Tag Archives: bandcamp

Hal McGee – October 2025 Report (HalTapes)

Posted by John Lithium on

Label Description:

October 2025 Report
was recorded October 1st through 31st 2025
in Gainesville, Florida
with four Sony ICD PX-470 stereo digital dictaphones
dictaphone assemblage audio folk art
with spoken words by Hal
co-starring Stanley
rain, kazoo, frog clicker, circuit bent Casio SK-1, various harmonicas,
stewed tomatoes canjo, cigar box diddley bow,crows, aircraft, two string (then one string) pink dumpster guitar, transparent plastic ukulele, in ostrich tuning, smoke alarm signal, emergency vehicles, my mom’s dog Bailey, KQ Unotone iPhone and iPad synth, Stylophone CPM DS-2 analog synthesizer, SUPERFREQ built by Ryan Stanley, miscellaneous sounds and conversations from Apartment Music 58, wooden train whistle, sounds from Mark McGee’s 2025 Halloween Extravaganza, Finley McGee’s second birthday, conversations with neighbors, gaseous emissions from my asshole
— the voices of Dylan Houser, Trevor Luke, Alex Smith, Mark McGee, Finley McGee, JoAn McGee, and Kyle McGee
— thanks to Rafael González, who contributed numerous dictaphone recordings of him speaking, singing, playing the trumpet, Casio SK-1, crickets, and sounds from his daily life.

my beloved two string pink dumpster guitar has finally attained its true potential and destiny! it is now a one string pink dumpster guitar, and is now perfect. it always had one string too many! the “bass” string broke during my performance at Apartment Music 58.

snwv – music at a distance 280 (Self-Released)

Posted by John Lithium on

Label Description:

One element of creativity that’s undervalued, I think, is whim. We can make plans and restrict ourselves to certain forms, but newness and variety can enter by following a thought in the moment. Right before this performance, I thought of using some clipped string ends and the violin bow as ways of exciting the strings, and adding unintentional sounds. As a result, some of these pieces have sonic profiles that are unusual for this series.

The resulting timbres have the quality of small, distant bells, or sounds from an indeterminate instrument. The conventionally played notes often resemble low brass or wind instruments. These pieces are in line with the meditative quality of the series, though the timbral variety suggests new areas to explore.

The titles of these pieces are references to the visual and performance art of Hamish Fulton. Thank you for listening!


Maurice Rickard: Guitar, programming

Signal chain: Univox Coily in Bb F Bb F Bb C tuning > Reuss Effects Understate, Reuss Effects Repeater Fuzz, Balls Effects KWB > Vox Wah > Dunlop Stereo Uni-Vibe, Hungry Robot Wardenclyffe Deluxe > Moyo Volume > Max/MSP eight-delay patch with FFT pitch shift, tremolo, convolution reverb, AudioThing Reels. Guitar played with fingers, eBow, string ends, violin bow.

Impulses: Inchindown Oil Tanks (Matt Gray mattg.co.uk ), silent5 Biamp MR/140 (Tilt Up 2), St. Paul’s Huddersfield (near), Fort Worden Cistern

Zane Trow – Ibis (Room40)

Posted by John Lithium on

Label Description:

A note from Zane

the moon, wisdom, knowledge, writing, hieroglyphs, science, magic, art and

… judgment, so they say

i have got to know a stand of sixteen Ibis quite well over the last few years, never any trouble

we live in times of rising fascism once more, though of course, it has never been far away. the endless war stretches on. the whole system – the onslaught of inhumane competition, the normalisation of cruelty, racism, genocide …

“ni dios, ni estado, ni patrón” …

from the stand there is one Ibis, once or twice every day, to oversee an avocado tree and keep a keen eye, just in case some avos might fall … the tree is forty years old … the bill well skilled.
 
most of the field recordings here are from the same stretch of wetlands and riverside. many birds live there, and they try their best not to offend anyone, but their habitat will soon be scraped out and covered in crude development. there are three recordings of the same lagune at different times of day, one is treated and overlayed on another … and one is annotated with a distant creek at nightfall, in the mountains after a cyclone. there is also a bell, treated, from the ice cream truck that, for the last twenty years or so, has passed up my street every month …
in the evolving electronics, feedback styling and synthesis improvisation there is an abiding interest in the raveling and unraveling of sonic textures .. exploring unresolved tensions between ideas of time and space, the recorded and the live, the analogue and the digital, the real and the unreal …
……………..
analogue, digital and virtual synthesizers, found sounds, sonic devices, analogue echo & digital delay units, percussives.

created, recorded, audiomulched and mixed at Studio Vector in Slacks Creek, January thru June 2025.

I would like to show my respect and acknowledge the Traditional Custodians of Country and to all Elders past, present and emerging, the Traditional Owners of the lands, winds and waters.
Many thanks to Lawrence English for mastering and support.

