
Label Description:
Written and Produced by VAAG
Mastered by Alex Stilts at Orbit Room Audio
Illustration by VAAG
Design by Mike Slansky
Point Source Electronic Arts
PSA038

Label Description:
Written and Produced by VAAG
Mastered by Alex Stilts at Orbit Room Audio
Illustration by VAAG
Design by Mike Slansky
Point Source Electronic Arts
PSA038

Label Description: Nick Podgurski and Colin Marston: synthesizers, acoustic and electronic percussion, production
recorded and mixed at Menegroth, the Thousand Caves, NYC 2022 – 2024
finished at the Milman Observatory, Northampton MA
audio engineering by Colin
artwork and titles by Nick
collaboratively mixed
album also available here:
newfirmament.bandcamp.com/album/time-lapse-of-wet-fire

Label Description: Syncope made August 2024, during a stay at the E.R. on Division and Leavitt, Chicago Il.
Probably back tomorrow.

Label Description: Another batch of new stuff with a selection of reworked solo tracks (by each other) as ‘bonus’ material.
EDITORS NOTE: Large list of redeem codes can be found on the release page.

Label Description:
INSANIA plants a suite of marvelous compositions that take us on a journey though sonic forests.
Our forests are disappearing. You can personally make a difference supporting this music. Every sale plants trees with the Plant a Billion Trees project. Simply enter the suggested amount, or more, to help restore the Earth’s forests with the power of sound.
Forests not only provide clean air and water, but they also hold vast amounts of carbon dioxide and act as a cooling system for the Earth; they stabilize the global climate and fight warming. When nearly half of the trees have been removed from the planet by humans. The home to 80% of the Earth’s land-based plants and animals. We must recognize that forests are essential to the livelihood of all people around the world.
Welcome to the world of INSANIA (aka Ryo Utasato). INSANIA music is a merging of experimental dark ambient cinematic, glitch and noise. It is at times hypnotic and at times soul wrenching, but it will always leave you wanting more. More at insania.bandcamp.com
The Plant a Billion Trees campaign is a large-scale restoration initiative launched by The Nature Conservancy in 2008. Our first project was to restore Brazil’s Atlantic Forest, and now we have expanded to include forest projects all across the world! By planting trees and helping forests regrow where they have been severely degraded, we’re helping to reduce the impacts of climate change, slow biodiversity loss, ensure clean water and air for everyone, and provide full, healthy forests for future generations. Read more about the project at www.plantabillion.org
Aural Films is an online record label (netlabel) that releases high-quality soundtrack albums for movies that do not exist. We cover a wide range of music styles ranging from ambient to experimental to popular to soundtrack musics. Often on the same albums. You can find our complete catalog of releases online at AuralFilms.com
Aural Films Catalog No. AF0424

Label Description:
Our new release is in fact a re-release. ‘Thanksgiver’ by Botany Bay is a beautiful album by Schall und Stille artist Stephan Kleinhert whose albums Biike and The Drunken Fisherman were rightfully well received here.
Thanksgiver is a swampy reverb heavy minimalist elegy that leads with the 20 minute Winter Wolfpack Serenade. To-die-for vocals by Stefanie Mühr and a growing orchestra of bluesy angst. Like ECM meets Daniel Lanois recording Maria Muldaur, it’s simply gorgeous.
This is a stunningly produced work that deserves to find a bigger audience. Originally self released in 2018, SubCastCo is happy to bring this work to our talented & erudite listeners.
At the time of the initial release Stephan had the album pressed to vinyl. We would be super happy if we could encourage our listeners to head over to the Botany Bay BC page and make a purchase. It’s an artistically exceptionally made release with well thought through spot-UV over matt black card with inserts. A perfect clean sounding press for your audiophile pleasure guaranteed.
Hit up Botany Bay here – botanybay.bandcamp.com/album/thanksgiver
So, get on this and tell your friends. It’s absolutely wonderful.
For the Beauty, as the tag line says…..
A(GoB)
Stephan Kleinert
keyboards, bass, electric and acoustic guitars, melodica, windsynth, ocarina, drums, percussion, programming
Stefanie Mühr
vocals
with
Andrei Boulgakov
electric guitars
Mike Compton
oboe
Martin Giese
acoustic guitars
Ernst Nellessen
saxophones, clarinet
Ivan Shevchuk
acoustic guitars
Tobias Stutz
cello
Susanne Wellmann
french horn, flute
Recorded at Suntrap, Bad Honnef
April 2017 – February 2018
Produced by Stephan Kleinert
Artwork by Christiane Kleinert
Design by Yannick Floßdorf
Additional field recording on “Serenade”
by speedygonzo, cc-by

Label Description:
Thanks to Michael, and Thomas Mathie (for the cover)

Label Description:

Label Description:
Tom Mcdowell – Synths / Vocoder / Production
Jonathan Parkes – Drums / percussion
Jack Harris – Guitar / Bass
Timmi Meskers – Synths
Miles Brown – Theremin / Synth
Mario Janser – Organ / Synths / Bass
Felipe Boyd – Drums (October Moon)
Churro Green – Sitar
A. Barda – Vocals
Mastered by Darren Page
Artwork – Samuel Tomso

Label Description:
There was a small balcony above this eatery establishment, a widow’s peak or some such, a small nook in the roof just above the main entrance – This a place I always sort of thought of as having a main floor. And in this nook, keeping watch over the busy main road & not that far from the airport ( I Often wondered, as an adult, what the appeal of this place was for my father. We had plenty of places much closer that surely had equally bad food. But I digress ) Anyhow, in this nook there was a life sized ” Ape ” ( Obviously a cheap costume on a dress form ) It was waving in a cross between a cordial getting and a nazi salute. But the thing I found unnerving about it was that it was never explained, no – It was never even mentioned really. I went through a period of time where I would try my hardest not even to look at the cursed thing but it was an effort doomed to failure – I Always had to sneak a peak at those garish rubber lips, those outsized & fumbling giant rubber hands – As is the custom in ape costumes of the cheap & tawdry variety, this one also had very pronounced nipples & a vague suggestion of being pregnant.
Anyhow, Life went on I eventually got old enough to where I didn’t have to go to the diner any more. But I never forgot that ape. I Don’t think I ever will. I Wonder where it ended up
Album Title VALUE APE Attributed to a concept by the cartoonist Daniel Clowes ( The genius behind EIGHTBALL & Ghost World – Check them out )
This album created using the sounds of
CP McDill / KR Seward / Jo Bled / Executive Producer Prick Wolf / {AN} EeL
Text / Image : {AN} EeL