Scanner – Columns (The Vinyl Factory)

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Label Descriptions:

This digital release accompanies the very limited, hand-made vinyl production released on Vinyl Factory 2024. Available exclusively here:

thevinylfactory.com/product/columns-falling-columns/

* Two electronic soundtracks composed by Robin Rimbaud aka Scanner
* Music produced to accompany Ben Kelly installations commissioned by 180 Studios for the exhibition Future Shock (2022)
* Pressed on 180-gram white vinyl
* Gatefold sleeve printed International Orange (RAL2004) on Mirror board
* Hand signed and numbered by Ben Kelly and Robin Rimbaud aka Scanner
* Limited edition of 300 copies

Ben Kelly is one of the UK’s most influential designers. Kelly is best known for his interior design of the legendary nightclub, The Haçienda in Manchester. His practice has produced influential work for 180 Studios, Virgil Abloh, The Sex Pistols, The V&A, Vivienne Westwood, Malcolm McLaren and Factory Records.

The Vinyl Factory first collaborated with Kelly to commission and stage his installation RUIN, produced in collaboration with Virgil Abloh, at 180 Studios in 2017. 180 Studios subsequently staged Kelly’s Columns installation as part of the exhibition Future Shock (2022), the soundtrack to which, composed by electronic musician Robin Rimbaud aka Scanner, is released here.

An organic shaped die cut peephole is cut into the front of the sleeve as a homage to Marcel Duchamp’s final work Étant donnés (1946-1966) – a gateway to another world. The peephole reveals one of Ben’s orange columns and plinth with a gloss varnish on a black background. On removing the inner sleeve the statement: “CONCERNING THE BUILDING OF THESE COLUMNS WE HAVE NO CERTAIN NEWS” is revealed, printed on a Pigeon Blue background.

The rear of the inner sleeve contains a printed transcription of a conversation surreptitiously recorded via dictation, complete with mistakes and mishearing’s, between Kelly and Scanner. The transcription has produced a mashup version of the true conversation which has been printed in full. Across the two sides of the inner sides of the gatefold, a vertical full colour printed collage of columns, taken from the FALLING COLUMNS digital installation.

The rear of the sleeve contains a printed essay by Brian Dillon, beginning with a quote from Francesco Colonna, Hypnerotomachia (1499). This essay was originally commissioned by Ben to accompany his COLUMNS installation in 2022. A Chocolate Grinder is printed on the silver mirror board on the rear of the gatefold above the VF logo.

Scanner’s work traverses the experimental terrain between sound, space, and image. His diverse body of work includes soundtracks for films, performances, radio, dance, theatre and site-specific intermedia installations. Committed to working with cutting edge practitioners he has collaborated with Carsten Nicolai, Wayne MacGregor, Laurie Anderson, Hussein Chalayan, and Mike Kelley.

released October 28, 2024

Music composed and performed by Robin Rimbaud / Scanner Commissioned by Ben Kelly / The Photo Kid and VF on the occasion of: COLUMNS for the exhibition ‘FUTURE SHOCK and FALLING COLUMNS digitally exhibited in the Atrium, both at 180 The Strand.

Released by The Vinyl Factory, 2024. VF392
Sleeve Design by Ben Kelly
Layout Artwork by BPD
Essay by Brian Dillon

Photos of vinyl by Feiyang Xue

Various Artists – paisajes en tundra

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Label Description:

(ENG)

Glacier retreat, while a natural phenomenon in some cases, has been exacerbated by various human activities such as burning fossil fuels, deforestation and intensive agriculture. The accelerated melting of ice leads to a series of catastrophic consequences and irreversible effects that are impacting both natural ecosystems and human life.

This album was created as an initiative to raise awareness of this phenomenon, as well as to raise funds to support Glaciares Chilenos (www.glaciareschilenos.org), a Chilean NGO founded with the aim of educating and protecting the more than 26 thousand glaciers located in the national territory, through the development of educational programs and visibility of scientific content on glaciers.

In keeping the editorial line of the previous benefit compilation “migraciones”, Bahía Mansa decides to expand the previous sound palette and invites 10 other global artists to participate in this collaborative instance as part of the annual support for ecological causes.

