Cousin Silas & Kevin Buckland – To Those We Left Behind (The Cousin Silas Emporium)

Label Description:

dgf2-w4rz
ptdw-hpc6
74ze-k2rx
xc29-glxq
4jlz-3jat
qfsk-h63b
9d4u-vylx
3hed-krqp
we7c-6462
e8wc-ym8h
rnhq-bzbv
dwef-w6l9
kjkx-bh5d
u93j-xv2c
xyd8-eywx
4kqy-brhp
4n83-xlq2
qdzl-jagc
bhtq-kbrx
wcn6-ghxq
cpdk-3vat
pfht-hk3b
8wc3-j8lx
ujjg-3d8q
x9bn-clbz
jtxl-xes6
9uej-jbcy
zw67-ywlr
zpzd-bx5d
362e-hq2c
wylg-58wx
ctpz-b2hp
sn9n-xhq2
pwtx-jegc
7u4j-3krv
xler-ckx9
jp6w-c8mt
973c-xrkb
zwxq-edzx
npe9-3c8q
w97u-chbz
eywx-x5s6
g2pp-j3cy
tl9b-gslr
tetw-345d
j74z-hz2b
6lsn-vtxx
usqx-6bjp
ljrh-kx92
qgxs-gvgh
f2ce-b9rv
wljb-w9x9
eegl-ctmt
87u4-x2kb
tlwj-eczx
2pj6-3w8q
hu92-hxj2
jltw-jp8c
7sze-krbx
lh29-gllq
4elz-3m5t
qrsk-h62b
gl4u-vgxx
3ced-63jp
dj7c-6492
p9wc-yqgh
r2hq-bzrv
kxgf-ydxr
kekx-bhad
u83j-xj3c
lkd8-eydx
4yqy-br4p
4283-x4j2
elzl-ja8c
bctq-k2bx
dhn6-ghlq
sqdk-3j5t
prht-hk2b
kxwp-5wkx
uejg-3sgq
x8bn-clrz
qzxl-xac6
93ej-jbsy
yx67-ycxr
yqzd-bxad
3g2p-xv3c
dklg-58dx
szpz-b24p
s29n-xlj2
j6dh-gj8h
734j-36bv
xder-ckl9
qq6d-wyvt
9b3c-xrzb
yxxq-eskx
3qe9-3dgq
w87u-chrz
pkwx-xec6
8npp-j3sy
td9r-ywxr
 

quietestrecords.bandcamp.com/music

Thanks to Thomas Mathie for the cover design.

Dylan Houser – Thriving in the Face of Absurdity (Self-Released)

Label Description:

Most of this was recorded during February of 2026.
Some of these songs were partially written way back when: “Unchained World” in 2006, “World of Ruin” circa 2012, and “I’m a Raging Turmoil” during 2014.

All songs written and recorded by Dylan Houser.

Robert Dallas Gray – Missals (Self-Released)

Label Description:

Part of the practice of making music involves arriving at and maintaining a sort of coherence and continuity – a heuristic that defines personal rules and parameters, however loosely. These parameters can always be pushed outwards or arbitrarily compressed, but the shape of things needs to make sense, over shorter and longer spans of time and collections of work.

Missals represents something of a suspension of my own rules; it has its own internal language, although it exists in a dialogue with the other records.

There are some obvious entries in the lexicon – some technical, some iconographic. Every track uses my Dynacord tape echo; the overall shape of the record is a cycle; influences are left as pure colours, rather than elided and absorbed.

It is a (rather compact) concept album, in short, and a way both to get some musical ideas off my chest and to kick some of my personal parameters outward a little. Its conceit allows me to take the devotional aspects that seemed to emerge on The Vallum and push them as far as I can within my own worldview.

Missals is presented with heartfelt thanks to Kris Boyle for his extraordinary accompanying video works, and to LADYfingers for their beautiful artwork. Both of these feature in the attached digital booklet.

The opening track, Morning Portal, first appeared on the compilation One More Tune, and is dedicated to the memory of Keith McIvor.

gaylon : aeon – Distant I & II

Label Description:

IMPORTANT INFORMATION !
since Bandcamp is forcing us to use ‘Stripe’ (wich involves massive, mandatory and uncontrolled data collection and implicit support to american far right) all my music is now free !

