Llyn Y Cwn – Megaliths In Dub (Cold Spring)

Label Description:

A deep reworking of Llyn Y Cwn’s “Megaliths” (2024). The original was a profound dark ambient exploration of the sacred resonance embedded within stone circles; “Megaliths In Dub” is the echo beneath the surface, the unheard rhythm that has always been there.

The megaliths stand – timeless, unyielding. Their histories stretch beyond recorded memory, their presence imbued with silent narratives of the land. “Megaliths” sought to channel this ancient energy into pure sound. Yet no history exists without its counterpart – no creation without its shadow.

On “Megaliths In Dub”, suppressed tempos emerge, pulsing with the primal force of forgotten rites. Guitar invocations from the live rituals weave through the fabric of the album, distorting and reshaping the familiar, exquisite dark ambient Llyn Y Cwn has become renowned for.

It is a sonic metamorphosis – a spectral reflection of the megalithic presence.

The stones have been disturbed.

Presented in a 6-panel digipak with breathtaking photography by the artist.

Music & Photography: Benjamin Ian Powell
Mastering: Martin Bowes
Layout Remix: Abby Helasdottir

…………………………………………..

LLYN Y CWN “Megaliths” (2024).

Megaliths (2024) was a sonic pilgrimage through burial chambers and stone circles, crafted from years of field recordings and convolution reverbs. Guided by Julian Cope and Aubrey Burl, Llyn Y Cwn channelled the ancient silence into immersive dark ambient soundscapes.

coldspring.bandcamp.com/album/megaliths-csr334cd


ALBUM LAUNCH + CONCERT:

LLYN Y CWN play Unitarian Church, 3pm Saturday 11th Oct at Harmonicon Festival, Tordmorden
– with The Transcendence Orchestra (Surgeon and Dan Bean), Bridget Hayden, David Keenan…

http://www.facebook.com/events/1679099982735306
http://www.tickettailor.com/events/resonance1/1703018

About Llyn Y Cwn:

LLYN Y CWN conveys atmosphere and environment through deep ambient sounds. A phantasm of echoes reflecting the bleak majesty and poetic melancholy of the hinterland of North Wales. A hole within a void, a place defined by absence in a world of negative space.

Ben Powell has been making electronic music for over 25 years, drawing inspiration from his native North Wales landscape and his participation on Arctic research cruises. While most artists can only imagine what these desolate land and seascapes feel and sound like, Llyn Y Cwn is an authentic reflection of these incredible locations.

coldspring.co.uk/llyn-y-cwn

Forgotten Sunrise – elu + dELUx reMIXes (Ohm Resistance)

Label Description:

The leading black light of OUTDUSTRIAL music, Forgotten Sunrise, have put together a comprehensive remix album of their LP elu. With 21 versions from their closest allies, the album’s timeless tracks are given multiple re-envisionings, yielding many new moments of musical delight across the board. Estonia’s most legendary unquantifiable band have added another piece to their still flourishing discography, striking further into the realms of the unknown.

Purchase also includes code to original full length album!

Phil Western – Afterflash: A Remixed Tribute (Map Music)

Label Description:

What Phil created in his time on earth makes our world a better place. He was the kind of person everyone needs to know or at least know about. He was full of unexpected surprises. He held the land speed record for the demolition of food and on tour would go to sleep fully clothed, often with his shoes on.

Phil was everything: a rogue, a maverick, an explorer. He suffered his demons but did so with courage and an unflinching painful honesty. Phil was easy to talk with. He was always engaging, interesting, and interested. He had a mane of dark, dark hair and a smile to melt hearts. His eyes told his entire life story, if one dared to gaze long enough.

Phil loved wholly, without caution, and with the deepest sincerity. His unquenchable curiosity doubled as an altruistic way of disarmament and evoked harmony when met with a different perspective. Phil was relentlessly gentle and understanding even when it was undeserved.

Phil was a veteran psychonaut whose deep inner journeys, life experiences, and struggles imparted him with a degree of insight, wisdom, humility, and humor that is all too rare. His expression of these qualities in his music infused it with a melancholic understanding of the beauty, joy, frailty, tragedy, and absurdity of the human condition.

Phil was a true artist in every fiber of his being. His incredible talent and infectious energy left a lasting impression on the world, and his music will always hold the top spot in our hearts.

Phil continues to inspire us all.

– The Remixers (Worldwide)

The idea for this project came from having a few remix packs that Phil had given me ages ago for some releases I’d curated, and inspired by Dave King’s (Longwalkshortdock) yearly tribute songs that he’d been posting since Phil’s passing. I had already remixed one of Phil’s songs almost a decade earlier, and had just decided to start on another near the beginning of 2021.

In a conversation later that year with Jaime Dunkle (Love Above Will), I mentioned I was working on another remix. During that conversation, I came upon the idea of putting together a bunch of remixes from Phil’s friends/collaborators as a tribute album, which she enthusiastically encouraged me to do.

After receiving the blessings from Phil’s family to move forward and reaching out to all the potential remixers, the pool of available songs for remixing was soon expanded with the invaluable assistance of Tim Hill (Rim). Not long after that, a couple more artists came on board, including Omar Hashmoder who revealed that he had the files for the last song Phil had been working on right up to the night before he left us. That song, “Dream Death,” is now finally being released, as well as a remix by Omar who also contributed some sounds to the original version.

