KMRU – Kin (Editions Mego)

Label Description:

Editions Mego welcomes KMRU back to the fold. Kin is Nairobi born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with Peter Rehberg about what a Peel sequel would sound like. Kamaru is quick to clarify that Kin is not that record; “I’ll know when that record will come and when I’ll make it. It’s already happening… or maybe it lives within both of these Mego records”.

It is this deft ambiguity and vague tiptoeing around the concrete that encapsulates the ambiguous sound world of Kamaru’s vision.

Kin was started early 2021 in Nairobi with Kamaru exploring his noisier palette of sounds encompassing distortions reminiscent of the sounds he would muster from in his youth when playing guitar. He paused making this record for a year as soon as Peter died, then slowly returned to it through 2022 resulting in the immense new work we have here.

The charms within Kin lay as Easter eggs revealing the true identity behind the colourful sonics only after multiple deep listens. With Trees Where We Can See sets the tone by way of a warm swaying melody inviting the listener in for further investigation. In 2022 KMRU and Mego stalwart Fennesz toured the USA together resulting in a strong friendship and also, the second track here, Blurred. A neat Mego/Editions Mego loop as such. Blurred arranges twangy guitar strums alongside glistening glaciers of shimmering drones. They Are Here represents a darker hue as melancholic clouds of shadowy noir tap directly into the listener’s nerve stream. Maybe takes a detour into a bristling euphoric electronic storm whilst We Are screeches in a pattern formation not unlike a highly abstracted Aphex Twin forcing its way out of a hard drive. By Absence concludes proceedings, operating as both exit music and a portal to further sonic investigation with acoustic bellowing residing amongst a kaleidoscopic backdrop.

Kin is a trip that rewards close repeated listens as all the colours and textures, nuance and narratives unveil themselves. This isn’t a record to be glossed over, magic rewards concentration.

Kin is a record to be Played slow and LOUD.

For Pita.


All tracks written, produced, mixed by Joseph Kamaru
Blurred co-written & produced with Christian Fennesz
Mastered by Stephan Mathieu at Schwebung Mastering
Photography: Joseph Kamaru
Layout & Design: Nik Void
Cut by Andreas Kauffelt at Schnittstelle, Berlin

Grandbruit – Lys (Florina Cassettes)

Label Description:

The inspiration for this long-form piece comes mainly from hikes around an abbey near the house where we grew up.
In Cistercian silence, countless lilies overlook the walking trails.
Sweet summer memories in a crisp winter.

credits

released February 7, 2025

Music by Francis Tremblay
Photo by Pier-Luc Tremblay
Original painting “Portrait of Bindo Altoviti” by Jacopino del Conte (Oil on wood, early 1550s)
Design by Anne-Julie Dudemaine

Phelios – Obsidian Forest (Loki-Found)

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Label Description: With his latest release, Martin Stürtzer, the mastermind behind Phelios, continues to carve out a unique space in the dark ambient genre. He blends expansive soundscapes with slowly evolving tribal rhythms to create a truly immersive experience. Obsidian Forest captures the essence of deep, shadowy woods where ancient, unseen forces seem to dwell. The album feels like a ritualistic journey into nature’s darker realms, with each track evoking a vivid, sometimes haunting, landscape of sound.

Phelios’ trademark monumental melodies are omnipresent throughout the album, merging with somber, swelling drones that pull listeners into a dense sonic fog. As the album progresses, these melodies evolve like distant, otherworldly chants reverberating through the trees. The layering is intricate, and the atmosphere is thick, yet there’s always a sense of space—an invitation to explore these shadowy woods further.

The addition of tribal percussion is a defining feature of the album, grounding the otherwise ethereal soundscapes with a primal energy. These rhythms emerge slowly, almost as if they are the footsteps of an unseen figure moving deeper into the wilderness. Phelios seamlessly blends ancient and futuristic elements, balancing tension and tranquility to craft a meditative yet eerie soundscape.

Phelios’ latest work is both a sonic journey and an imaginative exploration of nature’s darker side — a plunge into the heart of deep woods, where every echo and shadow holds an untold story.

LOKI 75

Bahía Mansa – Ruralia (Florina Cassettes)

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Label Description:

Some words from the artist:

My new album, “ruralia,” aligns with Florina’s vision and is inspired by Monet’s Falaise de Pourville, le matin, featured on the cover.
This creation came about during a time when I was deeply immersed in exploring the virtues of rural life as an alternative to the industrial impact on society.

This influence shaped “ruralia” into a very intimate album, embracing minimal elements to depict what would be a life away from the city.
By minimizing distractions, I aimed to achieve peace and clarity. The album embodies quietness, contemplation, and inner discovery amidst the natural world, encouraging deep thought and self-knowledge to live a simple life as a form of resistance.

*********

a call for calm
in a natural conversation
propels a sound capsule
ochre-colored

the storm rises
sings the limit of worlds
the universal ignorance
of a bird’s flight

the wind buys peace
at the price of the waves
adding to the land’s debt

the hope of a simulated city
the quiet of a gray sky
patience patience

return to calm
carnal monologue
of this geography
imaginary

—–

un appel au calme
dans une conversation naturelle
propulse une pastille de son
couleur ocre

l’orage se dresse
chante la limite des mondes
l’universelle ignorance
d’un vol d’oiseau

le vent achète la paix
au prix des vagues
s’ajoute la dette du terrain

l’espérance d’une ville simulée
quiétude d’un ciel gris
patience patience

retour au calme
monologue charnel
de cette géographie
imaginaire

credits

released June 18, 2024

Music by Iván Aguayo
Mastering by James Edward Armstrong
Design by Anne-Julie Dudemaine
Photos by Pier-Luc Tremblay
Original painting “Falaise de Pourville, le matin” by Claude Monet (Oil on canvas, 1897)
Words by Philippe Chagnon