Label Description:
BL110]
is Ambrose Pottie & el_masmore
Growing Mushrooms, Singing Happy Tunes
Sounds & Noises – Ambrose Pottie & el_masmore
Image – Ambrose Pottie & el_masmore
Text – Bromtol Largesse
Label Description:
Created/conceived by Christian Fiesel (p)+(c) 2024
All sounds done on Waldorf Blofeld + DeepMind12
Aural Films is an online record label that releases high-quality soundtrack albums for movies that do not exist. We cover a wide range of music styles ranging from ambient to experimental to popular to soundtrack musics. Often on the same albums. You can find our complete catalog of releases online at AuralFilms.com
Aural Films Catalog No. AF0437
Label Description: The Poetic Abyss of Collage and Vision
Paw Grabowski, known artistically as øjeRum, is a Danish visionary whose work exists in the evocative realms between memory, dreams, and the passage of time. Renowned for his intricate and meditative collages and musical output, øjeRum transforms fragments of vintage materials into timeless compositions that resonate with haunting beauty. His art invites viewers to engage with a dialogue of silence—one that whispers of loss, transformation, and the fragility of existence.
Following the success of Stigma, a powerful synthesis of visual and auditory art that melded øjeRum’s distinct collages with his ambient musical compositions, this second book from Cyclic Press continues to explore his deeply introspective practice. Each piece is a window into a world of layered emotions, where the ephemeral becomes eternal and where simplicity reveals profound complexity.
øjeRum’s approach to art is deeply intuitive, driven by a fascination with decay and renewal. His work often reflects a process of deconstruction and reconstruction, echoing the cycles of nature and life itself. Themes of detachment, transience, and emotional depth permeate his pieces, encouraging viewers to pause and contemplate their own experiences of time and space.
This new collection not only builds upon the foundations laid by Stigma but also ventures into uncharted territories of øjeRum’s creative vision. It is an exploration of the void and the plenitude within; an invitation to lose oneself in the layers of meaning and texture he meticulously crafts. Through these works, øjeRum continues his quest to illuminate the unseen and to honor the stillness at the heart of existence.
Let this book be your guide into the quiet, powerful world of øjeRum—a space where art transcends form and becomes a mirror to the soul.
Hardcover book, thread-sewn binding. 170mmm x 240mm. 104 pages. Matte laminate cover. Includes CD in paper sleeve. 2 Tracks. Running time 60:22min. Limited Edition of 300 copies. ISBN: 9782957938230

Label Description: American Standard begins with a shock. Vocalist Michael Berdan stands alone, screaming, “A part of me, but it can’t be me. Oh God, it can’t.” It all starts with an admission. Beneath the harrowing screams, there’s the pain of bulimia nervosa.There’s the pain of a sickness that is as physical as it is psychological. This is a kind of emergence.
With every movement of American Standard, Uniform Peels off a new layer and tells the story inside of the one that came before it. The lyrics sink down into the core of the innermost self, the small human being crushed in the grip of sickness. To help peel away this narrative of eating disorders, self-hatred, delusion, mania, and ultimate discovery, Berdan sought assistance from a towering pair of outsider literary figures. Alongside B.R. Yeager (author of the modern cult-classic Negative Space) and Maggie Siebert (the mind behind the contemporary body horror masterpiece Bonding), the three writers eviscerate the personal material to present a portrait of mental and physical illness as vividly terrifying as anything in the present-day canon. The result is an acute articulation of a state beyond simple agony, capturing the thrilling transcendence and deliverance that sickness can bring in the process.
American Standard is surely Uniform’s most thematically accomplished and musically self assured album to date. Sections spiral and explode. Motifs drift off into obscurity before reasserting themselves with new power. Genres collide and burst open, form-ing something idiosyncratic and new. There’s a grandeur, due in part to the addition of Interpol bassist Brad Truax alongside the percussive push and pull of returning drummer Michael Sharp and longtime touring drummer Michael Blume, marking his Uniform recorded debut here. However, this magnificence is most clearly attributable to the scale and power of guitarist and founder Ben Greenberg’s arrangements, matching ever elegantly to the intense lyrical subject matter.
Without a shred of doubt, American Standard is a work of art, agonizing in its honesty and relentless in its pursuit of sonic transcendence. It is hideous. It is beautiful. It is necessary.

Label Description: Body Musick welcomes Disco Morato & Velax on the release number 41 with 4 tracker ‘The Product Is You’. The concept in their words: Near future, people used AI to replace real sex and human interaction in the real world (they succeeded). There are simulacra of truth all around, everyone is «happy» to be consumer, consumption of sexual content is at its peak. In moments of «sobriety» people experience incredible emptiness and detachment from the real world, only being connected to the sex network and their toys do they feel happy. All is the product and the product is you.
Label Description:
SO LONELY IN HEAVEN – THE CREATION
‘So Lonely in Heaven’ is The Legendary Pink Dots’ second album since the World stopped for a Global Pandemic.
With members scattered across three countries and two continents, our guilty confession is that quite a few Air Miles were consumed in its creation.
Ideas were spun across Cyberspace for months, but the magic happened collectively in small spaces with the tape running.
SO LONELY IN HEAVEN – THE MESSAGE
The machine is everything we are. It sees everything, hears everything, knows everything and feeds, speeds, drinks us down, spits us out – we lost control of it at the instant of its conception.
You may cough, curse and die, but the machine will… more
Erik Drost- Acoustic and Electric Guitars, bass guitar; Randall Frazier- synthesisers, devices; Edward Ka-Spel – Voice, devices; Joep Hendrikx – live electronics, devices. Simon Paul – Cover design and layout. Raymond Steeg & Peter Van Vliet – mastering. Thank you Alena for your enduring support!
Label Description: Recorded by Ben the sound engineer on Sunday 20th October 2024 (’twas a matinee performance in the afternoon). The cavernous venue was the Liquid Light Brewing Company Tap Room (very decent beer but no free food as promised) on an industrial estate in the Sneinton area of Nottingham. The show was part of the annual ‘Hockley Hustle’ festival. Note: this gig featured the debut live performance of new track ‘Cunt Do It’.
“Which leads us nicely onto Pound Land, whose mid-afternoon set at 3pm set the standard for the rest of the day. This five-piece hailing from places as disparate as Winsford and Macclesfield via Derby woke those present out of their post-Sunday Lunch slumber with a blistering sonic assault that sits somewhere between the monologues of John Cooper Clarke, early eighties punk bands like Blitz or Discharge and the doom metal of Black Sabbath via occasional forays into motorik inspired psych rock territories. If anger is an energy (and they cite PiL as an influence as well) then “voice” Adam Stone is a livewire, pent up ball of frustration that’s both incendiary and mesmerising. They have two bass players and a saxophonist (no guitars) and play songs with titles like “Cunt Do It” and “Paralyser” about people with “sausage dicks” and sound like your worst nightmare whilst simultaneously being the most captivating live experience we’ve witnessed in a very long while.”
Dom Gourlay, Under The Radar magazine. 22nd October 2024.
Cheers Dom, although no one in the band is from Winsford. Steve’s from Bolton though

Label Description: Thoth, in Egyptian religion, a god of the moon,
of reckoning, of learning and of writing.
He was held to be the inventor of writing,
the creator of languages, the scribe,
interpreter, and adviser of the gods,
and the representative of the sun god, Re.
His responsibility for writing was shared
with the goddess Seshat.