Evgeny Bylina – Accidental Meetings (Florina Cassettes)

Label Description:

“No knowledge of where gone from. Nor of how. Nor of whom. None of whence come to. Partly to. Nor of how. Nor of whom. None of anything. Save dimly of having come to. Partly to. With dread of being again. Partly again. Somewhere again. Somehow again. Someone again”.

From “Ceiling” (1981), by Samuel Beckett

What will you do when confronted with nothingness?
On his sophomore effort “Accidental Meetings”, Evgeny Bylina meditates on this existential question. The album was created by chance while working on another record. Drawing inspiration from the prose of Samuel Beckett, this two-track tape laments the past, echoing the sound of the dance floor with its long, carefully constructed pieces.

These ambient compositions exist only as distant memories of a joyful past. The harsh reality of the morning urges you to look into the abyss hidden in the ceiling or wall. In a way, it’s a hungover record, reflecting an emotional and physical state of decadence: blurry and tranquil, it inverts the surroundings in the liminal space for a while.
However, it’s not just a dream: the heaviness of the environment reminds us that the body is not an abstract concept, but part of the world. Is there any hope? Or are we barely supported by fleeting nostalgia? Listeners must find the answer for themselves.

Words by Artem Makarskiy

Written and produced by Evgeny Bylina
Mastered by James Edward Armstong
Photos by Pier-Luc Tremblay
Layout by Anne-Julie-Dudemaine
Original painting “Circumcision” attributed to Giorgio Vasari (Oil on wood, about mid-16th c.)
©Florina Cassettes 2025

Grandbruit – Lys (Florina Cassettes)

Label Description:

The inspiration for this long-form piece comes mainly from hikes around an abbey near the house where we grew up.
In Cistercian silence, countless lilies overlook the walking trails.
Sweet summer memories in a crisp winter.

credits

released February 7, 2025

Music by Francis Tremblay
Photo by Pier-Luc Tremblay
Original painting “Portrait of Bindo Altoviti” by Jacopino del Conte (Oil on wood, early 1550s)
Design by Anne-Julie Dudemaine

Bahía Mansa – Ruralia (Florina Cassettes)

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Label Description:

Some words from the artist:

My new album, “ruralia,” aligns with Florina’s vision and is inspired by Monet’s Falaise de Pourville, le matin, featured on the cover.
This creation came about during a time when I was deeply immersed in exploring the virtues of rural life as an alternative to the industrial impact on society.

This influence shaped “ruralia” into a very intimate album, embracing minimal elements to depict what would be a life away from the city.
By minimizing distractions, I aimed to achieve peace and clarity. The album embodies quietness, contemplation, and inner discovery amidst the natural world, encouraging deep thought and self-knowledge to live a simple life as a form of resistance.

*********

a call for calm
in a natural conversation
propels a sound capsule
ochre-colored

the storm rises
sings the limit of worlds
the universal ignorance
of a bird’s flight

the wind buys peace
at the price of the waves
adding to the land’s debt

the hope of a simulated city
the quiet of a gray sky
patience patience

return to calm
carnal monologue
of this geography
imaginary

—–

un appel au calme
dans une conversation naturelle
propulse une pastille de son
couleur ocre

l’orage se dresse
chante la limite des mondes
l’universelle ignorance
d’un vol d’oiseau

le vent achète la paix
au prix des vagues
s’ajoute la dette du terrain

l’espérance d’une ville simulée
quiétude d’un ciel gris
patience patience

retour au calme
monologue charnel
de cette géographie
imaginaire

credits

released June 18, 2024

Music by Iván Aguayo
Mastering by James Edward Armstrong
Design by Anne-Julie Dudemaine
Photos by Pier-Luc Tremblay
Original painting “Falaise de Pourville, le matin” by Claude Monet (Oil on canvas, 1897)
Words by Philippe Chagnon