All proceeds will be donated directly to Glaciares Chilenos (NGO).

******

(SPA)

El retroceso de los glaciares, si bien es un fenómeno natural en algunos casos, se ha visto exacerbado por varias actividades humanas como quema de combustibles fósiles, deforestación y agricultura intensiva. Los hielos comienzan a derretirse más rápidamente, lo que conlleva a una serie de consecuencias catastróficas y efectos irreversibles que están afectando la vida natural y humana.

Este álbum nace como iniciativa para concientizar de este fenómeno, así también como para reunir fondos y donar a Glaciares Chilenos (www.glaciareschilenos.org), ONG chilena fundado con el objeto de educar y proteger los más de 26 mil glaciares ubicados en el territorio nacional, a través del desarrollo de programas educativos y visibilización de contenido científico sobre glaciares.

En esta línea, y continuando en la línea editorial del anterior compilado a beneficio “migraciones”, bahía mansa decide ampliar la paleta sonora anterior e invita a otros 10 artistas globales a participar en esta instancia colaborativa como parte del apoyo anual a causas ecológicas.

Todo lo donado va en directo beneficio de Glaciares Chilenos (ONG).

******

Thank you infinitely to all the artists who contributed their talents and passion to this project, making it possible to extend this important message!

credits

released October 25, 2024

curated by bahía mansa
mastered by Nico Rosenberg at Alt-Köpenick Studio
artwork by shesoundvisual.

THANKS TO:
Nico Rosenberg (CL) – nicorosenberg.bandcamp.com
Anto Little (CL) – antolittle.bandcamp.com
David Cordero (ES) – davidcordero.bandcamp.com
shesoundvisual (CL) – shesoundvisual.bandcamp.com
Ryan J. Raffa (US) – rjraffa.bandcamp.com/music
Carlos Ferreira (BR) – carlosferreira.bandcamp.com
M. Linnen (US) – mlinnen.bandcamp.com
Yumi Iwaki (JP) – soundcloud.com/iwakiyumi
El Encanto de Lo Discreto (UY) – elencantodelodiscreto.bandcamp.com
emho (FR) – emho.bandcamp.com

plateau – Kushbush + Music for Grassbars (Artoffact Records)

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Label Description:

PlatEAU’s 2007 release, Kushbush, is a psychedelic, dub-infused electronic album that blends ambient soundscapes with heavy, bass-driven grooves. The project, spearheaded by cEvin Key of Skinny Puppy and Phil Western, delves into themes of altered states and introspection, combining lush synth textures, hypnotic rhythms, and distorted samples to create a trippy, immersive listening experience. With its laid-back, smoked-out vibes, Kushbush is a sonic journey through hazy atmospheres and experimental beats, reflecting the duo’s unique fusion of industrial influences and chillout music aesthetics.

Music for Grassbars, released by platEAU in 1997, serves as the debut album for the duo, laying the groundwork for their distinctive sound that would evolve in later works like Kushbush. This album explores a more minimalistic and experimental approach, characterized by downtempo rhythms, ambient textures, and an eclectic mix of organic and synthetic sounds. With its playful track titles and dub-inspired grooves, Music for Grassbars captures a sense of curiosity and exploration, offering a lo-fi, laid-back soundscape that’s equally suitable for contemplative listening or background ambiance. It’s an early testament to platEAU’s ability to blend electronic innovation with a relaxed, hazy atmosphere.

Tukahdus – satunnaisia hetkiä (few fictional moments) [Self-Released]

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Label Description:

If we are not listening to music, we can have a certain part of the song looping inside our head, while we are walking somewhere, working or just lazing around. Surroundings will offer us lots of different sounds and noises that will mix with those loops.

credits

released August 9, 2024

Music, mixing and mastering by tkhds
Cover art collage and design by tkhds

license

all rights reserved

SUMMORE – New Pain (Self-Released)

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Label Description:

In September 2022, after playing at an intimate venue in Columbus,Ohio the duo stopped for a late night bite at a Waffle House. As they sat parked in their car eating, a drunk driver lost control, and blasted the duo from one side of the parking lot to the other within a second. In an instant, their lives were changed.