Aduanten – Apocryphal Verses (Self-Released)

Posted by John Lithium on

Label Description: Aduanten, the melodic death metal project featuring members of Obsequiae, Vex, Panopticon, and Horrendous, unleashes its full power on the new album, ‘Apocryphal Verse.’ Combining ferocious, intricate riffs with a profound sense of sorrow and hopelessness, Aduanten crafts a sound that is both aggressive and beautifully melancholic. This is melodic death metal at its most potent and atmospheric. As a bonus, all CD and vinyl purchases will also include the band’s acclaimed debut EP, ‘Sullen Cadence,’ as bonus tracks. For fans of Dissection, Eucharist, Sacramentum, and Obsequiae.

Skaldr – Saṃsṛ (Avantgarde Music)

Posted by John Lithium on

Label Description:

Continuing with the melodious gloom of their debut album, Scythe of Our Errors, Skaldr beckons from the darkness once more with their sophomore record, Saṃsṛ. A thematic observation of loss, devastation, and change, Saṃsṛ observes the ways in which death and life, formation and demise, are an inextricable cycle – providing an endless and inevitable means to the continuity of each in turn.

Physical copies of the album (CD & Vinyl) and t-shirts are available from the Avantgarde Music Bandcamp page :
avantgardemusic.bandcamp.com/album/sam-sr


HH – Guitars
BD – Guitars
CV – Bass, Vocals, & Violin
Myrdynn & TE – Drums

Saṃsṛ was recorded at Trepan Studios

Mixed and Mastered by Dan Swanö at Unisound Studio.

Artwork by Adam Burke

Released by Avantgarde Music

Ed Herbers – Tartarus (Self-Released)

Posted by John Lithium on

Label Description:

A group of space-faring scavengers are navigating a remote region of the galaxy when the ship’s sensors alert them to an unidentified object looming in the distance.

“Sensors detect a massive freighter up ahead. Looks like it was powered down and abandoned out here. Its callsign is coming through as “Tartarus,” but there’s no other data available (manifest, origin, destination). I’m sure we could salvage some useful scrap from it—let’s dock and check it out.”

Although the ghost ship appears to be empty, the crew quickly discovers that they’re not alone…and a simple salvage mission becomes a desperate fight for survival.

Inspired by media like Dead Space and Alien, Tartarus is an atmospheric and immersive dark ambient, sci-fi horror/suspense experience.


All songs produced and mixed by Ed Herbers.

Mastered by Exit Chamber (exitchamber.bandcamp.com)

Album artwork by Ed Herbers, adapted from a costume piece created by Sam Herbers.

Big thanks to Adventsong for suggesting the album title (adventsong.bandcamp.com)

Several pieces from this album previously appeared in other contexts:
– “Promise & Peril” and “Insomnia” were released as singles in early 2023. At the time, I had no plans to use them on anything else, but as Tartarus started to take shape, I realized both of these tracks were perfect for it.
– “No One Is Going To Save Us” previously appeared on the “Passed Away” compilation, from Passed Recordings, in 2022 (passedrecordings.bandcamp.com/album/passed-away-2)
– “Entropy” previously appeared on “Heavy for the Hollers” a compilation benefiting hurricane relief efforts in North Carolina following Hurricane Helene (liminaldreadproductions.bandcamp.com/album/heavy-for-the-hollers)

Dead Voices On Air – Silence, Melt And Mourn (Re:Mission Entertainment)

Posted by John Lithium on

Label Description:

Re:Mission Entertainment is proud to announce SILENCE, MELT AND MOURN, the new album from Dead Voices on Air, arriving October 31st, 2025. Created during preparations for a US tour, the album features new material alongside reimagined versions of songs from across Mark Spybey’s career. The live set will include selections originally released by Download, Beehatch, DVOA, and other collaborative projects. Working with Nathan Jamiel of The Drood and longtime friend Stephen Weatherall, Spybey approached the process by writing new music and revisiting older work with fresh arrangements and a renewed focus on vocals and song structure. SILENCE, MELT AND MOURN is a reflection of that journey, built on collaboration, reinvention, and respect for the creative voices that shaped it.


All music produced by:
Nathan Jamiel, Mark Spybey and Stephen Weatherall

Nathan Jamiel – Guitar, Bass, Synthesizers, Keyboards, Vocals
Mark Spybey – Drums, Keyboards, Vocals, Trumpet, Toys
Stephen Weatherall – Bass, Vocals
Mark Sanderson – Synthesizer, Baritone Ukelele (2,5)
All lyrics by Nathan Jamiel and Mark Spybey

Mastered by Mark Pistel
Art by Mark Spybey, layout by David Babbitt
With thanks to Wes Turner and scott crow

eMERGENCY heARTS / Re:Mission Entertainment

Dedicated to Vince Wald (1976-2024) and Daniel Doss