Heÿkla – Echoes Of Loneliness (Driftworks)

Label Description:

Echoes of Loneliness unfolds like an intimate film without words — a journey through light, silence, and memory. Under the name Heÿkla, French composer Thomas Méreur shapes an ambient universe where every sound becomes a fragment of story. His voice and piano, once central, now dissolve into layers of textures, distant echoes, and fragile harmonies.

The result is both cinematic and minimalistic: wide sonic landscapes filled with space and emotion, where subtle changes in tone evoke movement more than melody. Each track evolves slowly, like an image coming into focus, revealing its own poetic atmosphere — sometimes tender, sometimes unsettling, always human. Echoes of Loneliness invites the listener to drift through invisible places, to feel rather than understand, and to discover beauty in quiet transformation.

Mastered by Andrew Heath

Ourobonic Plague – G.A.: Five: Continuum (Self-Released)

Label Description: we are so close. a final burst of effort. hold fast. break through. deploy. connect. clear space…
.
.
“𝘰𝘩.”
.
.
.
“𝘥𝘪𝘥 𝘪𝘵 𝘸𝘰𝘳𝘬?”

.. …

5 more tracks.
witch dub house tech grime noise breaks drone.
Surge: youtu.be/8pquwFMnbsw
Execute: youtu.be/xLHK6S9Bk7A

the Seal is… different.

read along at home: ourobonicplague.mmm.page/gaproject

.. …

next: deep discussions. 

Picking / Gnarled Fingers – Picking / Gnarled Fingers (Cruel Nature Records)

Label Description:

“This is some heavy-duty drone shit, and it sure hits the spot.”
– Aural Aggravation
auralaggravation.com/2026/04/25/picking-gnarled-fingers-picking-gnarled-fingers/

Gnarled Fingers and Picking are two artists drawn together by a shared love of bleak, crushing, low-end oblivion.

Picking is a new raw doom / noise / drone project from Charlie Butler inspired by lifelong incessant excessive picking of nails.

Gnarled Fingers is an experimental, ambient drone project, relentless wall of fuzz and atmosphere, no escape, created after growing up in Somerset Levels with stories of witchcraft and pagan superstition.

Picking – Toenail
Written, recorded live with no overdubs, and mixed by Charlie Butler, December 2025
charliebutler1.bandcamp.com

Gnarled Fingers – Echoes From Futures Past
Written, recorded at 13 sound studio, and mixed by Carlos, November 2025
linktr.ee/GNARLEDFINGERS

Cover & layout by Carlos
Mastered by Jack Chuter

Tokyo Shoegazer – Remains (Higher Hell Records)

Label Description:

Drums : Hiroshi Sasabuchi
Guitar : Kiyomi Watanabe
Guitar : Yoshitaka Sugahara

Additional Musicians
Bass : Taizo Nakamura
Vocal,Guitar : Kyoko Sahara

Produce & All music arranged : Tokyo Shoegazer

song : Kiyomi Watanabe (1,3,4,5,6,7) & Yoshitaka Sugahara (2,8)
words : Kyoko Sahara

Recording Engineer : Junichiro “ojjy” Ojima (Freedom Studio Infinity)
Mixing Engineer : Yosuke Maeda (Freedom Studio Infinity)
Assistant Engineer : Daichi Hashimoto (Freedom Studio Infinity)

Recording & Mixing Studio : Freedom Studio Infinity

Mastering Engineer : Reuben Cohen
Mastering Studio : Lurssen Mastering

Design : Kanda_Yunyun

Recording Date : December 26,28 2025 – March 1 2026

Special Thanks : Yoko Kodama (Freedom Studio Infinity)、Kazuyoshi Hasegawa (Moridaira Musical Instruments)、Yoshiaki Kondo (GOK SOUND)、KarDiaN

Dave Phillips – don’t hurt me for your pretty (中国实地录音) [Self-Released]

Label Description:

WARNING: PLEASE DON’T BUY, SELL, TRADE OR DISTRIBUTE THE CD VERSION OF THIS RELEASE, THE CD IS FAULTY.

the audio contained on the cd version is not the material i provided for release, and it does not meet the quality standards that i wish to offer.

the label releasing the CD managed to press an early demo version rather than the final audio master. duh. the demo version differs partly in composition and is only partially mastered, some tracks are unfinished and have different track lengths….

the label, once confronted about this mistake, stopped communications alltogether.

read more here: www.davephillips.ch/discog/dp-dhmfyp

credits

released April 1, 2021

****************************************************************

recorded 2014 in taiwan & china by dp
xiexie: yan jun, mei zhiyong, nathalie dreier