I ask you to support my work by using my Ko-Fi account :
ko-fi.com/aeon_music

NO $ FOR THE PIGS !
thanks.

*****************************************************************************************

see also : aeon7.bandcamp.com/album/distant-i

this album is a transatlantic collab with the talented multi-instrumentalist Alex Gaylon, who has experimented with several bands ranging from noise to jazz.

aeon :
‘after the rich experience of Alex’s guitar improvisations on “Distant I,” I felt the need to rework certain parts in my own ‘style’.

not to please my ego but to tell in more detail the story of this space castaway who slowly loses his mind.

in these troubled times I guess everyone can relate to it and maybe find some peace with our music.’

to enjoy the best experience, please use decent headphones, at high volume 🙂

we know that times are tough for many of you.
so we decided to set the price of this release to ‘pay what you want’ (or can).

for those who wonder what price is ‘fair’ the answer is $8 ($1 per track or 4 minutes). of course, any contribution, big or small, will still be greatly appreciated (remember that $1 is about 300 streams).

Reid Karris – Cityscape in a Glass Sphere (Petroglyph Music)

Label Description:

This piece deals with reflected images, sounds and ideas and the perceptions thereof and how they echo
and compliment their real-life counterpoints.
The album consists of two tracks, each with compositional direction from the same score but in opposite
directions. These two tracks were then blended together, one forwards and one backwards for each
side, to create the two finished halves. The results are sounds occurring together moving forward while
their reflected sounds move backwards.

Reid Karris is an improvisor, composer and experimentalist residing in the Chicagoland area. He primarily
uses prepared guitars to explore sound creation and manipulation centering on extended and invented
techniques. Other than performing solo he regularly plays with his group Snek Trio and in various
settings with other musicians on prepared guitar, percussion, skatchboxes and homemade instruments.
As a solo artist he releases albums of conceptual composition using elements such as guitars,
percussion, manipulated field recordings and noise. He has released albums on Lurker Bias, Orb Tapes,
Ramble Records, Mother Brain Records, Pan Y Rosas Discos, and other independent experimental labels.

Aquino – Be Late. (Self-Released)

Label Description:

In 2020, I, along with many folks around the world, stopped playing live shows. I also stopped writing songs with lyrics. It was something about my voice. I didn’t want to hear it.* During this moment, time was on all of our minds. We had a lot of it. Pre-pandemic, we seemed to be in a rush. And for some, post-pandemic, that pace came back with a vengeance.

I never wanted to be late. I feared late. But then someone issued me the challenge – be late. Challenge accepted.

This EP is the culmination of that meditation. I wrote these songs between 2020 and 2025. The song titles may be ridiculous, but so is always being on time.

Be late. (Unless it’s an emergency, of course. Or dinner’s ready.)

*I am writing songs with lyrics again. Yay.


All songs composed, performed, mixed, and mastered by Michael Aquino

snw – music at a distance 270 (One Zero Music)

Label Description:

This is a particularly slow performance. I’d gone into it somewhat sleep-deprived, though by the third and fourth pieces, I was getting energy back from the music, enough energy to leave more space and allow the rests to speak. Thank you to the audience for staying with me.

The hollowbody Univox vibrates quite a lot–there’s a lot of air in there. Consequently, there’s a lot of air in these timbres: French horn, muted trumpet, accordion, glass harmonica timbres. This one’s a step toward a collaboration with silence.

The titles this week are references to the visual art of Louise Blyton. Thank you for listening!

Maurice Rickard: Guitar, programming

Signal chain: Univox Coily in Bb F Bb F Bb C tuning > Reuss Effects Understate, Reuss Effects Repeater Fuzz, Balls Effects KWB > Vox Wah > Hungry Robot Wardenclyffe Deluxe > Moyo Volume > Max/MSP eight-delay patch with FFT pitch shift, tremolo, convolution reverb, AudioThing Reels.

Impulses: Inchindown Oil Tanks ( Matt Gray mattg.co.uk ), silent5 Biamp MR/140 (Flat), St. Paul’s Huddersfield (near), Fort Worden Cistern