Tukahdus – satunnaisia hetkiä (few fictional moments) [Self-Released]

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Label Description:

If we are not listening to music, we can have a certain part of the song looping inside our head, while we are walking somewhere, working or just lazing around. Surroundings will offer us lots of different sounds and noises that will mix with those loops.

credits

released August 9, 2024

Music, mixing and mastering by tkhds
Cover art collage and design by tkhds

license

all rights reserved

Confusion – Limbic Psalms (Very Much Recordings)

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Label Description:

experimental, electro-pop, and ambient artist, Confusions (ben turner), explores digital and analog music-making processes.

credits

released January 5, 2024

All pieces and lyrics composed and performed by Benjamin Turner.

Recorded and engineered by Benjamin Turner.

Additional recording and engineering at Oranjudio Studio, by Joey Gurwin for tracks 1, 5, 6, 7, 8, & 16, thanks to Music Columbus.

Mixed and produced by Joey Gurwin and Benjamin Turner.

Pre-mastering steps by Joey Gurwin.

Mastering by Benjamin Turner.

Album artwork by Brian Rogers. Variation on a photo by Mitchell Multimedia.

Featured performances and contributions:

01- Noncredible – Caleb Miller: tape saxophone

02 – It’s Not Mine – Noah Fisher: space echo

04 – Ppl B4 – written by Stew Johnson (guitar), Sam Johnson (cello), Benjamin Turner (synthesizer/production).

06 – Another Green Man – Brendan Youngquist: advice
Rachel Scott: advice

07 – It’s Not Mine – Caleb Miller: saxophone

08 – String – Joey Gurwin: midi toms

09 – Dialectics – Brendan Youngquist: advice

14 – Quarry – Niki Weber: soundscape contributions / advice

15 – A Place to Say It’s Real – Eric Stratton: sampled performance

license

all rights reserved

Rew – It All Belongs (Soft Pedestal)

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Label Description:

Pensive drones and explorative vocals in It All Belongs come from a winding path of contemplation. Questions like ‘What does it feel like to be you?’ and ‘Where am I called?’ are sung hopefully, and sometimes desperately, overtop of resonant and manipulated recordings of meadows, caves, frogs, a thunder boom. With these pieces of nature, and melodies on a spectrum from elation to tension, Rew channels the spirit of her own inquiries into self and reality. Atmospheric sound design and dense layers envelop the listener in unfurling curiosity and meandering reflections on the ups and downs of life. ‘I found that I / could never come back / to where I was before’ note the disorienting changes to psyche and soul that can occur in these phases. Lyrics about a paper door and heavy chain nod to paradoxical experiences of ease and heaviness. Soft vocals and swelling synths share intimacy and expansion, refusing to let go of either.

credits

released March 15, 2024

recorded and mixed by Rew
vocal recording at Secret Studio LLC
mastered by Keith Hanlon
cover art by Rew

Soft Pedestal
Akron, Ohio
2024
SP-23

license

all rights reserved

Robert Rich & Luca Formentini (Soundscape)

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Label Description:

We began by clearing an open space to observe our mutual voice, an hour or so of empty form. We then carpeted that space with a continuum of transitioning clouds, where patterns of light and shadow might suggest possibilities of ornament, the placement of furniture in a room. Listening intensely to each other’s inquisitive gestures, shapes evolved from the liquid flow. Architectures emerged from under an ocean. As each shape suggested itself into existence, it requested further adornment. A strange forest of living sounds wove its branches around that scaffolding of hermetic silence.

credits

released July 5, 2024

Recorded 2023-2024 at Soundscape, Carmel CA USA and Luca’s studio near Lake Garda, Italy.
© 2024 by Robert Rich (BMI) and Luca Formentini (SIAE). Edited, mixed and mastered by Robert Rich.
Luca Formentini: acoustic, electric, fretless and Moog guitars, Monome Norns (unguitar.com)
Robert Rich: Haken Continuum, Prophet X, TEO5, flutes, piano, gliss guitar, landscape recordings (robertrich.com)
Aui Formentini: contrabass on #8.
Paintings by Robert Rich. Design by John Bergin (stombox13.com)

license

all rights reserved

Cousin Silas – Geohistorical Empathy (The Cousin Silas Emporium)

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Label Description:

A collection of tracks that have one thing in common, they are all related to real places where I have been, experienced or often thought about, and for one reason or another they still call to me.

Whilst none of the tracks are new, they have never before been released on the Emporium label (well, not as I recall!).

credits

released August 9, 2024

Album cover by Ian Haygreen, used with thanks.

Cousin Silas – Orphans 14 (The Cousin Silas Emporium)

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Label Description:

Never thought I’d get to Orphans 14, but here we are. The Orphans series basically gathers up the tracks that I’ve done for various compilations.

This album is in memory of Norbert Kutz. A valued friend for many years. I’ll miss the guy.

credits

released July 5, 2024

Thanks to Thomas Mathie for the Cover work

Endurance & Inner Travels – To The Ancestors (Golden Ratio Frequencies)

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Label Description:

After a period of quiet, and just in time for summer Solstice, Golden Ratio Frequencies is thrilled to return to releasing physical (or is that metaphysical?) music, announcing the release of TO THE ANCESTORS, an immersive suite of ambient electronics by Endurance & Inner Travels.
A trans-international collaboration between Canadian-born, Japanese-based Joshua Stefane, aka Endurance, and American based artist Steve Targo, aka Inner Travels, To The Ancestors see’s the duo turn in a serene and zen inducing listening experience, delicately blending flavours of traditional Japanese music influences with contemporary electronics and sound design.

