Label Description: A Lily – aka British-Maltese musician and founder of Phantom Limb James Vella – releases Id-Dar Tal-Missier, a collection of dark and mythological ambient-doom-folk compositions laced with his signature deep moodsetting.
Vella wrote and performed the instrumentation on Id-Dar Tal-Missier himself, recording at home and creating finished pieces layer by layer. Though the main body of composition is based on guitar and voice, Vella’s list of instruments performed also includes banjo, cello, organ, xylophone, an ancient Chinese harp named guzheng, and drumkit, amounting to subtle and intelligent arrangements, heavenly textures and a more song-based approach to the work he is best known for. Present here are verses and choruses, as if pop music, but also hazy, dreamy journeys through nocturnal sparseness and strangeness.
A few contributions from Vella’s friends also grace the record: Mercury Prize Nominee C Duncan lends lush choral vocals to “Banana Moth” and (yndi halda co-founder) Daniel Neal performs violin across several pieces.
Often inspired by non-musical forms, Vella writes that Id-Dar Tal-Missier was instead created under the influence of sensory experiences. He lists filmmakers Werner Herzog and Apichatpong Weerasuthakul; the TV show Stranger Things; his dog Sully; the (“painstaking”) process of writing his first novel; books by Cormac McCarthy, Gabriel Garcia Marquez, John Cheever and Carson McCullers; travels around India, South America and the Middle East.
Mixed by Julian Tardo Mastered by John Hannon Photography by Mark Vella Design by David S. Blanco
Label Description: “Nostalgic…dreamy. The sweet sound of teenage dreams made real.” Electronic Sound
“Stunning, oneiric, and otherworldly.” Bandcamp Daily
British-Maltese musician James Vella – founder of Phantom Limb – reissues his 2006 debut solo album of gentle, autumnal ambient-electronica wake:sleep for a special 20th anniversary edition featuring three previously unreleased tracks from the same period.
“I was overjoyed to sign my first ever record deal, back in 2006,” Vella reminisces. “I was a dorky teenager, writing songs in my bedroom and, later, university halls when this record came to be. I had published a few tracks on early music platforms like MySpace and mp3 dot com but when Dynamophone Records (a label! with a website!) told me they were listening, I was ecstatic.”
Created on a laptop part-purchased with his small salary as a clerk in a local record store (and with help from his parents, on the promise of using it for school and university work), wake:sleep is a surprisingly developed body of work. Over a gently diminishing palette, the record expresses the passage of falling asleep, opening with organic and flickering textures and ending with amniotic washes of ambient bliss. It was dedicated in full to Vella’s girlfriend at the time: “these songs are love songs” reads the inscription on the (long sold out) original CD. Catching the ear of nascent but momentarily prosperous San Francisco label Dynamophone Records, the album was released in June 2006, Vella still then a teenager, and garnered some recognition in music press at the time. A year later, Vella’s band yndi halda released their debut album and both projects became significantly more visible.
Opening “I Am To You” is made from dulcet synthesis, recordings of real-life moments, clicky IDM-inspired beat programming, and sweetly melodic acoustic instrumentation and voice. It sits alongside early electronica in its delicate micro-beats and blurring of organic with digital. Spotify hit “Leanna is a Quiet Meow” centres on a repeated harmonium motif and a voice pedal. Its combination of serenity and unexpected timbral playfulness has earned over a million plays on everyone’s favourite DSP.
Later in the record, “The Sleepers” acts as a pivot. Beginning with acoustic guitar, angelic pads, and home-recorded drumkit, it eventually gives way to a fizzing deconstruction of the same raw materials, now made hypnagogic and transportive where it was rhythmic before. After this, the album changes dynamic. It lulls, softly, into near silence with the gargantuan 34-minute closer “The Shipwreck” and newly added companion piece “The Lighthouse”.
Three tracks are added to this special anniversary edition of the album: “On Writing”, “Rosalie Sings”, and the aforementioned “The Lighthouse”. These works were composed at the same time as the remainder of the album, but not included in its original track sequence. They have remained unreleased until now.
Vella’s A Lily project was most recently seen with early 2024’s acclaimed Phantom Limb debut Saru l-Qamar, in which he married archival recordings from his native Malta with dulcet new arrangements for hardware synthesis. Twin releases Sleep Through the Storm and Nocturne Thunder were released on The Ransom Note’s Bytes label in 2020 and 2022 respectively. These two releases – and Saru l-Qamar – see Vella return to synthesis and electronic instrumentation following his band-orientated previous album of 2018. Vella is also a founding member of the highly recognised six-piece yndi halda, and has run the Phantom Limb label since its inception in 2017.
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