Tag Archives: dark ambient

Dave Fuglewicz & Michael Thomas Jackson – The Sky Is Glowing (Split) [No Part Of It]

Posted by John Lithium on

Label Description:

Dave Fuglewicz’s work has been reissued on the NO PART OF IT label before, if only for additional posterity, in particular the “Selected Works 1990-1997” collection. Michael Thomas Jackson is also known under the project name “Cephalic Index”. “The Sky Is Glowing” was arranged in 2012.

Here is what Fuglewicz had to say:

“At the end of 2011, Michael Thomas Jackson sent me a CD of source files he had made (titled “Moog and turntable, Nov and Dec 2011”) for me to use as I saw fit. It was an unexpected but pleasant surprise, BIG thanks to Michael for this. I finally started working with the files a couple weeks ago, completing this first piece; “The Sky Is Glowing” of what will be a full release. FYI: I consider a full release to be about sixty minutes in length. I only used the files Michael sent me on this, modifying, editing and blendarizing them into the final form posted here. I hope you enjoy it. For those of you unfamiliar with Michael’s work, I highly recommend checking him out.”
credits
released September 1, 2025

Disintegrating Mirrors
August 2005
MTJ: acoustic feedback, amplified objects, heart monitor,
household appliances, synthesizers, turntable
Previously released on the compilation CDr “Botanical Isotopes : Phyllocephala Refoliated” by
Primecuts Recordings (prime#71) in 2009

The Sky Is Glowing
2012
MTJ: synthesizer, turntable

All compositions by Dave Fuglewicz
All sound sources by Michael Thomas Jackson

This incarnation of Blood Rhythms: Arvo Zylo & David Oakspawn
“Thin Places” was originally released on a tape for Personal Archives limited to 33 copies. “The Night Letter” was released on a netlabel compilation themed after public domain film samples.

Vestigal – Descending Vastness (Cyclic Law)

Posted by John Lithium on

Label Description:

Vestigial Returns from the Abyss with New Album “Descending Vastness”.

Italy’s Vestigial Breaks Years of Silence with a Hauntingly Cathartic Journey Into the Inner Void.

After years of dormancy, the enigmatic Italian project re-emerges with the long-awaited new album, a profound and immersive exploration of the human condition through sound. This album marks a visceral return to form, channeling the raw essence of inner torment and transcendence.

Though the project has remained largely silent, Vestigial has never truly ceased to exist. In moments when the spirit was haunted by helplessness, a spark of catharsis inevitably ignited. That spark has now coalesced into Descending Vastness—an atavistic, liberating chant echoing through the oppressive ruins of contemporary society. It is both a confrontation and a requiem, composed at the intersection of horror and serenity, destruction and renewal.

The album is a descent, a journey inward, into the deepest shadows of self and structure, where the grotesque and the sublime coexist. Yet within this vast inner descent lies a paradoxical glimpse of peace. That elusive serenity, always on the horizon, hints at an inevitable ascent: a transcendence beyond the constraints of human nature.

“Descending Vastness” is forged from fragments of time. Some tracks were written years ago; others have been reimagined, while many were reconstructed from remnants of vanished sessions. Despite, or because of, this fractured process, each composition stands as a vital part of the descent and a precursor to the ascent that follows.

Sonically, the album oscillates between moments of seraphic contemplation and devastating force. It is an immersive experience of contrasting extremes: ambient stillness disrupted by cataclysmic power, subtle textures giving way to monolithic intensity.

“Descending Vastness” is not merely an album, it is an invocation, a mirror, a ritual.

CD edition of 300 copies in 6 panel Digisleeve. 7 Tracks. Running Time 41:11

Sonologyst – Planetarium (Cold Spring)

Posted by John Lithium on

Label Description:

An aural exploration of the solar system by Sonologyst, using data from NASA’s probes.

On the latest album by Sonologyst, raw data from radio waves, electromagnetic fields, and plasma fluctuations, utilising data sonification files provided by NASA, are transformed into a haunting soundscape, unveiling the ambient music of planets, solar winds, and the cosmic beyond.

As the newest addition to Sonologyst’s series of sonic documentaries, this work deepens his exploration of the sonic spectrum, converting cosmic phenomena into immersive auditory experiences.

Double CD in a matt-finish gatefold ecopak, with a bonus disc of the raw source material from NASA’s probes.

…

NASA and other space agencies have captured “sounds” from the cosmos by recording non-audible signals like radio waves, electromagnetic waves, and plasma (ionized gas that’s prevalent in space) wave fluctuations. These are converted into audio frequencies we can hear using a process called data sonification. Spacecraft like Voyager, Cassini, and Juno are equipped with special instruments (e.g., plasma wave antennas, magnetometers, radio wave receivers) to detect radio waves, plasma waves, and electromagnetic fields.