This project was not without its share of delays and complications, one of which was Bandcamp refusing to give access to Phil’s artist page to his mother so this album could live there with the rest of his discography. Thankfully, Robert Shea’s Map Music has given it a fitting home considering that some of Phil’s earliest solo works originated from that seminal record label.

It has been a profound honor to work with all the artists and fellow lovers of Phil throughout this project. More than anything, I hope this album inspires people to continue exploring Phil’s vast catalog of music in all his solo and collaborative guises.

– Seth Branum (Bainbridge Island, WA)

My dear son: I miss you so much, but like your music, you now live in my heart and mind. Love, Mom.

– Enid Western (Vancouver, BC)

credits

released April 20, 2025

Mastering: Martin Granger (www.7d6music.com) and Jesse Creed
Cover Portrait: Simon LaPlante
Cover Design/Layout: Jaime Dunkle
Executive Producer: Seth Branum

All songs originally written by Phillip Western, except “HeWatchedMeSleepLastNight”, written by Simon LaPlante.
Copyright: The Record Company

The bonus track “Dream Death”, previously unreleased and the final track Phil worked on before his passing, is sent to album buyers on 4/20.

The majority of the proceeds go to the fund for Phil’s daughter, Mora Western

MAP219-D

JK Flesh – Echo Chamber Music 01 (Avalanche Recordings)

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Label Description:

In the spirit of the intention of ‘dubs’, comes a new series, Echo Chamber Music, consisting of open ended manipulations of minimal JK FLESH 4/4 ‘techno’ tracks, loosely traversing the ‘industrial dub techno’ concept (some vague meeting point between early industrial music e.g Throbbing Gristle, etc, and dub techno pioneers Basic Channel); gritty dub techno tracks reduced and inverted, indulging in the endless possibilities of the application of the processes of dub through dirt…

The series was intended to begin in 2021 with this first volume, but due to clashes with other project releases around the period, the series was put on hold until now – Nov 2024….

released November 5, 2024

Justin K Broadrick – Electronics @ Avalanche studio, UK. 2021

AREC088. AVALANCHE RECORDINGS. 202

Ghost Dubs – Damaged (Pressure)

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Label Description:

Ghost Dubs, real name Michael Fiedler, aka Jah Schulz, announces a rebirth with ‘Damaged’, his first album for The Bug’s PRESSURE label..

Having recently dropped two criminally overlooked, experimental dub LPs, with his ‘Dub Over Science’ series, the German producer/bass specialist, now stretches his own parameters of outwardness still further, with these twelve fresh explorations of dub deviance.

For those who feel the fusion of dub techno and ambient drone had creatively ended with the demise of the short lived, Berlin based Chain Reaction label. Ghost Dubs now upgrades, and extends that legendary blueprint’s abstract methodology even further and deeper, floating away upon a wonderfully warm sea of hiss and static bliss. This is dub so atomized that it disintegrates within your eardrums. Its music, where the machines take over and virtually all traces of humanity are erased. But thankfully, the warmest soul still oozes seductively from the pores of Fiedler’s robo riddims. Relentlessly hypnotic, seriously sedated, ‘Damaged’ celebrates the point of departure within it’s mesmerising low end grooves.

Album opener ‘Chemical’, provides an opiated slo-mo skank, which sounds like Plastikman’s ‘Consumed’ era pulsations drenched heavily in sub aquatic fx. A triumph of surface noise surfing and sub woofer testing relentlessness, it provides the perfect intro to this compellingly immersive album. For batty shakers and headtrippers alike, there’s added thrills aplenty, as Ghost Dub’s richter scale tremor rhythms remain impressively massive, and the atmospheric depths of ‘Damaged’ appear tantalisingly(sic) oceanic.

Throughout the duration of the dreamy selection, there is an obsessive balance of bewitching ambience and heavyweight bassbin shaking. The lead single ‘Thin Line’ itself provides a missing link between African Headcharge’s early percussive body probes and Rhythm & Sound’s addictive radiance, with the slightest hint of Burial’s doomed romantic hauntology added for good taste. Alternately, and no less gracefully, ‘Dub Lobotomy’ bizarrely resembles Miles Davis ‘Get Up with it’ chopped, screwed, and relocated to a futuristic Kingston Town. Impressive indeed, Fiedler’s mastery of live dubbing on his mixing desk shines accross(sic) the duration, and gives the album an improvised edge, and sense of peripheral chaos. Elsewhere, spooked steppars(‘Hot Wired’), haunting house (‘True to life’) and 4th World psychogeography(‘Undone’), combine to ensure there is a forever changing mixture of flavours percolating within the admirable consistancy(sic) of the overall sound.

With a tip of the cap, and nod of the head to Pole(‘Second Thoughts’), its no surprise then that PRESSURE would then turn to the great, Berlin based producer Stefan Betke, to master/cut this collection at his infamous Scape mastering room. And a fine job he did too, as high quality sound and levels are definitely maintained throughout.

If you like your melodies submerged, your dub narcotic, your basslines obese, and your beats evaporating, ‘Damaged’ provides the perfect prescription and entry point into Ghost Dub’s spectral soundworld.

Dive in. Enjoy !

credits

released July 5, 2024

Music / Production : Michael Fiedler

Mastered : Stefan Betke (Scape Mastering)

Artwork : The Pathological Puppy

Bass / Drones (‘Circles / Line’) : Fatwires aka John Eckhardt

Copyright Control MIchael Fiedler(Ghost Dubs) 2024