
Label Description: Chaotic feelings about rain as cultivated in a perpetual drought zone.

Label Description:
“a band committed to disruption and abrasion. The jagged guitars, the fragmented structures, and the oscillating vocals all underline the same point: this is music designed to unsettle, and it succeeds.”
– Patrick Malone, Joyzine
joyzine.org/2025/09/06/single-review-vexations-stone-vultures/
Named after composer Satie’s infamous composition, that was banned because it was deemed too unsettling to perform live, Vexations create frenetic and off-kilter post-psych, with dissonant layered guitars, unorthodox song structures, and vocals that oscillate between spoken word and emphatic screams, to give a punchy yet unearthly sonic experience.
Formed in Edinburgh in 2023, Vexations brings together the diverse contributions of Calum (guitar) whose angular and disjointed riffs steer the band, David (guitar) whose distorted cacophonies of noise provide the sonic texture, Bradley (drums) whose warp-speed frenetic percussion drives the energy, and Rayhana (bass/vocals) whose ethereal yet punchy spoken-work and then screaming vocals punctuate the tracks and arrest attention with her abstract and otherworldly lyrics. The result is a high energy, emphatic, off-kilter and distorted wall of sound experience that contorts the sense and captures that feeling we all have that something just isn’t quite right.
Since forming, Vexations have become a relentless and immersive live project, playing numerous headline and support shows across Edinburgh and Glasgow’s scuzziest venues, honing their distorted and hook-laden sound, showcased here on their debut record, A Dream Unearthly.
STONE VULTURES
lyrics by Rayhana Hashmi
Down the river from the mud brick temples,
Past the houses of the morning star,
Along nerves stripped bare by razor wire,
See them come from near and far.
I have seen the triremes burning,
Out on the Arabian Sea,
But I have lived a hidden life,
I touch no one, no one touches me.
The world goes dim and black,
The old ones turn away,
Beneath the open throat of the world,
The ash clouds smother the day.
Have you seen them piled up high?
Have you seen the water bleed?
Carrion in crimson weather,
Bodies turned to stone in the street.
Morning bells in the western harbour,
Gilded petals on the mountain throne,
I watched stars fall on the city of the enemy,
But my skin is not my own.
We write slogans into dust,
We never tell the truth at all,
Lanterns in the broad daylight,
No one left to hear us call.
credits
released October 17, 2025
Recording and mixing: Calum Piercy
Mastering: Pete Maher
Vox/bass: Rayhana Hashmi
Guitar: Calum Piercy
Guitar: David Stockwell
Drums: Bradley Hillier-Smith
Artwork: EPHEMERALD

Label Description: Guitars, bass, synths, beat programming, Kalimba, recording mixing and arrangement: Frank Ehrhardt
Mastering: Alexander Kolb
Synths and additional beat programming on Broken Shadows: Erdem Cakir (magikkarpetkaravan.bandcamp.com)
Additional effect manipulation on Algorhythmic Dreams: Alissa Jäger
Additional guitars and additional beat programming on Of Hope and To Go On and additional mixing: Stefan Harth (gigalurgh.bandcamp.com)
Drawing: Frank Ehrhardt
Design: Marius Schmitt
Videos: Korneli Gorbatchev (kogofilm.de)

Label Description:
Words by Lloyd James.
Music by Lloyd James and Ben McLees.
Performed and recorded by Lloyd James and Ben McLees at Wooden Lung,
Disconnected and Audio Underground studios 2020-2025.
Saxophone in The Men and Handled by Lara James.
Female voice in Setbacks by Scarlet West.
Mixed by Ben McLees at Disconnected.
Mastered by Hunter Barr at Retina 2.
Cover painting by Daniele Santagliuliana.
Painting scanned by Esmeralda Munoz-Torrero.
Layout by Xak at Fluttering Dragon.

Label Description:
Lush yet minimal, spacious but dense, sweeping and intimate: Collector Of Dust’s orchestral ambitions betray the sparse instrumentation and lonely isolation that was employed to create what Reon has dubbed ‘chambergaze’. Music meant to invoke vulnerable romanticism set against the vastness of ancient, decaying hyper objects and indifference of the natural world. To lovers, dreamers, and survivors this one’s for you.
Dedicated to the memory of Peter & Ursula Megert, Dominick Pfefferkorn, Hasan Abdur-Razzaq, & J Guy Laughlin
Reon Moebius: All instruments (Ebowed bass guitar, bowed guitar, mellotron, drum machine programming), arrangements, lyrics, vocals.
Keith Hanlon: Mixing, mastering, and additional production.
Recorded at Home from 2021-2024.
Mixed & Mastered At Secret Studios 2024.
This is ARGREC61.

