Bardo Pond – Volumes 4 & 5 (Fire Records)

Label Description: A double LP package from Bardo Pond, combining two of their super rare jam volumes on vinyl for the first time. A further edition in this celebrated series, ‘Volume 4’ and ‘Volume 5’ feature more freeform improvisational pieces from the hypnotic Philadelphia outfit.
Capturing the raw essence of the band, whose fearless exploration blurs the lines between structure, chaos, melody and noise. Bardo Pond’s music traverses space rock, acid rock, post-rock, shoegaze, noise, Krautrock and psychedelia.
‘Volume 4’ hails from self-released sessions recorded in January 2002, its five tracks include the supremely tripped out heaviness of ‘K2’ and the balance-shifting ‘New Drunks (Revisited)’ with Isobel Sollenberger’s exquisite and, frankly, quite disturbing vocal. They’re shorter interrogations of sound by Bardo terms, almost succinct in their mesmerising riffage and off-kilter arrangements.
By contrast, ‘Volume 5’ consists of two lengthy mantras recorded between 2000 and 2004 and released as the tape spool spiralled out. ‘FUFO’ sounds like Cluster unravelling with Merzbow mixing, a post-industrial slew of hypnotic proportions, while ‘Monarch’ begins as a Current 93-like neo-folk mood piece before evolving into a wailing slice of drone-drenched Americana by way of a Velvets’ jam.
“We were pushing improvisations as far as we could. It was glorious having the studio. The more that our heads were spinning after a session, the better we knew that session would sound when we listened back. We were getting together two nights a week, usually three or four hours working on material and songs and the other half the time letting loose. Volumes 4 and 5 gather together some of these improvisations, and one early song that we felt like doing.” Adds Michael Gibbons of Bardo Pond.

“One of underground rock’s most extraordinary enigmas, a majestic command of sound.” The Quietus
 

Sir Richard Bishop – Hillbilly Ragas (Drag City)

Label Description: Our favorite six-string shaman is waving that axe around again! Sir Richard Bishop wrenches forth fresh damnable truth and beauty from a musical kamikaze run through histories both known and unknown. Turning a gimlet eye to the American Primitive guitar style, Sir Rick applies his own bloodthirsty interpretive methods on a self-described “excursion into the dark woods,” to locate – and play along with – the Primitive’s moonshine-fed inner savage.

Six Flags Guy – And Nothing Did So What (Self-Released)

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Label Description:

Adorning the cover of Six Flags Guy’s debut album, And Nothing Did So What, is a warehouse on fire. Some stumble over to watch with passive amusement before wandering off unphased. Over eight tracks, the Ohio post-rock band captures this disparate tone, one that contains cataclysm within numbness and feigned apathy. From the noisy opener “John Wayne” to the exhausted aggression of “RJ Dreams of a Blackwater Mercenary Contract” to the final explosion of emotion on the epic closer “Work Song,” Six Flags Guy comes through with a project writhe with frustration, wild dynamics, and much-needed catharsis. And Nothing Did So What is the sound of a band with something to say, an impressive first showing from newcomers on the rise.

“The album’s eight songs wander through smoky, dingy soundscapes unmoored from recognizable structure, with subtle vocals and guitar work both ready to launch into a frenzy of noise at any given moment… Every song on And Nothing Did So What feels like a journey” — Rosy Overdrive

“Not sure how to describe Six Flags Guy but they’re sick” — Local show flyer

“john wayne rips” — RYM user dietz

credits

released July 14, 2023

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