They have not stopped. In spite of everything, they found enough strength through their recovery to chronicle their harrowing experience on their second LP, New Pain. Despite their physical and emotional injuries, they continue to persevere in their musical journey.

It has only just begun.

credits

released August 27, 2023

SUMMORE is: Julie Rose & Justin Rose

license

all rights reserved

Scanner & Neil Leonard – The Berklee Sessions (Alltagsmusick)

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Label Description:

This session took place over one day, but remarkably took a decade to mix and release. There was no rehearsal, we simply set off into the unknown with each piece, and the players found their feet within the music almost immediately.

Guided by Neil Leonard, who has worked with Magdalena Campos, Fujiko Nakaya, Phill Niblock, and Tony Oursler, the session was truly magical.

It’s psych rock embodied with an electronic spirit, spiralling(sic) off into thunderous rhythms, blistering solos, ethereal melodies and sampled voices, with exuberant playing and focused improvisation.

Working with David Tronzo on electric (slide) guitar (David Sanborn, John Cale, The Lounge Lizards, Sex Mob, Wayne Horvitz), Mike Rivard on bass (Cab Calloway, Frank Zappa, Morphine, Jon Brion), and Dean Johnston on Drums (Superhoney, Club d’Elf), they propelled the music into entirely fresh and dynamic territory.

The session was part of a residency in the Berklee Interdisciplinary Arts Institute at Berklee College of Music, Boston. Huge gratitude to Neil Leonard who steered the production in the right direction.

This exclusive version on Bandcamp features a reworking of Time Code by legendary American musician Richard Devine in collaboration with Neil Leonard live in Boston in 2014

“It hits the kind of openended(sic) all-consuming groove to be found in The Necks, Tortoise or Miles Davis in modal mode: pulsating, circling jazz patterns, bass bubbling through ring modulation and envelope filters, sax and slide guitar, with Rimbaud’s shortwave radio and electronics dusting through the gaps”
The Wire Magazine

“The album provides a powerful document of the idea that music is a living, breathing force of nature and as an ever-evolving possibility. The interplay with between the electronics, punctuating drums, bass, and horns delights in newfound measure. From the night-time atmosphere of grainy cinema or the nostalgic whisper of words to the more colourful(sic) excess of psychedelia, to the edge or life-affirming all points are referenced, touched upon, and then exercised.”
Magazine Sixty

credits

released July 5, 2024

Robin Rimbaud – Electronics, shortwave radio, keyboards
Neil Leonard – Soprano and alto saxophones, bass clarinet, and live electronics
David Tronzo – Electric (slide) guitar
Mike Rivard – Bass
Dean Johnston – Drums
Fred Oliveira – Tracking engineer
Artur Sandulyak – Mix engineer

Recorded live on 9 March 2014
Mixed and produced by Robin Rimbaud

Composed by Robin Rimbaud, but the recordings were extensively improvised by the musicians

license

all rights reserved

Endurance & Inner Travels – To The Ancestors (Golden Ratio Frequencies)

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Label Description:

After a period of quiet, and just in time for summer Solstice, Golden Ratio Frequencies is thrilled to return to releasing physical (or is that metaphysical?) music, announcing the release of TO THE ANCESTORS, an immersive suite of ambient electronics by Endurance & Inner Travels.
A trans-international collaboration between Canadian-born, Japanese-based Joshua Stefane, aka Endurance, and American based artist Steve Targo, aka Inner Travels, To The Ancestors see’s the duo turn in a serene and zen inducing listening experience, delicately blending flavours of traditional Japanese music influences with contemporary electronics and sound design.

In the artist’s words, TO THE ANCESTORS is “An exploration into synthetic nature”, drawing inspiration from, and conjuring the emotional resonance of, forest bathing, zen garden sitting, and the historical elegance of the Gagaku and Koto music of Edo period Japan. The album seamlessly merges these influences with moods of the environmental music movement Kankyō Ongaku of the 1980s and 1990s and then passed through a filter of modern electronics, digital processes and patch cables resulting in a collection of meditative pieces that evoke a sense of calm, introspection and peace.