TRACK INFOS:

1. yangmingshan cicadas, a storm comes up, different cicadas resound. kalamoji mountains 14 jul 2014

the kalamoji mountains are about an hour and a half drive from taipei and yannick dauby kindly offered to take me there. once we are about an hour’s walk into the lush and dense forest, the endemic yangmingshan cicadas start sounding. we set up our recording equipment and listen, with goosebumps. after about 10 minutes, lightning, then a crack of thunder, then another, and heavy raindrops start falling, increasing fast. speedily we pack up our gear and start heading back. soon rain is pouring in torrents and we can but run. that’s when the yangmingshan cicadas start sounding ecstatic, loud, dense, from all directions. i’m sorry i can’t let you hear that. we are soaked by the time we reach the car.

2. zhangjiajie cicadas and whistlers on the river path to yazizhai.
zhangjiajie national forest park 4 aug 2014

zhangjiajie is one of china’s most popular national parks. hordes of people flock into it daily, and nearly all visit the most easily accessible spots only – usually spectacular viewpoints that end up being very crowded. a larger part of the park though is more or less free of humans.
the path to yazizhai is a simple, ugly, concrete footway along a stream that looks as if built fifty years ago and then forgotten. it leads off from one of the popular, very crowded picnic spots – and suddenly, there’s nobody. the couple of times i walked this path i never encountered another human. the path’s beginning is marked by a tumbledown gate, along the way the concrete has crumbled, sunk, been washed away and is covered by leaves, fallen branches and trees or obstructed by rocks that moved. armies of cicadas are sounding, acccompanied by whistlers and other insectan sonics. as the sun starts setting their volume and density increases.

3. nocturnal anuran soundscape.
huashan shanzhai/panlong 15 aug 2014

4. night rattlers.
huashan shanzhai/panlong 14 aug 2014

5. electric insect solo.
huashan shanzhai/panlong 15 aug 2014

huashan shanzhai / panlong in guangxi province is surrounded by forest-covered karst peaks, is home to the longrui nature reserve and to the two thousand year old huashan cliff murals. a village of a few scattered houses and at the top of it, a hotel, of which we are the only guests, as it’s the off season. hiking is only possible with a guide due to the danger of getting lost. but the sounds are all around and at night symphonies are created. these recordings were made in different spots of the village between 22h and 2 a.m., in gardens, overlooking a pond, by the river, and next to thickets at the edge of the dense jungle beyond.

6. upstream moon thicket swell.
dehang 6 aug 2014

dehang in western hunan province is located in a large geological park with astonishing countryside landscapes, terraced valleys and waterfalls. leaving the village upstream, fields of arable land pass by before wilderness takes over, with the path leading further up to the dramatic liusha (or ‘fading yarn’) waterfall, that feeds the little river into dehang.
this path at night is another story. the moon casts a pale light and i stand before a thicket, ears about a hand’s width away from it, for what felt like hours, entranced by the melody and rhythm that these insects reveal as time loses itself. occasional frogs croak from the stream some metres below.

the photo of the insect on the cover, is taken on this path.

7. typhoon.
ri yue, hainan island 28 aug 2014

the sun and moon bay at ri yue wan is a gorgeous stretch of coastline on hainan’s eastern shore, popular with surfers – it is windy. it is even windier the morning after we arrive. the surfer hostel’s caretaker, informed by weather apps, tells us: this is building up to a typhoon. we have to stay put. but listening to this force is awe-inspiring, it sounds, looks and smells incredible, furious winds, trees bending, objects flying around and crashing, stones moving, dogs barking…

8. waterfall and cicadas.
detian 16 aug 2014

detian waterfall in guangxi province is asia’s largest and the world’s second largest transnational waterfall. vietnam is at the top of these falls. surrounded by karst peaks, the falls drop in three stages to create cascades and small pools. as we arrive in the afternoon and walk along these falls, cicadas sound in the papaya orchards nearby.

9. river path walk to yazizhai.
zhangjiajie national forest park 4 aug 2014

see track 2 for info on the location. apart from a few split-second cuts, this is an unedited recording, as i walk, and the sun is beginning to set.

Bang Of Hearts – Through The Water (Self-Released)

Label Description:

All Winter we’ve been hiding in the Barn, experimenting, improvising and nourishing our souls from a dying world.

These recordings are a testimony of the dark times we are living in, to uplift, to manifest and to divert our ways.

Recorded between December 2025 and February 2026 at the Barn, Betekom, Belgium.

