inability to solve its own, self-created problems, to meet its basic needs, and to achieve even those goals clearly within its reach.
What is the fundamental nature of the human condition? Is it one of misery and failure in the face of blissful possibility? Is it the contrary unwillingness to accept that we can become fully realised and contented beings through the success of actualised, idiosyncratic, and often basic goals?
In defining and describing The Power Process, the twisted mind of Ted Kaczynski saw mankind’s primal need to struggle for a goal, however small, as necessary for a meaningful life. Indeed, without this elemental piece of the evolutionary struggle, he saw terminal atrophy as the inevitable result.
With “The Harmony Knife”, Colossloth seizes these ideas and sonically extrapolates the implications of humankind’s failure to satisfy even our most rudimentary needs. He creates an auditory landscape examining our repeated inability to focus our efforts on fundamental goals to ensure even a measure of happiness or contentment. Humanity’s inability to live rather than merely exist” (Jake Shell).
All Music by Wooly Woolaston
Produced by Tom Reynolds (Foul Body Autopsy)
Colossloth Photo: Ash Walker
Mastered by Martin Bowes (The Cage Studios)
Graphic Design by Abby Helasdottir
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Cold night on Valencia, the only spirit drifting throughout. A long-lost companion is feral yet lurks in the shadows still.
Recorded between December 2023 – January 2025
Instruments used: voice, keyboard, shortwave radio, rumble of ancient times, livestreams, running water, tiny plastic guitar, acoustic guitar, steel drum, wind chimes, synthesizer and sampler apps, outdoor field recordings, various assorted percussion, Chef Jakether speaking
Thank you to Bowman, Bevis, Bishop, and Billingsley
Is this phase two of a light that always goes out?
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Bim Prongs –
thebimprongs.bandcamp.com/album/walking-in-rhythm
Sounds & Noises = Bim Prongs / {AN} EeL
Text & Image = {AN} EeL