Composed between 2018 and 2020, the album’s eight tracks, titled only by their duration, are rich in texture and shimmering with radiance. Utilising modular, analog and digital synthesis, Stefane and Targo conjure sounds that feel both distinctly processed, yet organic in nature, and in doing so, embody the Japanese traditions and practices of Wabi-Sabi. Digital flutes breathe through self-generative CV patched Gewa blocks while fountains of ethereal granular plucked koto like sounds cascade and glide over serene synthesised sparkles, drips, and tweets in a mimicry of the natural world bringing a harmonious meeting of human and machine, nature and virtual landscapes. Through40 minutes, these aural infusions hint at shades of Hiroshi Yoshimura, Midori Takada, Satoshi Ashikawa and other greats of the Japanese ambient golden era.

Prepare your favourite(sic) Temea ceremonial tea, relax and enter a state of serenity. This is environmental meditation music for the digital now-age.

Joshua Stefane, known for his work as Endurance, is a prolific Ontario, Canada born producer and curator currently residing in Nara, Japan. One of the founders of cult ambient cassette tape label Muzan Editions, Stefane has been instrumental in organising(sic) and supporting various events, happenings, and festivals in his adopted home, (such as the annual Moment Festival held in the majestic Tenkawa village) and being a vital, nurturing connector to an international community of forward thinking electronic ambient artists and DJs.

Steve Targo, performing as Inner Travels, and more recently as Nimbudala, is an American, Wisconsin based artist and explorer of inner and outer worlds. He has been creating New Age and spiritual-adjacent visionary music for years, releasing meditative works for cassette tape on labels such as Aural Canyon, Sounds of The Dawn, Fluere Tapes, and Inner Islands. A true purveyor and practitioner of futurist healing sounds.
TO THE ANCESTORS will be available in both digital and physical realms. Physical copies will be released exclusively through bandcamp as a limited edition pro-dubbed C90 cassette, featuring translucent smokey shell, on-body print, 4-panel full-colour inlay and as always, a screen-printed Golden Ratio Spiral acetate, continuing Golden Ratio Frequencies’ tradition of offering quality, visually appealing sonic totems.

Pre- Order available 21 June 2024, with full release and shipping from 5th July 2024.

credits

released July 5, 2024

Composed 2018 – 2020
Inner Travels – Synthesisers
Endurance – Modular Synthesis

Photography – Joshua Stefane
Design & Layout – A P Macarte

license

all rights reserved

Jarl – Neurotransmitters​-​Sphere​-​Music (Reverse Alignment)

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Label Description:

“Neurotransmitters-Sphere-Music” is Jarl’s sixth album on Reverse Alignment, following on from 2021’s CD release “Spectrum Confusion”. And once again Karolina Urbaniak has masterfully created the cover artwork, as she’s done for the five earlier Jarl releases for Reverse Alignment.
Neurotransmitters are chemical messengers that help nerve cells communicate with each other. Referring to this concept, “Neurotransmitters Sphere Music” consists of four pieces showcasing his trademark psychedelic, hypnotic approach, based on minimal sequencing, analogue pulsating synthesizers chords and repetitive percussive layers.

Swedish musician Erik Jarl has been active since the Fall of 1999, principally as Jarl. He was also a member of post-industrial act IRM, of which Erik was one of the founding members. Jarl’s music has been released on several labels through the years, and he has collaborated with acts like Anemone Tube, Envenomist, and Skin Area. Erik Jarl composes his music through a total analogue approach with the use of synthesizers, analogue sequencers, waveform generators, and oscillators, as well as several echo/reverb and delay units.

credits

released July 4, 2024

Recorded in Spring-Winter 2023 at Norrköping, Östergötland, Sweden by Erik Jarl.

Published by Reverse Alignment in collaboration with Luce Sia.
Mastering by Raffaele Pezzella (a.k.a. Sonologyst).
Artwork by Karolina Urbaniak.
Cd layout by Matteo Mariano.
Cat. Num. RA65.
© 2024. All rights reserved.