Label Description:
Our new release is in fact a re-release. ‘Thanksgiver’ by Botany Bay is a beautiful album by Schall und Stille artist Stephan Kleinhert whose albums Biike and The Drunken Fisherman were rightfully well received here.
Thanksgiver is a swampy reverb heavy minimalist elegy that leads with the 20 minute Winter Wolfpack Serenade. To-die-for vocals by Stefanie Mühr and a growing orchestra of bluesy angst. Like ECM meets Daniel Lanois recording Maria Muldaur, it’s simply gorgeous.
This is a stunningly produced work that deserves to find a bigger audience. Originally self released in 2018, SubCastCo is happy to bring this work to our talented & erudite listeners.
At the time of the initial release Stephan had the album pressed to vinyl. We would be super happy if we could encourage our listeners to head over to the Botany Bay BC page and make a purchase. It’s an artistically exceptionally made release with well thought through spot-UV over matt black card with inserts. A perfect clean sounding press for your audiophile pleasure guaranteed.
Hit up Botany Bay here – botanybay.bandcamp.com/album/thanksgiver
So, get on this and tell your friends. It’s absolutely wonderful.
For the Beauty, as the tag line says…..
A(GoB)
Stephan Kleinert
keyboards, bass, electric and acoustic guitars, melodica, windsynth, ocarina, drums, percussion, programming
Stefanie Mühr
vocals
with
Andrei Boulgakov
electric guitars
Mike Compton
oboe
Martin Giese
acoustic guitars
Ernst Nellessen
saxophones, clarinet
Ivan Shevchuk
acoustic guitars
Tobias Stutz
cello
Susanne Wellmann
french horn, flute
Recorded at Suntrap, Bad Honnef
April 2017 – February 2018
Produced by Stephan Kleinert
Artwork by Christiane Kleinert
Design by Yannick Floßdorf
Additional field recording on “Serenade”
by speedygonzo, cc-by

Label Description:
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“Improvisational music can be guilty of veering towards the self-indulgent, but that’s far from the case here thanks to a highly assured collection of songs. Strongly recommended. ”
– Reza Mills, Clean Sheets
rezamills.wixsite.com/clean-sheets-record/post/hypnodrone-ensemble-the-problem-is-in-the-sender-do-not-tamper-with-the-receiver
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Canadian experimental guitarists Aidan Baker (Nadja, Caudal, Tavare) & Eric Quach (Thisquietarmy) originally formed Hypnodrone Ensemble in Berlin, Germany in 2014, along with the drummers Felipe Salazar (Caudal), Jérémie Mortier, and David Dunnett, to explore the conjunctions of atmospheric space-rock and shoegaze with motorik, krautrock-ish, propulsive beats to offer immersive, psychedelic, and transportive performances. While these five musicians formed the original core of the group, members have regularly changed over the years and, besides stalwarts Baker and Quach, currently features Angela Martinez Muñoz (nunofyrbeeswax, Tavare), Fiona McKenzie (Halma) and Sara Neidorf (Mellowdeath, Aptera). This line-up, along with bassist Gareth Sweeney (Caudal) and guest vocalist Lane Shi Otayonii (otay:onii, Elizabeth Colour Wheel), toured in Europe in the spring of 2023 with a pause on 1 May for a recording session set up by Heartnoize at Punctum in Prague, CZ.
The result is The Problem Is in the Sender – Do Not Tamper with the Receiver, featuring material from the May 2023 Punctum sessions and to be released on vinyl by Wolves & Vibrancy (DE), CD by WV Sorcerer (FR), and cassette by Katuktu Collective (US) and Cruel Nature (UK)
hypnodroneensemble.bandcamp.com
LP: wolvesandvibrancyrecords.bandcamp.com/album/the-problem-is-in-the-sender-do-not-tamper-with-the-receiver and Wolves And Vibrancy Big Cartel site.
CD: wvsorcerer.bandcamp.com/album/the-problem-is-in-the-sender-do-not-tamper-with-the-receiver
Cassette (US): katuktucollective.bandcamp.com/album/the-problem-is-in-the-sender-do-not-tamper-with-the-receiver
“[T]hunderous polyrhythmically driven rock ensemble.”
The Wire – May 2022 (Issue 459)
“[A]s experimental as it gets, brimming with space rock synths and drones that enlarge and expand, gradually engulfing the listener.”
Astral Noize
“[D]rones gradually worming their way into the conscience amid a soothing bath of synthesisers(sic) and rock-steady drums; Pink Floyd would be proud.”
Invicta Magazine
Aidan Baker – guitar
Fiona McKenzie – drums
Angela Martinez Muñoz – drums
Sara Neidorf – drums
Lane Shi Otayoni – voice
Eric Quach – guitar
Gareth Sweeney – bass
Recorded at Punctum in Prague, CZ – May 2023
Engineered by Daniel Nulty
Edited and mixed by Aidan Baker
Mastered by James Plotkin
Photography by Leon De Backer
Layout by Eric Quach
hypnodroneensemble.bandcamp.com
www.instagram.com/hypnodroneensemble/
www.facebook.com/hypnodroneensemble