Six Flags Guy – And Nothing Did So What (Self-Released)

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Label Description:

Adorning the cover of Six Flags Guy’s debut album, And Nothing Did So What, is a warehouse on fire. Some stumble over to watch with passive amusement before wandering off unphased. Over eight tracks, the Ohio post-rock band captures this disparate tone, one that contains cataclysm within numbness and feigned apathy. From the noisy opener “John Wayne” to the exhausted aggression of “RJ Dreams of a Blackwater Mercenary Contract” to the final explosion of emotion on the epic closer “Work Song,” Six Flags Guy comes through with a project writhe with frustration, wild dynamics, and much-needed catharsis. And Nothing Did So What is the sound of a band with something to say, an impressive first showing from newcomers on the rise.

“The album’s eight songs wander through smoky, dingy soundscapes unmoored from recognizable structure, with subtle vocals and guitar work both ready to launch into a frenzy of noise at any given moment… Every song on And Nothing Did So What feels like a journey” — Rosy Overdrive

“Not sure how to describe Six Flags Guy but they’re sick” — Local show flyer

“john wayne rips” — RYM user dietz

credits

released July 14, 2023

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Violeer – Fairgrounds (Self-Released)

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Label Description:

i began recording fairgrounds in january of 2024 in an attempt to capture the intensity of our recent string of live shows throughout central ohio…as violeer had always been a project that i had shared with my husband since its inception…

however…throughout the spring and early summer of 2024 our creative and romantic partnership slowly eroded and the release evolved into something else…a dark meditation on loss, addiction, mental illness and the quiet rage that follows when everything that was once familiar is no longer…when forever becomes finite…

recorded in columbus ohio

january through may 2024

no coast

no sea

no eloquence of hope

credits

released June 2, 2024

matthew soko: lyrics, vocals, tape loops, noise, objects, arrangement

joseph morgan: original artwork and video

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all rights reserved

Bogatir – Decomposition (Self-Released)

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Label Description:

decomposition was recorded during the autumn of 2023. inspired by the season and its various manifestations of decay, the album came together through hours of introspection, reflection, prediction, predication, hyperfixated porings over media from and about experimental artists, a deep delve into the behaviors of magnetic tape, observations of nature interacting with and juxtaposed against fabrication, experimentation with tape loops, analog synthesizers, digital synthesizers, drifting, phasing, found art, scanning, speeding, slowing, stretching, condensing, reversing, repeating, recording, analog deterioration, digital degradation, drones, microcasettes, arrangement, disarrangement, agreement, disagreement, composition, and decomposition.

credits

released December 21, 2023

decomposition:

written and performed by Max Platitsyn
engineered and recorded by Max Platitsyn
mastered by Caeleigh Featherstone

guitar on “dissolution” and «титры» written, performed, and recorded by Sweet Teeth

educational video and audio sample on “danse decomposition” from «Коррозия металлов, способы защиты от неё»

«что же будет с родиной и с нами?» is a cover of the song «Что такое осень» by the band ДДТ. lyrics by Yuri Shevchuk (Юрий Шевчук).

inspired by Emil Cioran, Philippe Soupault, Harold Budd, Renaldo & The Loaf, Eugeniusz Rudnik, Gavin Bryars, Philip Glass, Steve Reich, Jon Brion, Colin Stetson, Emile Mosseri, Leonard Bernstein, Milton Babbitt, Puce Mary, Sofia Gubaidulina, Delia Derbyshire, Solmaz Sharif, and more.

artwork and design by Max Platitsyn – decomposition triptych, distorted scans of a postcard of H.N. Werkman’s print Composition (1925)

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SUMMORE – New Pain (Self-Released)

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Label Description:

In September 2022, after playing at an intimate venue in Columbus,Ohio the duo stopped for a late night bite at a Waffle House. As they sat parked in their car eating, a drunk driver lost control, and blasted the duo from one side of the parking lot to the other within a second. In an instant, their lives were changed.

They have not stopped. In spite of everything, they found enough strength through their recovery to chronicle their harrowing experience on their second LP, New Pain. Despite their physical and emotional injuries, they continue to persevere in their musical journey.

It has only just begun.

credits

released August 27, 2023

SUMMORE is: Julie Rose & Justin Rose

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Gault – Mirth (Very Much Recordings)

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Label Description:

This band is a dream team scenario to me.

I feel so damn fortunate that such an important collection of musicians would be willing to be in this band, play this music and offer the effort/ energy needed to make it tangible. The sound of Gault is what I would (almost certainly) consider my favorite kind of music; that is, the jazz-adjacent / midwestern eclectic. The sound, approach, history, and stylings of where we are, live and where we are from can be heard fully-alive in this music. To me, each member is a mountain / garden unto themselves: Alex’s 4tet & Small Songs, Abhi’s harsh noise & Turtle Boat, Seth’s countless projects of involvement and Trent’s longstanding band Whirlybirds / other regional outfits.

The name “Gault” comes from a circumstantial unfolding. I searched the word “Gault” (winter of 2020) during a bike ride; it is a street name close to where I live. Because of that moment, many things seemingly unfolded to me (the current business model of search/ social media, the absurdly gradual grid to fulfilling exercise, a relationship to reading and realities of my current family situation). For this reason, I was drawn to the name.

The title “Mirth” comes from the observation of it’s occurrence while being in this band. Mirth= “gladness and merriment, especially when expressed by laughter; jollity; hilarity”. I first saw the word while reading Frank Herbert’s “Dune” (after putting it off for many years lol). When I looked it up, I immediately thought of “us”. It was a quick, strong connection that stuck with me. I like talking to Alex, Abhi, Seth and Trent very much.

Lastly, almost all of these tunes (minus Abhi’s gut-wrencher “Less Than”) came from the occurrence of writing for a band that didn’t exist during the 2020 pandemic era. I had a fever-dream that “if I ever made it out of this” I would want to start THIS band. Well… this is that band.

Every single member is an artist I look to, in whole. They all bring the biggest version of themselves to everything they do creatively. Alex’s horn screams with the voice of 1,000 crying demons; Abhi’s diversity of sound-scape turns my head every time I hear her; when listening to Seth play, you can literally hear him listening all the way “to the ground”; while Trent’s strength and foundation on bass rivals that of 14″ concrete… I adore these people dearly and think the world of them.

This album means a lot to us and I think we really showed up for it. Thanks to our family and friends for being there alongside our interests and pursuits.

with love,

Caleb

credits

released November 17, 2023

Alex Burgoyne: Alto Saxophone
Abhilasha Chebolu: Guitar
Seth Daily: Drums
Caleb Miller: Keyboard and Synth
Trent Sampson: Bass

Recording= Keith Hanlon @ Secret Studio (secretstudiohq.com)
Mixing & Mastering= Caleb @ Crowded Cove

Compositions= Caleb (tracks 1-5, 7), Abhi (track 6)
released by Very Much Recordings (VMR027)
calebismiller.net

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