
Tag Archives: noise
Plague Clock – Junkpile [Extended Anniversary Edition] (Self-Released)

Label Description: Tracks 1 to 14 are exactly the same as the original Junkpile album (unless I accidentally uploaded the wrong version…), nothing’s been remastered or anything. Tracks 15 to 20 are songs that I finished between Junkpile and Junk Drawer, but didn’t end up on that album for whatever reason.
Hali Palombo – Creative Exercise: Train (Self-Released)
BLOOM & Christopher Nosnibor – Journeys Through Inner Space (Petroglyph Music)

Label Description:
Journeys Through Inner Space
Art, in all of its many forms, often helps us to understand the world, and, indeed, ourselves. It’s also true that works which are the most personal for the creator have a wider resonance, in that they have the capacity to articulate for others something that reaches beyond art as entertainment, and that often, in the personal lies the universal. For a long time, I have found the act of writing has helped me navigate some of the most challenging times, and particularly recently, I have come to discover the catharsis of laying bare some of my most innermost thoughts on the page, and bringing these to performance.
The texts which form the narratives of Journeys Through Inner Space are taken from my novel The Deserted Island, and work in progress, Reflections on a Life, and explore themes of anxiety, bewilderment, and bereavement. These are not light or easy topics, and are topics we often shy away from. Because they are uncomfortable. But they are realities of life, and while we may wish otherwise, the stark fact is that they will likely affect us all in some way or another at some point. In these pieces, I speak only from my own experiences of my journeys through inner space.
‘Am I Really Having This Conversation?’, and ‘A Slew of Likes and Handy Hints’ – original texts appear in The Deserted Island (Clinicality Press, 2022).
All other texts from Reflections on a Life (unpublished).
The words to ‘Last Days’ appeared on a track bearing a variant title on the Last Days EP (self-released, 2023)
Christopher Nosnibor – Vocals
christophernosnibor.bandcamp.com
Deborah Fialkiewicz – Synthesizers
grahamfialkiewicz.bandcamp.com
Dan Dolby – Synthesizers, Sound Manipulation
dandolby.bandcamp.com
Kevin Drumm – Crumbs In The Dark (Self-Released)
Justin K Broadrick – Solo Guitar. 1997 (Avalanche Recordings)
Giulio Fontana – FEEDBACK LOOP STUDIES (VLZ Produkt)
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Label Description: VLZ PRODUKT will release two titles by No input mixer artists at the same time.
Giulio Fontana is an Italian artist living in Rome. He is active as a composer of high-quality retro-future synthesizer music.
“Feedback loop studies” is a report of the results of his daily acoustic experiments. While the sounds are reminiscent of technoise from the 90s, the very fluid and subtle rhythmic sounds continue to change dazzlingly. These are works that allow you to enjoy the delicate changes in tone and time that you would not think were caused by the mixer alone.
This collection of studies is a great album with a cool experimental music and a pop mood.
VLZ PRODUKTは、No input mixer アーティストを2タイトル同時リリースする。
Giulio Fontanaはローマ在住のイタリア人アーティスト。良質なレトロフューチャーなシンセサイザーミュージックの作曲家して活躍する面を持つ。
「Feedback loop studies」はそんな彼の日々の音響実験結果の報告である。90年代のテクノイズを想起させるサウンドでありながら、非常に有機的で微細なリズミックなサウンドがめくるめく変化をし続けていく。ミキサーのみの音の変移とは思えない繊細な音色変化と時間の移行を堪能出来る作品となっている。
実験音楽的なクールさと、何処かポップなムードを携えた好盤である
Tech Level 2 – Indifferent. EP (Avalanche Recordings)
Label Description:
And, for those who don’t know, Justin worked tirelessly in the drum and bass scene in the mid 90s to the early 00’s producing many records on revered UK drum and bass labels, both as Tech Level 2 and his pre Tech Level 2 project Youpho (which was a duo). More info can be found on the blurbs for the previous Tech Level 2 releases on Avalanche Recordings.
Drum and bass / Jungle, had a huge impact on Justin from its inception in the early 90’s, and he brought that influence into his Godflesh productions from the mid 90’s onwards. An influence that has been omnipresent ever since, in not only Godflesh, but across every project.
Now operating without engaging in any scenes or DJ culture, Tech level 2 still exists to continue flying the flag for the roots of pure, raw and minimal/maximal drum and bass.
credits
Produced 2020 – 2024 by Justin K Broadrick /
AVALANCHE RECORDINGS /
AREC077 /
2025 /
Kevin Drumm – Sheer Hellish Miasma II (Erstwhile Records)
Label Description:
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1. Exorcism – 42:42
2. Icepick – 52:34
credits
ErstSolo 009-2
Kevin Drumm – electronics, tapes, microphone, computer assistance
Greg Kelley – trumpet
recorded 2023-2025 at Full and Empty in Chicago
mastered by Taku Unami
produced by Jon Abbey
thanks to Peter Rehberg, Jim O’Rourke, Isabelle Piechaczyk, Tina Frank, Yuko Zama, Mitch Cocanig, Chris Goudreau, Brent Gutzeit
p+c 2025 Erstwhile Records
www.erstwhilerecords.com
Colossloth – The Harmony Knife (Cold Spring)
Label Description:
“With “The Harmony Knife”, Colossloth is cutting through to the bone and sinew of Man’s chronic, species-specific dissatisfaction, and the causes thereof. He is laying bare humankind’s inability to solve its own, self-created problems, to meet its basic needs, and to achieve even those goals clearly within its reach.
What is the fundamental nature of the human condition? Is it one of misery and failure in the face of blissful possibility? Is it the contrary unwillingness to accept that we can become fully realised and contented beings through the success of actualised, idiosyncratic, and often basic goals?
In defining and describing The Power Process, the twisted mind of Ted Kaczynski saw mankind’s primal need to struggle for a goal, however small, as necessary for a meaningful life. Indeed, without this elemental piece of the evolutionary struggle, he saw terminal atrophy as the inevitable result.
With “The Harmony Knife”, Colossloth seizes these ideas and sonically extrapolates the implications of humankind’s failure to satisfy even our most rudimentary needs. He creates an auditory landscape examining our repeated inability to focus our efforts on fundamental goals to ensure even a measure of happiness or contentment. Humanity’s inability to live rather than merely exist” (Jake Shell).
credits
All Music by Wooly Woolaston
Produced by Tom Reynolds (Foul Body Autopsy)
Colossloth Photo: Ash Walker
Mastered by Martin Bowes (The Cage Studios)
Graphic Design by Abby Helasdottir