Bang of Hearts is a musical entity consisting of Dominique Van Cappellen-Waldock (Baby Fire, Veda, Fleur de Feu,…) on vocals and spoken word, Timo Jacobs / Forestaal (Schim, the Moondig, Myaelin, Pilod,…); vocals, electronics, drums and percussion and Peter Verwimp / Ashtoreth ( Maya, Emptiness, Building Transmissions,…) on vocals, bass and guitar.

Together they conjure up an eclectic form of vast, improvised drone pieces with a ritualistic character.
Every now and then they gather at the Barn in Betekom, Belgium and pour their hearts out. They play what they feel and this may result in a patchwork of styles and influences: dark ambient, sludge, kraut rock, ritual drones, gothic doom, electronic soundscapes…one never knows what to expect as it is always delivered in a free form; a hypnotic sonic adventure for both the players as well as the audience.

Spoken Word and voices: Dominique Van Cappellen-Waldock
Drums, Electronics & voices: Forestaal / Timo Jacobs
Guitars, Bass & Voices: Ashtoreth / Peter Verwimp
Live mix: Timo jacobs
studio mix: Peter Verwimp
Mastering: Ronald Mariën
Artwork: Peter Verwimp

precenphix – teichopsia (Not Yet Remembered Records)

Label Description:

— NOTE —
This is a joint release between Not Yet Remembered Records and the Move Quiet Records imprint out of Long Island, NY (movequiet.bandcamp.com). Should physical copies sell out here, head to movequiet.bandcamp.com for a chance at additional copies. And check out the rest of their discography while you’re at it, as it is excellent.


Teichopsia finds Precenphix returning to NYR as well as debuting on Long Island, NY imprint, Move Quiet Records, with the fruit of a nearly two-year labor through poor health. Drawing inspiration from artists such as Seefeel, Richard D James, Trent Reznor & Atticus Ross, Jack Dangers, Björk, Coil, Scorn, Monolake and Autechre, it is an amalgam of influence steeped in electronic music’s resurgence and prominence into the sonic landscape of the 1990s through the 2000s and beyond.

The recording is a concept album, in abstract. In terms of its composition, the layout is melodic but also has deep roots in both electronic and acoustic sound design. It’s sound ranges from IDM / braindance, glitch, ambient, dub, breakbeat, downtempo, industrial, modern classical, musique concrète and even score work.

In terms of the what the album means to me, I would prefer to remain more abstract rather than project my own narrative or even fully reveal the theme, allowing the listener the capability to insert their own interpretation of this record – which is meant to be taken in as a whole rather than by isolating things song by song.

There are little to no ‘singles’ on the album. Rather, it is meant to be experienced in a single sitting, which is a big ask anymore considering everyone’s attention span (including my own) has been reduced to that of a fruit fly with the proliferation of quickly digestible social media clips. But if attempted, the ebb and flow of its continuity becomes apparent and makes for a complete, compelling story.

I’m asking the listener to come on a turbulent journey with me, where respite seldom presents itself, but ultimately the protagonist comes through in the end with hopeful resilience and a newfound perspective on the grand scheme of things. A silver lining is mostly obscured, but it exists if you’re open enough to be willing to let it present itself to you.
 

All songs written, recorded, performed and produced by Ben Rabenold @ The Lamp Post 2024-2025

Mastered by Marcus Miller @ Holosuite Mastering

Front cover photography by Olga Karlovac

Back cover / inner panel photography by Chris Friel

Disc inlay photography by Bryn Alleman

Booklet & disc image photography by Ben Rabenold

Design by consumer

Thank you: Bryn Alleman, Patrick Blinkhorn, Will Creason, Euan Dalgarno, Chris Friel, Iris Fuller,Mindi Hartlaub, Nikki Hope, Justin @ MQ, Olga Karlovac, Marcus @ Holosuite, Mom & Dad, Pietro Da Sacco, Caleb Byron Smith, Jake Wayman, room 606, the Great Solar Eclipse 2024, all at Jefferson Methodist Headache Center

©℗ Ben Rabenold 2026



John Reidar Holmes – The Ground Grows Hungry for Us (Self-Released)

Label Description:

Songs of life and death, of magic and the empirical, of dreaming and waking.

Included with this album are free download codes for the following albums:
‘We have met before,’ the shadow spoke…
These Are The Days of Burning Books
Reflections from a Sacred Pool
In the Palace of Joy
Starfall
Manichees and Madmen
The Lord of Shades Decides
Live Soundtrack #69
A Thousand Twangling Instruments

You’ll receive your codes via direct message in the Bandcamp app.

Thank you for listening and enjoy the music,
JRH