These signals can provide data on phenomena like solar wind, planetary magnetospheres, and charged particles. Since many of these signals are outside our hearing range (radio waves might have frequencies far below the audible range (20 Hz to 20 kHz) or far above it, while magnetic and plasma waves are often in the range of milliHertz (mHz) to kilohertz (kHz), also outside human hearing.), they are converted using various techniques, including frequency scaling, sampling, filtering, and amplitude modulation. Some events, like plasma wave bursts, happen over long periods. Scientists may speed up the playback so we can hear the changes in a shorter time frame.

After conversion, the resulting sounds are often enhanced to make certain patterns, pitches, or changes in intensity more noticeable. This may involve amplifying certain frequencies or adding layers to represent multi-dimensional data. This processing helps bring out subtle differences that might otherwise be hard to discern.

Data sonification files provided by NASA.
Analogue synthesizers, sampling, and processing by Sonologyst.
Recorded and mastered at Sonologyst studio from July to November 2024.
Graphic design by Abby Helasdottir.

Caldon Glover – Eternal Night Radio (Cryo Chamber)

Posted by John Lithium on

Label Description:

Caldon Glover presents their third album for Cryo-Chamber: Eternal Night Radio, a reflection on the uncanny dream, the waking nightmare, and the place between dreaming and waking where the world feels more unbearable than the darkest dream.

You’re walking down a street at night. To your left there is nothing you can see, just the sound of running water. To the right houses line the street, mostly dark, but a few lit from within. Figures stand at the windows in silhouette, their faces obscured. Above you are streetlights, separated by deep shadows and yet there are no stars. Behind you walks a stranger, but you can not turn to see him.

In the Night, everything has disappeared.

All music written and recorded by Caldon Glover except where noted
“All of Them” Vocals and additional sounds by Tabitha Celani
“The Outside The Night” Vocals by Adam Stanton
Cover art by Randal Collier-Ford
Mastering and CD interior art by Simon Heath

Cousin Silas & Eisenlager – Absentia (The Cousin Silas Emporium)

Posted by John Lithium on

Label Description:

It was a few years back that myself and Eisenlager created our first collab album. We always promised ourselves we would do another one, hence the title of the last track from the original release: “Believe Me, More Is Coming.”. Sadly he passed away before we managed it, but he did send me several pieces to consider. I thought it was time to dust off those pieces, add my bits, and refit some of his solo tracks he sent for the various Emporium Projects.

I guess this resulting album is both a tribute to the man, and a promise upheld that indeed more did come.

For Nobby, a good friend, supporter and above all, the man behind one of the best compilation series, Midnight Radio. It was these that helped me gain a little self confidence back in the day. I miss the guy.

{AN} EeL and Steven Leak – the wholly other (M I S T)

Posted by John Lithium on

Label Description:

Introducing the collaboration between {AN} Eel and steven leak. Meditative and epic drones meet visceral, emotive vocals and an unusual combination of instruments in this beautiful musical work from the duo.

credits

released April 25, 2025

Track 1 “ Monday sky”
steven: soundscapes and treatments
neal: paino. vox

Track 2 “the magic mothswarm”
steven: soundscapes and treatments
neal: handclaps, vox, piano

Track 3 “rusted petal chains”
steven: soundscapes and treatments
neal: vox

Track 4 “the wholly other”
steven: soundscapes and treatments
neal: accordion, vox

Track 5 “dark-framed shimmering endpoint”
steven: soundscapes and treatments
neal: gamelan, guitar, vox

steven: I asked Neal if he’d be interested in sending me some music that I could deconstruct, reconstruct and treat as I saw fit. Neal is a truly generous spirit and so I received two packages of stems of music incorporating a variety of instruments as well as Neal’s voice.
The result is “the wholly other”.
I love this music.
I hope you do also.

Neal: This Music in particular resonates with the season for me – It is, the beautiful area we both live in Peterborough /Nogojiwanong ( Nogojiwanong = Translates as ” place at the foot of the rapids ” ) but it has been a particularly difficult winter – And also, we are in a particularly difficult time. However, I find great comfort in being able to come out of the depths of winter ( Literally, Figuratively, Whatever ) and make what at least counts as a gesture in the direction of hope, if not an actual healing balm. So enjoy these lovingingly crafted sounds, as we look forward to a warm future

Steven Leak made his part of this music with an Arturia Minifreak, Red Panda Tensor and Particle pedals, a TC Infinite pedal, cutlery, tuned wine glasses, a stainless steel water bottle, and a Zoom multiplex pedal.

Composed and produced in Peterborough, Ontario Canada by steven leak and Neal Retke
Mixed and Mastered in Denmark (with additional treatments) by Erik Emil Eskildsen