Pulse Emitter – Tide Pools (Hausu Mountain)

Label Description:

HAUSMO150 – LP / CD / DIG
credits
released September 26, 2025

Music by Daryl Groetsch,
Portland, Oregon.

Main synthesizers:
Spectrasonics Omnisphere, AAS Chromaphone, Korg Wavestate, Korg Gadget, VirSyn Addictive Pro. Plus a variety of sequencers and arpeggiators. No Al.

“All the busy little creatures
Chasing out their destinies
Living in their pools
They soon forget about the sea”
-Neil Peart, “Natural Science”

Mastered by Angel Marcloid at Angel Hair Audio. Art by Max.

The Cube Of Unknowing – Bog Summoner (Library Of The Occult)

Label Description: Renowned composer and sound artist Francis Heery, under his alias The Cube of Unknowing, announces the release of his latest sonic expedition, ‘Bog Summoner’, via Library of the Occult. This immersive electronic album blends kosmische, motorik rhythms, and spectral atmospheres, drawing listeners deep into the mysterious heart of the Irish Midlands.

A visionary in avant-garde music, Heery’s compositions have been performed by ensembles including the RTE Symphony Orchestra, Crash Ensemble, Quiet Music Ensemble, and Talujon Percussion Ensemble. With ‘Bog Summoner’, he channels his deep-rooted fascination with science fiction, occult mysticism, and bio-aesthetic philosophy into a record that pulsates with both history and otherworldly energy.

Evolving organically during the recording process, ‘Bog Summoner’ became a sprawling, shape-shifting entity. Influences range from the live recordings of Harmonia to the cosmic explorations of Tangerine Dream’s ‘Phaedra’ and ‘Rubycon’, all while steeped in what Heery describes as ‘Bog Gothic’—an eerie evocation of East County Galway’s mist-laden bogs and buried histories.

One key track, ‘Uí Máine’, takes its name from the medieval Irish clan that ruled the region. Heery was particularly intrigued by the 16th-century alchemist Edward Kelley’s claim to be a descendant of the Uí Máine, weaving an esoteric connection between occultism and the forgotten landscapes of rural Ireland. ‘Bog Summoner’ imagines Kelley’s spectral presence lingering in the bogs, appearing to seekers and outcasts, summoning spirits among ancient burial mounds.
Adding another layer of inspiration, the album draws from Ithell Colquhoun’s evocative writings on Ireland, particularly ‘The Crying of the Wind’, reinforcing Heery’s exploration of landscape as a portal to the arcane.

Neil Mason of Moonbuilding magazine describes ‘Bog Summoner’ as “a kosmische transmission from a distant realm, fed through a Berlin School conduit. Heery teases suspense with hypnotic, slow-burning tension, maintaining a delicate yet relentless momentum for the entire 45-minute duration.”
With ‘Bog Summoner’, The Cube of Unknowing crafts a soundscape that bridges past and future—an astral ritual invoking the echoes of lost worlds through dense synth textures, undulating rhythms, and cosmic reverberations.

Slomo – Zen and Zennor (Trilithon Records)

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Label Description:

Electric drone stalwarts Slomo return with only their fifth album in 20 years, “Zen and Zennor”; their sonic palette refreshed, their focus again tuned to the spectral otherness of Land’s End. The cover star – Zennor Quoit – is a colossal megalithic structure to be found on moorland above the village of Zennor, 4.5 miles to the west of St Ives.

Primitive melodies and arcane motifs are buffeted by drifting analogue oscillators on lead track ‘Zen and Zennor’, compressing into thick saturated drones before taking a sublime turn into familiar subterranean territory. ‘Zennor Diode’ crackles into manifestation above the moorland, cautioning against – or perhaps encouraging – experiments with exposed electrics in the Cornish mizzle. Complete removal of self (and band) is provided with circuit-closing track ‘Antechamber’, dissolving the Zennor’d-out participants into the hum of the Hummadruz*.

The duo continues to be informed by their work elsewhere; Chris (“Holy”) McGrail recently contributed to Julian Cope’s Dope and Queen Elizabeth projects, while Howard Marsden co-runs Hebden Bridge’s already-legendary Ambient Bowling Club, where experimental music mixes with environmental sounds, low chatter and the soft clank of bowls.

“Zen and Zennor” wraps Slomo’s only constant – immense, eventual catharsis – in a freshness and immediacy that could perhaps suggest a quickening of their notoriously glacial pace. Time will tell.

*Hummadruz refers to a mysterious, low-frequency hum or droning sound, often said to be heard around the ancient sites of Land’s End.

released October 4, 2024

Composted by McGrail/Marsden
Published by Domesday Music