
Label Description:
Jukka-Pekka Kervinen: music box, objects, sine tones
Markus Reineke: contrabass recorder, electronics, objects
Recorded in April 2025 in Finland and Germany.

Label Description:
This piece deals with reflected images, sounds and ideas and the perceptions thereof and how they echo
and compliment their real-life counterpoints.
The album consists of two tracks, each with compositional direction from the same score but in opposite
directions. These two tracks were then blended together, one forwards and one backwards for each
side, to create the two finished halves. The results are sounds occurring together moving forward while
their reflected sounds move backwards.
Reid Karris is an improvisor, composer and experimentalist residing in the Chicagoland area. He primarily
uses prepared guitars to explore sound creation and manipulation centering on extended and invented
techniques. Other than performing solo he regularly plays with his group Snek Trio and in various
settings with other musicians on prepared guitar, percussion, skatchboxes and homemade instruments.
As a solo artist he releases albums of conceptual composition using elements such as guitars,
percussion, manipulated field recordings and noise. He has released albums on Lurker Bias, Orb Tapes,
Ramble Records, Mother Brain Records, Pan Y Rosas Discos, and other independent experimental labels.

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This is a particularly slow performance. I’d gone into it somewhat sleep-deprived, though by the third and fourth pieces, I was getting energy back from the music, enough energy to leave more space and allow the rests to speak. Thank you to the audience for staying with me.
The hollowbody Univox vibrates quite a lot–there’s a lot of air in there. Consequently, there’s a lot of air in these timbres: French horn, muted trumpet, accordion, glass harmonica timbres. This one’s a step toward a collaboration with silence.
The titles this week are references to the visual art of Louise Blyton. Thank you for listening!
Maurice Rickard: Guitar, programming
Signal chain: Univox Coily in Bb F Bb F Bb C tuning > Reuss Effects Understate, Reuss Effects Repeater Fuzz, Balls Effects KWB > Vox Wah > Hungry Robot Wardenclyffe Deluxe > Moyo Volume > Max/MSP eight-delay patch with FFT pitch shift, tremolo, convolution reverb, AudioThing Reels.
Impulses: Inchindown Oil Tanks ( Matt Gray mattg.co.uk ), silent5 Biamp MR/140 (Flat), St. Paul’s Huddersfield (near), Fort Worden Cistern
Label Description:
Bim Prongs –
thebimprongs.bandcamp.com/album/walking-in-rhythm
Sounds & Noises = Bim Prongs / {AN} EeL
Text & Image = {AN} EeL

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Recorded live at Morphine Raum in Berlin, Germany on February 21, 2024 by Rabih Beaini.
Aidan Baker (bass / guitar)
Han-earl Park (guitar)
Katharina Schmidt (drums)
aidanbakercollaborations.bandcamp.com
katharinaschmidt.bandcamp.com
hanearlpark.bandcamp.com
Limited edition CD available at emerge.bandcamp.com/album/thoughts-of-trio

Label Description:
It’s A Hell of a thing ,
A Lingering sting
A Diamond Ring
Dropped right down a sink
A Bubble
And Bubble
And Toile & Trubble
Witches Brooms & Warlocks Wobble
A Kiss in the Graveyard and
The dust of bones in churches
Lurches forwards, Shudders
and Halts
Bring it up to the earth,
Earth straight from the vaults ~
It’s all your fault

Label Description: four microcassette collages
recorded mostly in August 2024
with a Sony M-570V Microcassette-corder
pillow diaries and text cut-ups
voices of family members, my dog Stanley
Trevor Luke, and other friends
including sounds of appliances
and other sounds of my daily life
sounds of Squared Wave on August 14, 2024
including my entire performance at that show

Label Description:
There was a small balcony above this eatery establishment, a widow’s peak or some such, a small nook in the roof just above the main entrance – This a place I always sort of thought of as having a main floor. And in this nook, keeping watch over the busy main road & not that far from the airport ( I Often wondered, as an adult, what the appeal of this place was for my father. We had plenty of places much closer that surely had equally bad food. But I digress ) Anyhow, in this nook there was a life sized ” Ape ” ( Obviously a cheap costume on a dress form ) It was waving in a cross between a cordial getting and a nazi salute. But the thing I found unnerving about it was that it was never explained, no – It was never even mentioned really. I went through a period of time where I would try my hardest not even to look at the cursed thing but it was an effort doomed to failure – I Always had to sneak a peak at those garish rubber lips, those outsized & fumbling giant rubber hands – As is the custom in ape costumes of the cheap & tawdry variety, this one also had very pronounced nipples & a vague suggestion of being pregnant.
Anyhow, Life went on I eventually got old enough to where I didn’t have to go to the diner any more. But I never forgot that ape. I Don’t think I ever will. I Wonder where it ended up
Album Title VALUE APE Attributed to a concept by the cartoonist Daniel Clowes ( The genius behind EIGHTBALL & Ghost World – Check them out )
This album created using the sounds of
CP McDill / KR Seward / Jo Bled / Executive Producer Prick Wolf / {AN} EeL
Text / Image : {AN} EeL