In the artist’s words, TO THE ANCESTORS is “An exploration into synthetic nature”, drawing inspiration from, and conjuring the emotional resonance of, forest bathing, zen garden sitting, and the historical elegance of the Gagaku and Koto music of Edo period Japan. The album seamlessly merges these influences with moods of the environmental music movement Kankyō Ongaku of the 1980s and 1990s and then passed through a filter of modern electronics, digital processes and patch cables resulting in a collection of meditative pieces that evoke a sense of calm, introspection and peace.

Composed between 2018 and 2020, the album’s eight tracks, titled only by their duration, are rich in texture and shimmering with radiance. Utilising modular, analog and digital synthesis, Stefane and Targo conjure sounds that feel both distinctly processed, yet organic in nature, and in doing so, embody the Japanese traditions and practices of Wabi-Sabi. Digital flutes breathe through self-generative CV patched Gewa blocks while fountains of ethereal granular plucked koto like sounds cascade and glide over serene synthesised sparkles, drips, and tweets in a mimicry of the natural world bringing a harmonious meeting of human and machine, nature and virtual landscapes. Through40 minutes, these aural infusions hint at shades of Hiroshi Yoshimura, Midori Takada, Satoshi Ashikawa and other greats of the Japanese ambient golden era.

Prepare your favourite(sic) Temea ceremonial tea, relax and enter a state of serenity. This is environmental meditation music for the digital now-age.

Joshua Stefane, known for his work as Endurance, is a prolific Ontario, Canada born producer and curator currently residing in Nara, Japan. One of the founders of cult ambient cassette tape label Muzan Editions, Stefane has been instrumental in organising(sic) and supporting various events, happenings, and festivals in his adopted home, (such as the annual Moment Festival held in the majestic Tenkawa village) and being a vital, nurturing connector to an international community of forward thinking electronic ambient artists and DJs.

Steve Targo, performing as Inner Travels, and more recently as Nimbudala, is an American, Wisconsin based artist and explorer of inner and outer worlds. He has been creating New Age and spiritual-adjacent visionary music for years, releasing meditative works for cassette tape on labels such as Aural Canyon, Sounds of The Dawn, Fluere Tapes, and Inner Islands. A true purveyor and practitioner of futurist healing sounds.
TO THE ANCESTORS will be available in both digital and physical realms. Physical copies will be released exclusively through bandcamp as a limited edition pro-dubbed C90 cassette, featuring translucent smokey shell, on-body print, 4-panel full-colour inlay and as always, a screen-printed Golden Ratio Spiral acetate, continuing Golden Ratio Frequencies’ tradition of offering quality, visually appealing sonic totems.

Pre- Order available 21 June 2024, with full release and shipping from 5th July 2024.

credits

released July 5, 2024

Composed 2018 – 2020
Inner Travels – Synthesisers
Endurance – Modular Synthesis

Photography – Joshua Stefane
Design & Layout – A P Macarte

license

all rights reserved

Jarl – Neurotransmitters​-​Sphere​-​Music (Reverse Alignment)

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Label Description:

“Neurotransmitters-Sphere-Music” is Jarl’s sixth album on Reverse Alignment, following on from 2021’s CD release “Spectrum Confusion”. And once again Karolina Urbaniak has masterfully created the cover artwork, as she’s done for the five earlier Jarl releases for Reverse Alignment.
Neurotransmitters are chemical messengers that help nerve cells communicate with each other. Referring to this concept, “Neurotransmitters Sphere Music” consists of four pieces showcasing his trademark psychedelic, hypnotic approach, based on minimal sequencing, analogue pulsating synthesizers chords and repetitive percussive layers.

Swedish musician Erik Jarl has been active since the Fall of 1999, principally as Jarl. He was also a member of post-industrial act IRM, of which Erik was one of the founding members. Jarl’s music has been released on several labels through the years, and he has collaborated with acts like Anemone Tube, Envenomist, and Skin Area. Erik Jarl composes his music through a total analogue approach with the use of synthesizers, analogue sequencers, waveform generators, and oscillators, as well as several echo/reverb and delay units.

credits

released July 4, 2024

Recorded in Spring-Winter 2023 at Norrköping, Östergötland, Sweden by Erik Jarl.

Published by Reverse Alignment in collaboration with Luce Sia.
Mastering by Raffaele Pezzella (a.k.a. Sonologyst).
Artwork by Karolina Urbaniak.
Cd layout by Matteo Mariano.
Cat. Num. RA65.
© 2024. All rights reserved.

Rapoon – Dream Circle (In Three Phases) [Zoharum]

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Label Description:

We are proud to present the unique RAPOON publication “Dream Circle” (In three Phases)”, a special edition of the British artist’s debut album, containing a total of 3 CDs: a remastered version of the debut “Dream Circle”, the sequel “Recurring (Dream Circle)” and a specially prepared version of thinking about this release, the album “Mandala”, which is an extension of the formula contained in previous releases. As in the case of the extended reissues of RAPOON (“Vernal Crossing Revisited” or “The Kirghiz Light”), the musician had a similar idea there, also here, to record new compositions, Robin Storey reached into his archive to extract the tracks and sound banks that he used during those sessions almost 30 years ago, to use them in a completely different way with their help, compose completely new, interesting and coherent musical material. “Mandala” draws listeners into a mystical journey to the Middle East with the same intensity as “Dream Circle” and “Recurring…”. The discs put together in this way close the triptych started at the very beginning of Rapoon’s activity. This unique trilogy was released in a black and gold 8-panel digipack.
In addition, an extended collector’s edition in a wooden box will also be available, containing several bonuses.

credits

released June 25, 2024

Tracks 1-9 taken from “Dream Circle”
Tracks 10-19 taken from “Recurring (Dream Circle)
Tracks 20-28 taken from “Mandala”